Genre: Indie Rock
Label Number: JAG284
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AllMusic Review by Marcy Donelson
In the ambivalent opener, "Intern," our heroine reluctantly decides to have one last go at love, foreshadowing with "Doesn’t matter who you are or what you do/Something in the world will make a fool of you." The song's atmospheric electronics, a first for Olsen, brace listeners for that expanded palette from the opening seconds. A couple of tracks later is the infectious "Shut Up Kiss Me." Also unlike any of her prior material, it's an aggressive retro rocker that captures unbridled passion and lust ("I ain't giving up tonight"). Co-dependency sets in on "Give It Up," and insecurity follows on "Not Gonna Kill You," both full-band, electric-guitar tunes. Arrangements get sparer as the subject matter gets more philosophical and despondent, such as on the artful "Sister," a dusty, nearly eight-minute epic that bargains with the future. Soon, "Those Were the Days" wonders "Will you ever know the same love that I know?" The breathy torch song is devoid of the singer's trademark heart-aching yodel, forgoing past country styling for low-key jazz-rock. In stark contrast to some of the other songs on the record, the closer, "Pops," is a solo piano dirge that bookends the album with its somber opener ("I'll be the thing that lives in the dream when it's gone").
While some tracks will surprise established fans, to say that My Woman is a departure or style swap for Olsen doesn't really take into account the album as a whole. The elements that are new here play out like a means to an end for a songwriter with a tale to tell, one chock-full of raw emotions. The songs stand just fine on their own, too, out of context. So, load up the playlists, but consider giving the album a proper front-to-back play through at least once for old time's sake.
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