November 09, 2024

T. Rex - Futuristic Dragon (1994 Remastered Edition)

*Reissued and remastered in 1994 by Edsel Records
This pressings contains 16 tracks total.
Country: United Kingdom
Genre: Glam Rock
Label Number: EDCD394

© 1976-1994 Edsel Records
The most blatantly, and brilliantly, portentous of Marc Bolan's albums since the transitional blurring of boundaries that was Beard of Stars, almost seven years prior, Futuristic Dragon opens on a wave of unrelenting feedback, guitars and bombast, setting an apocalyptic mood for the record which persists long after that brief (two minutes) overture is over. Indeed, even the quintessential bop of the succeeding "Jupiter Liar" is irrevocably flavored by what came before, dirty guitars churning beneath a classic Bolan melody, and the lyrics a spiteful masterpiece. While the oddly Barry White-influenced "Ride My Wheels" continues flirting with the neo-funk basics of 1975's Bolan's Zip Gun, the widescreen sonic majesty of Futuristic Dragon was, if anything, even more gratuitously ambitious than its predecessor. "Calling All Destroyers," "Sensation Boulevard" and the magnificent "Dawn Storm" all bristle with lyrical splendor, while "Casual Agent" revisits some older glories with its near-slavish re-creation of the old "Rip Off" vibe. But if the other tunes pursue Bolan's new-found fascination for pomp over pop with barely disguised glee, he wasn't above slipping the odd joke into the brew to remind us that he knew what he was doing. "Theme for a Dragon" is an all-but Wagnerian symphonic instrumental -- with the sound of screaming teenyboppers as its backdrop, and the punch line lurking further afield among the handful of obvious hits which he also stirred in. The first of these, the big-budget ballad "Dreamy Lady," scored even before the rest of the album was complete. It was followed by the idiotically contagious "New York City," a piece of pure pop nonsense/genius which so effortlessly returned him to the British Top 20 that, for a few weeks through mid-1976, the idea of seeing "a woman coming out of New York City with a frog in her hand" really didn't seem as silly as it sounded. And when he followed that up with the rhythm'n'punk swagger of "I Love to Boogie," few people would deny that Bolan was on the way back up. That particular gem would be featured on his next album, 1977's Dandy in the Underworld; the Edsel remaster of Futuristic Dragon does, however, wrap up three further cuts from the era, the single sides "Laser Love," the languid "Life's an Elevator" and, best of all, "London Boys," a piece of undisguised childhood nostalgia which was allegedly written about David Bowie, one of Bolan's teenaged running mates. The song, incidentally, was drawn from a proposed concept album, ambitiously titled "London Opera" (one of two Bolan was then considering, the other was the sci-fi themed Billy Super Duper). The project was never completed, however -- for something else was stirring in the capital's bowels, that snarling monster which emerged as punk. And the moment Bolan saw it, he knew precisely what it represented. He began work on a new album right away.

 tags: t rex, futuristic dragon, 1976, 1994, flac, remaster, 

T. Rex - Dandy In The Underworld (1977)

*This is the German first pressing. 
Contains 12 tracks total.
Country: United Kingdom
Genre: Glam Rock
Label Number: 2292-43946-2

© 1977-1987 TELDEC
Marc Bolan welcomed the advent of punk rock with the biggest smile he'd worn in years. The hippest young gunslingers could go on all night about the influence of the Velvet Underground, the Stooges, and the Ramones, but Bolan knew -- and subsequent developments proved -- that every single one of them had been nurtured in his arms, growing up with the ineffable stream of brilliant singles he slammed out between 1970-1972, and rehearsing their own stardom to the soundtrack he supplied. With tennis racquet guitars and hairbrushes for mikes, they stood before the mirror and practiced the Bolan Boogie. Of course, most punks only knew three chords. That was all Marc ever taught them. Dandy in the Underworld, released early in 1977, confirmed Bolan's punkoid preeminence. Still retaining its predecessors' demented soul revue edge (most successfully via the yearning "Soul of My Suit") but packed solid with powerful pop (the previous summer's hit "I Love to Boogie" included), Bolan's personal predictions for the punk scene literally exploded out of the grooves. The title track and the churning "Visions of Domino" all bristle with revitalized energy, while "Jason B. Sad" cheekily medleys Bolan's own "Bang a Gong" and "Telegram Sam" melodies into a dead-end drama utterly in keeping with the new wave's own belief that the future was futile. By the time the album wraps up with the rock'n'armageddon-flavored "Teen Riot Structure," Bolan was not simply wearing the mantel of punk godfatherhood, he was happily sticking safety pins through it and preparing his next move, the driving "Celebrate Summer" single -- absent from the original album, but included now as one of five bonus tracks appended to the Edsel remaster. Riding in on buzzsaw guitar and thundering bass, it packed a killer chorus and an uplfting message ("Hey little punk, forget that junk and celebrate summer with me") and it really was the greatest record he'd made in years. It was also his last -- a month after its release, Marc Bolan was dead. Sorrow immediately imbibed Dandy in the Underworld with a dignity that, had Bolan lived, it probably wouldn't have otherwise deserved -- it is not, overall, one of his strongest albums, and the demos and outtakes included on the later volumes of the Unchained series suggest that his proposed next album would have left it far behind. But conjecture, like hindsight, can be a dangerous gauge. At the time, Dandy not only seemed bloated with promise, it was pregnant with foreboding as well. Listen again to the lyrics of the title track -- self-mythologizing autobiography and not a happy ending in sight. Just like real life.

 tags: t rex, dandy in the underworld, 1977, 1987, flac,

Various Artists - True Romance (Motion Picture Soundtrack) (1993)

Country: U.S.A.
Genre: Film Score, Trance, Grunge, Pop Rock
Label Number: 2959-20017-2

© 1993 Morgan Creek Records
While the film was directed by Tony Scott, it's easy to see the imprint of writer Quentin Tarantino on the soundtrack to 1993's True Romance. With an eclectic track list that includes the dreamy drift of Chris Isaak's "Two Hearts," Soundgarden's crunching yet melodic "Outshined," and the late-night pulse of Nymphomania's "I Want Your Body," the collection shares the frantic, all-over-the-map feeling of the film, pushing and pulling listeners in a million different directions while they try to find their bearings. Unlike some of Tarantino's other soundtracks, True Romance isn't necessarily essential listening, but for fans of the film, it makes for a nice stroll through the film's strange but romantic world.

 tags: various artists, true romance, motion picture soundtrack, ost, 1993, flac,

October 22, 2024

Ash - Trailer (Promo CD) (1995)

*This is a promotional disc not intended for consumer sale.
This is the US pressing issued in 1995. 
Contains 11 tracks total.
A photo of the disc is included in the RAR file.
Country: United Kingdom
Genre: Punk Rock, Power Pop
Style: Pop Punk
Label Number: 9 45985-2

© 1994-1995 Reprise Records
Imagine classic punk maneuvers crossed with Nirvana- and Dinosaur Jr.-style leanings, goosed by a bolt of Mega City Four, and you've got this Irish trio's reference points. Such a blueprint sounds unimaginative on paper, but singer-guitarist Tim Wheeler's relentlessly catchy confections stand up to the Britpop vanguard's finest hours. Not surprisingly, then, the band's recorded debut emphasizes stripped-down velocity over finesse. Such priorities aren't surprising, since the band began racking up U.K. indie chart hits before graduating high school! (The original version of Trailer appeared in 1994, on Infectious Records.) Still, why quibble about Ash's influences, when the goods are so emphatically delivered? "Punk Boy" and "Jack Names the Planets" could give Green Day a run for its pop-punk roses, while grungier tracks like "Hulk Hogan Bubblebath" stay heavy, without losing their melody. "Day of the Triffids," which references the similarly titled English thriller, points to the band's love of all things extraterrestrial. The standout track is "Petrol," a characteristically deft exercise in soft-loud, start-stop dynamics that points to the band's maturity -- which included layered harmonies, greater tracking of guitars, and even orchestration, if required. More than a decade after they formed in their native Belfast, Ash's rugged individuality remained intact; here's where it all began. Heavy guitar devotees shouldn't miss this one.

 tags: ash, trailer, promo, 1994, 1995, flac,

Seven Day Diary - Skin & Blister (Promo CD) (1995)

*This is a promotional disc not intended for consumer sale. 
A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Alternative Rock
Label Number: 9 45870-2

© 1995 Warner Bros. Records
Fronted by lead singer/guitarist Pamela Laws and bassist Nancy Hess, the northern California quintet Seven Day Diary's full-length debut, Skin and Blister, is an engaging and occasionally superb album. Musically, they start off as a little bit of the Pixies, adding some lovely female harmonies and polishing everything a bit with Gil Norton's production help. Laws sounds a bit like Pat Benatar fronting Belly on the more driving rockers, like on the tumbling "Starfish" and the driving "Today and Everyday." The galloping jangle pop and coy lyrics make "Air" a breezy standout. Skin and Blister is wonderfully dynamic and the folk-rock and dreamy vocals make "He Can" another strong track, showcasing the band's pop sensibilities. It's a debut well worth checking out.

 tags: seven day diary, skin and blister, 1995, promo, flac,

October 20, 2024

Various Artists - The Goonies: Original Motion Picture Soundtrack (1985)

Country: U.S.A.
Genre: Pop Rock, Pop, R&B, Film Score
Label Number: EK 40067

© 1985 Epic
*No professional reviews are available for this release. 

tags: various artists, the goonies, original motion picture soundtrack, ost, 1985, flac,

Various Artists - Freejack Soundtrack (1992)

Country: U.S.A.
Genre: Hard Rock, Alternative Rock, Pop Rock, Film Score
Label Number: 2959-20008-2

© 1992 Morgan Creek Records
*No professional reviews are available for this release.

tags: various artists, freejack soundtrack, ost, flac,

Mumbleskinny - Hinge (1997)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Post Grunge
Label Number: 17752-2

© 1993 Giant Records
*No professional reviews are available for this release.

tags: mumbleskinny, mumble skinny, hinge, 1997, flac,

October 14, 2024

Various Artists - Barb Wire: Original Motion Picture Soundtrack (1996)

Country: U.S.A.
Genre: Hard Rock, Alternative Rock, Pop Rock
Label Number: 828 746-2

© 1996 London Records
Ah, soundtracks: arbitrary solo cuts only the most ardent fan would seek out, and throwaway tunes the artist couldn't care less about. This aural companion to Pamela Anderson's sexpot vehicle actually has some interesting, if not brilliant, moments of entertainment; and as a whole, the CD definitely cooks. Shampoo certainly comes through with a most excellent contribution wrapped around the heroine's catch phrase "Don't Call Me Babe (later to appear on the Jawbreakers soundtrack)." Fellow femme fatales (with one dude in tow) Die Cheerleader prop Patti Smith. And how can you lose when you cover Nick Gilder (Hagfish does "Hot Child in the City") or "Word Up" (Gun blasts the Cameo classic). True, the smoking Gun number loses some impact without a soaking wet Anderson gyrating along during the opening credits, but at least you don't have to sit through the rest of the movie. The seeds of Methods of Mayhem can be heard in then-hubby Tommy Lee's first real solo shot, "Welcome to Planet Boom." Also shorn of their respective bands, Michael Hutchence and Johnette Napolitano roll out a couple drive-bys: the former another retread remake, the latter a real rocker. As with any compilation, many of these tracks now appear on more worthy collections; the other tunes, like most parent soundtracks, fell through the cracks.

 tags: various artists, barb wire, barbwire, original motion picture soundtrack, ost, 1996, flac,

Basil Poledouris - Free Willy - Original Motion Picture Soundtrack (1993)

Country: U.S.A
 Genre: R&B, Film Score
Label Number: EK 57280

© 1993 Epic
The soundtrack to the warm-hearted children's film Free Willy was a collection of pleasant incidental music and immaculately produced adult contemporary-oriented pop songs, like Michael Jackson's theme song, "Will You Be There." All of the music blends fairly well together, but fails to sustain interest throughout the record.

 tags: basil poledouris, free willy, original motion picture soundtrack, ost, 1993, flac,

Suzi Quatro - Can The Can (1997 Reissue) ☠

*Reissued in 1997 by RAK
This pressing contains 13 tracks total 
and non-remastered audio
Country: U.S.A.
Genre: Glam Rock
Label Number: 7243 8 52351 2 2

☠: Selected by Buccaneer
© 1973-1997 RAK
As glam rock debut albums go, you'll have to search a long way to find one that outclasses Suzi Quatro's opening shot. Though her fame and, of course, her hit singles thus far were based around songwriters Nicky Chinn and Mike Chapman's guileless ability to crank out the classics, away from the glare of TV and radio play the pair allowed Quatro and partner Len Tuckey full rein. The result was an album of several very distinct parts, inextricably linked by the sheer power of the Quatro personality. The heart of Suzi Quatro lies in the band's choice of covers. Harking back to Quatro's years in Detroit clubland, there's a Slade-meets-Stonesy grind through "I Wanna Be Your Man," a raucous blast through "All Shook Up," and, restating the song's claim to be the best rock & roller any Briton ever wrote, Johnny Kidd's "Shaking All Over," garageland sexuality oozing out from every pore. Chinnichap's "Primitive Love," one of the finest songs that the duo ever left unnoticed on an LP, then echoes that same intent, seething percussion and unearthly crowd sounds building around a jungle chant that reduces Quatro's characteristic cries to a breathy growl that is pure animal seduction. Of Quatro/Tuckey's own contributions, "Glycerine Queen" (already familiar from a B-side) and "Shine My Machine" are the most in character, straightforward rockers bolstered by the band's already trademark roiling rhythm. "Skin Tight Skin," on the other hand, is the most adventurous, bucking the formula in favor of a slow swing and a vocal that is straight out of West Side Story. Suzi Quatro remains one of the most nakedly sexual albums of the entire glam rock epoch -- and one of the hottest debuts of the decade.

 tags: suzi quatro, can the can, 1973, 1997, reissue, flac,

Mott The Hoople - The Hoople (1974) ☠

*This is a repress of the original 1974 LP pressing on CD. 
Contains 9 tracks total and non-remastered audio.

Country: United Kingdom
Genre: Glam Rock
Label Number: CK 32871
☠: Selected by Buccaneer
© 1974 Columbia Records
Mott was so good that the sequel, appropriately named The Hoople, has been unfairly dismissed as not living up to the group's promise. No, it doesn't compare to its predecessor, but most records don't. The bigger problem is that Mick Ralphs chose to leave during the supporting tour for Mott, leaving Ian Hunter as the undisputed leader of the group and subtly changing the character of the band's sound. Even with Hunter as the band's main songwriter, Ralphs helped shape their musical direction, so without a collaborator in hand, Hunter was left without a center. It isn't surprising that the record seems a little uneven, both in terms of songwriting and sound, but it's hardly without merit. "Roll Away the Stone," a leftover from Mott, is first-rate; "Crash Street Kidds" rocks viciously; "The Golden Age of Rock & Roll" is a pleasant spin on Bowie-esque nostalgia (think "Drive-In Saturday"); and Overend Pete Watts follows through on that theme with "Born Late '58," a perfectly credible rocker. This all makes The Hoople an entertaining listen, even if it doesn't compare to Mott's earlier masterpieces.

 tags: mott the hoople, the hoople, 1974, flac, repress,

Various Artists - Tommy Boy (The Movie) (Music From The Paramount Motion Picture) (1995)

Country: U.S.A.
Genre: Alternative Rock, Pop Rock, Pop
Label Number: 9 45904-2

© 1995 Warner Bros. Records
Tommy Boy is a standard-issue collection of mediocre, mainstream alternative rock featuring no distinctive cuts, even though it has big names like R.E.M.

 tags: various artists, tommy boy, the movie, music from the paramount motion picture, ost, soundtrack, 1995, flac,

October 09, 2024

Sammie - From The Bottom To The Top (Promo CD) (2000)

*This is a promotional disc not 
intended for consumer sale. 
Contains 14 tracks total.
A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: R&B
Label Number: CDP 7243 5 23168 2 3

© 2000 Freeworld Entertainment/Capitol Records
There's no mistaking little Sammie for Sammy, the post-Pavement indie-rock combo of the mid-'90s. No, Sammie is an urban R&B singer. He's also a kid, not that you'd really be able to tell that from a cursory listen of his debut album, From the Bottom to the Top. At times, his voice does sound a little thin, but for the most part, it's surprisingly soulful and convincing -- not as stunning and assured as the young Michael Jackson, but certainly a lot better than most child singers. If he's not yet skillful enough to disguise the sometimes uneven material, that's still forgivable, because the tracks that do work, work really well. By and large, those are the songs written and produced by executive producer Dallas Austin, who keeps the beats fresh and light and the hooks strong and catchy -- particularly on uptempo numbers like the opener "The Bottom" and "Can't Let Go," featuring Lloyd of N'Toon. That's not to say that other producers and writers come up empty or that Sammie can't handle slower songs -- the midtempo soul of "Crazy Things I Do," produced and written by C. "Tricky" Stewart, is proof that he can -- but he sounds his most infectious when the beat is a little faster and the hooks are a little sharper. Perhaps that's due to the songwriting, which gets a little undistinguished as the tempo slows, or perhaps it's due to the fact that while Sammie is an impressive talent, he has yet to mature. Either way, the end result is the same: From the Bottom to the Top is entertaining, but not always engaging. Still, we have to remember that this is a debut album from a child singer. Judged on that basis, it's charming and, at times, impressive. Sammie does well this time out, and he'll probably do better next time around.

 tags: sammie, from the bottom to the top, promo, 2000, flac,

October 07, 2024

China - Sign In The Sky (1989)

*European first pressing. 
Contains 13 tracks total.
Country: Switzerland
Language: English
Genre: Hard Rock
Label Number: 842 247-2

© 1989 Vertigo
*No professional reviews are available for this release

 tags: china, sign in the sky, 1989, flac,

China - Go All The Way (1991)

*European first pressing. 
Contains 15 tracks total.
Country: Switzerland.
Language: English
Genre: Hard Rock
Label Number: 848 715-2

© 1991 Vertigo
*No professional reviews are available for this release. 

 tags: china, go all the way, 1991, flac,

Various Artists - Music From & Inspired By The Motion Picture Pootie Tang (2001)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: R&B, Hip-Hop
Label Number: HR-62329-2

© 2001 Hollywood Records
By mixing older classics with a number of new songs by contemporary artists, the Pootie Tang soundtrack makes for a fun listen, even if it's not as loaded with superstars and potential hit singles as the other rap/urban soundtracks of 2001. There are a trio of songs that were commissioned specifically for the film -- 702's "Pootie Tangin," Karl Clanton's "Why Pootie Why?," and "Ode to Pootie," written and produced by Prince Paul -- all three of which are standout moments on the soundtrack. Elsewhere, the older classics -- Bell Biv DeVoe's "Poison" and Zapp's "I Want to Be Your Man" -- obviously stand out for not only nostalgic reasons but also because these are amazing songs that faded into obscurity a bit over the years. There's also a remix of Master P's roof-raising "Make Em Say Ugh" that isn't really that much different from the original in terms of production, but features new rhymes by P, Silkk the Shocker, Mia X, and Snoop Dogg -- this should interest Dirty South fans, as should the admittedly impressive "Dirty Dee," another above-average No Limit contribution. Erykah Badu's "Southern Woman" seems almost effortless, with her singing some insightful lyrics over a sparse human-beatbox track courtesy of Razhel, but it's a wonderful moment thanks to its modesty. Another song worth checking out is Roscoe and Nate Dogg's "Yesterday," yet another stunning moment for the latter smooth-voiced vocalist who seems to be everywhere in 2001. This leaves only a few other tracks of acceptable though not impressive quality on this relatively brief 14-song, 55-minute soundtrack. This lack of exhaustive filler is in fact welcome, and makes the soundtrack a more satisfactory listen. Pootie Tang isn't quite as jaw-dropping as the Baby Boy soundtrack, for the sake of comparison, but it's yet another impressive rap/urban soundtrack for the already soundtrack-heavy summer of 2001.

 tags: various artists, music from and inspired by the motion picture pootie tang, ost, soundtrack, 2001, flac,

October 02, 2024

Various Artists - Bait: Music From & Inspired By The Motion Picture (2000)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop, R&B
Label Number: 9 47859-2

© 2000 RuffNation Records/Warner Bros.
The original soundtrack to Jamie Foxx's action/comedy Bait features a contemporary mix of hip-hop and R&B from Memphis Bleek, Scarface, Fat Joe, Donell Jones, Mya, and Ramsquad. Nelly & the St. Lunatics' "Icey," Total & Missy Elliott's "Quick Rush," Trick Daddy's "Can't F**k With Me," and Liz Leite's "L.I.Z." are some of the album's highlights, along with performances by Beanie Sigel, No Question, Sonz of Sacrifice, and Majusty.

 tags: various artists, bait, music from the and inspired by the motion picture, ost, soundtrack, 2000, flac,

Various Artists - Hardball: Music From The Motion Picture (2001)

*A photo of the disc is included ion the RAR file.
Country: U.S.A.
Genre: Hip-Hop, R&B
Label Number: CK 86025

© 2001 So So Def Recordings/Sony Music Soundtrax
Hardball. Let's face it. The movie is The Bad News Bears set in inner city Chicago, with a love story thrown in just for good measure. The soundtrack feels like it was made for Lil' Bow Wow, so its no surprise that the pint-sized rapper shows up on more than one track. The collection bounces back and forth from lighthearted hip-hop, like "Where's the Party At" and "Big Poppa," to heavier street songs like "Ghetto" and "You Can't Break Me." Much of the album is mediocre R&B and rap, but Mobb Depp's "Play," a soulful call to city youths, is a true gem. The songs are full of cute little baseball references and there's even an urbanized version of "Take Me out to the Ball Game." The soundtrack closes with a saccharine-sweet ballad from Xscape, just to let you know that this story has a happy ending.

 tags: various artists, hardball, music from the motion picture, soundtrack, ost, 2001, flac,

September 26, 2024

Various Artists - The Karate Kid: Original Movie Soundtrack (1984)

*First pressing. 
Contains 10 tracks total.
Country: U.S.A.
Genre: Hard Rock, Pop Rock, Pop
Label Number: 551 136-2

© 1984-1995 Karussell/Spectrum Music
*No professional reviews are available for this release.

 tags: various artists, the karate kid, original movie soundtrack, ost, 1984, flac,

Various Artists - Music From & Inspired By Shaft (2000)

Country: U.S.A.
Genre: Funk, R&B, Hip-Hop
Label Number: 73008 26080-2 RE-1

© 2000 LaFace Records
Music/Film composer David Arnold has a few popular box office film scores under his belt, including The World Is Not Enough (1999), Tomorrow Never Dies (1997), Godzilla (1998), and Independence Day (1996). How did he land the lackluster deal for the action thriller Shaft?

Isaac Hayes, of course, is the only originator to this classic namesake. His "Theme From Shaft" is a '70s standard, therefore, it carries things this time around as well. There is more of an urban, gangsta rap tone to this version -- unexpected, but not surprising. West Coast rapper Too $hort claims he was never a sucker, getting nasty ghetto-style on "Pimp Sh*t." Things get even raunchier with songs from hoarse-throated beatboxer Mystikal, OutKast, and Goodie Mob's Big Gipp. But Shaft is known for being smooth, too. R. Kelly and Donell Jones attempt to lay the lights down low, but time is cheap. Shaft does not uphold its original musical savvy. Once is enough, and sadly only an average resurrection to one of the '70s signature funkadelic anthems.

 tags: various artists, shaft, music from and inspired by shaft, ost, 2000, flac,

Various Artists - Honey: Music From & Inspired By The Motion Picture (2003)

Country: U.S.A.
Genre: Hip-Hop, R&B, Dancehall
Label Number: 62925-2

© 2003 Elektra Records
Not surprisingly for a film that looks and plays like a cross between Glitter and Save the Last Dance, Honey's soundtrack features a lot of stylish, danceable hip-hop and urban pop, led by Missy Elliot's "Hurt Sumthin" and Fabolous' "Now Ride," one of the biggest rap hits at the time of the movie's release. Indeed, with the inclusion of tracks like Sean Paul's "Gimme the Light," Nate Dogg's "Leave Her Alone," and Tweet's "Thugman," the soundtrack does almost as good a job of rounding up hip-hop and urban trends in 2003 as that year's Now That's What I Call Music! collections did. Blaque's "I'm Good" and Tamia's "It's a Party" are two of the album's most infectious tracks, while Amerie's "Think of You," Goapele's "Closer," and Yolanda Adams' "I Believe" edge closer to standard urban balladry. Erick Sermon's "React" and Mark Ronson's "Ooh Wee" are a couple of the other hip-hop highlights of this soundtrack, which isn't always inspired but does work well as a kinetic set of hip-hop and urban music.

 tags: various artists, honey, music from and inspired by the motion picture, 2003, flac,

September 23, 2024

Various Artists - Ghostbusters (Original Soundtrack) (1984)

*U.S. first pressing. 
Contains 10 tracks total.
Country: U.S.A.
Genre: Pop Rock, Pop, Film Score
Label Number: ARCD-8246

© 1984-1985 Arista
The soundtrack for the 1984 blockbuster comedy Ghostbusters, which starred Bill Murray, Dan Aykroyd, and Harold Ramis as a New York-based team of spook exterminators, follows the most common soundtrack formula for summer blockbuster hits: throw on a bunch of pop songs that were heard in the movie only for a few seconds, combine them with a couple of excerpts from the original score, and -- voila! -- you have a soundtrack album that makes for a very disjointed, schizophrenic listen, and does very little to conjure memories of the film. The major exceptions to the latter complaint, the songs which do conjure memories of the movie, are the two tracks from Elmer Bernstein's score, Mick Smiley's "Magic," which played a major role in the film, and the witty Ray Parker, Jr. theme song, "Ghostbusters," which earned him an Academy Award nomination for Best Song. (He lost to Stevie Wonder's "I Just Called to Say I Love You.") Years later, Parker's refrain of "Who you gonna call?" has remained a part of the cultural lexicon. As for Bernstein's contribution, he has a tendency to write film music characterized by eerie keyboard meanderings which add little to the scenes he writes for.

 tags: various artists, ghostbusters, original soundtrack, ost, 1984, 1985, flac,

The Immortals - Mortal Kombat: The Album (1994)

Country: Belgium
Language: English
Genre: Techno
Label Number: 7243 8 39629 2 1; YARDCD8

© 1994 Vernon Yard Recordings
*No professional reviews are available for this release.

 tags: the immortals, mortal kombat the album, ost, 1994, flac,