May 31, 2021

Various Artists - Wild Wild West: Music Inspired By The Motion Picture (1999)

 
*A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: Hip-Hop, R&B, Pop
Style: Pop Rap
Label Number: INTD-90344
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© 1999 Overbook/Interscope Records
AllMusic Review by Stephen Thomas Erlewine
It's easy to complain about big-budget soundtracks to big-budget blockbusters, whining that they're as calculated as the film to reach a certain audience. That's always true -- as much as it is true of the film itself -- since whenever there's a lot of money involved, a certain amount of calculation is inevitable. The key is whether the artists behind the expensive machinations have enough charm and showbiz flair to make you forget the calculation and just smile, thrilled that you're being taken for a ride. That's the case with the soundtrack for the Barry Sonnenfeld-directed, Will Smith/Kevin Kline showcase Wild Wild West -- it's shiny and commercial, but it has enough craft and humor to keep it entertaining, even during the slow spots. Like in the film itself, Smith takes the center stage, once again proving that he's an entertainer of enormous charm. His title track -- which shamelessly borrows from Stevie Wonder and Kool Moe Dee (who also is on the cut, along with Dru Hill) -- is giddy, irresistable summer fun that sets the pace for a record that feels breezy even though it clocks in at an hour. Sure, there are some slow moments on the record, but not enough to bog down the momentum set by such highlights as BLACKstreet's seductive "Confused," Enrique Iglesias' appealingly lightweight "Bailamos," Dr. Dre and Eminem's cartoonishly menacing "Bad Guys Always Die," Faith Evans' smooth "Mailman," and Slick Rick's typically stunning "I Sparkle." These may not rank as major moments for any of these artists, but they're all entertaining and elevate Wild Wild West to a fine summer party album.

tags: various artists, wild wild west, music inspired by the motion picture, ost, soundtrack, 1999, flac,

Daisuke Ishiwatari - Guilty Gear XX: The Midnight Carnival (Original Soundtrack) (2002) ☠

 
*Japanese pressing. 
This is a 2 disc set. 
A photo of the 2 CD's and the OBI slip 
are in included in the RAR file.
Country: Japan
Label Number: KDSD-00170
Genre: Heavy Metal, Symphonic Metal
Style: Instrumental
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☠: Selected by Sentinel
© 2002 Scitron Digital Content
*No professional reviews available for this release.

tags: daisuke ishiwatari, guilty gear xx original soundtrack, ost, the midnight carnival, 2002, flac,

Daisuke Ishiwatari - Guilty Gear 2: Overture (Original Soundtrack Vol. 2) ☠

*Japanese pressing. 
This pressing contains the BGM's 
for the characters in the video game. 
A photo of the disc is included in the RAR file.
Country: Japan
Label Number: KDSD-00170
Genre: Heavy Metal, Symphonic Metal
Style: Instrumental
☠: Selected by Sentinel
© 2008 Team Entertainment Inc.
*No professional reviews available for this release.

tags: daisuke ishiwatari, guilty gear 2 overture soundtrack, original soundtrack, vol 2, 2008, flac,

Black Sheep - A Wolf In Sheep's Clothing (1991)

 
*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: 848 368-2
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© 1991 Mercury Records
AllMusic Review by John Bush
Playfully satirical, witty, and incredibly imaginative, A Wolf in Sheep's Clothing introduced one of the freshest talents in early-'90s rap, a self-produced duo who caught the tail end of the Native Tongues family. Though Dres and Mista Lawnge didn't match the brilliant wordplay of A Tribe Called Quest or De La Soul, their topics were well-chosen, they were presented in a hilarious context, and every song was backed up by strong productions and great rapping. A Wolf in Sheep's Clothing wasn't a comedy record, but it was difficult to tell when the duo were half-serious or half-joking, especially since they were often the objects of their jokes. They poked fun at many aspects of black music and culture of the early '90s, everything from the persuasive gangster mentality ("U Mean I'm Not"), obsessions over the Afrocentric viewpoint ("Are You Mad?"), and lewd sex raps ("La Menage"), as well as an amusingly incorrect response to feminism ("L.A.S.M."). They also dropped a few of the best hip-hop club tracks of the era, the insanely catchy items "The Choice Is Yours (Revisited)," "Try Counting Sheep," and "Flavor of the Month." (Another smooth dance tune, "Strobelite Honey," was dreadfully honest about girls who look better under the lights than upon closer inspection.) Polar opposites to the ranks of somber political rappers, and deftly counteracting the indulgence and self-seriousness of many alternative groups, Black Sheep hit a height with their debut that few hip-hop acts would ever reach.

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tags: black sheep, a wolf in sheeps clothing, 1991, flac,

Black Sheep - Non-Fiction (1994)

 
*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: P2 22685
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© 1994 Mercury Records
AllMusic Review by John Bush
Three years isn't an especially long time between albums, but in hip-hop an epoch separated 1991 from 1994. That made it especially difficult for Black Sheep to follow up their prescient debut, and unfortunately, it appeared they'd run out of significant ideas after just one LP. Non-Fiction is bland where A Wolf in Sheep's Clothing was exciting, stiff and rigid instead of dexterous, and most astonishing of all, unreflective and self-serious where their debut had been imaginative and playful. "Autobiographical" is an interesting opener, telling the story of Black Sheep's transition from New York to Carolina and back, but despite some smooth raps and interesting wordplay, nothing else here says anything. The smooth club single "Without a Doubt" is the only track catchy enough to rank with the first record, and Black Sheep's sharp social critiques were entirely missing. Similar to the Pharcyde, their stylistic brothers from the West Coast, the sophomore slump hit Black Sheep particularly hard, and practically destroyed them as creative artists.

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tags: black sheep, non fiction, 1994, flac,

Special Ed - Youngest In Charge (1989)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: PCD-1280
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© 1989 Profile Records
AllMusic Review by M.F. DiBella
In 1989, at the tender age of 16, Brooklynite Special Ed burst on the scene with enough talent and swagger to stake his claim among hip-hop's big boys. For Special Ed, MC stands for master of cleverness, and Youngest in Charge is replete with it. The gifted manchild boasts a versatile repertoire, using various lyrical styles and rhymes spiked with punchlines and metaphors that indicate wisdom beyond his 16 years. The meat of the album lies in its first three tracks. The opening cut, "Taxing," is Ed's coming-out party as he kicks entertaining verses over a slickly produced, squealing guitar-riff-laced track produced by Howie Tee. The following track is a masterpiece, Ed's claim to hip-hop immortality, "I Got It Made." It's four-plus minutes of artful arrogance, an instant hip-hop classic and anthem for all precocious hip-hop-heads of the era. To round out the trio comes "I'm the Magnificent," a continuation of Ed's bragging rights over a sample from "Shantytown" (off Jimmy Cliff's The Harder They Come soundtrack). Because the first three tracks are so stellar, the rest of the album seems to be something of an afterthought; however, the remainder of the album does contain a few jewels. "The Bush," Ed's ode to his stomping grounds of Flatbush, features a sample of Al Green's "Love and Happiness," while "Think About It" is Ed's warning to those who wish to test his supremacy on the mic. On "Heds and Dreds," Ed flips a dancehall cadence to show his West Indian heritage. Youngest in Charge is a delightful release from a young hip-hop pioneer, a demonstration of the Edenic age of hip-hop when youthful exuberance and expression were highly valued.

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tags: special ed, youngest i  charge, 1989, flac,

Special Ed - Legal (1990)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: PCD-1297
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© 1990 Profile Records
AllMusic Review by Alex Henderson
If you asked most hip-hoppers of the late '80s or early '90s what the main difference between East Coast and West Coast rappers was, they would have explained that while West Coast rappers were primarily concerned with beats and lyrics, the top priority of East Coast rappers was their rapping technique. Having interesting lyrics à la Ice-T and Ice Cube or impressive tracks à la Dr. Dre would get you respect in L.A., San Diego, or Oakland, but if you were an aspiring MC in Queens, Philadelphia, or Atlantic City, the best way to earn the respect of your homeboys and homegirls was showing off your flow or rhyming technique. Around 1989-1991, Special Ed was among the East Coast's most respected rappers, and the thing that earned him so much respect was the type of excellent technique he brought to his second album, Legal (so named because he had turned 18). Produced by Hitman Howie Tee, the main purpose of this CD is showing off Ed's rapping skills -- and, to be sure, they're quite solid. That said, the album's best moments come when he tells some type of story instead of simply boasting and displaying his technique. "Livin' Like a Star" and "The Mission" demonstrate that the Flatbush, Brooklyn native can be a funny and clever storyteller when he puts his mind to it; the problem is that he doesn't do nearly enough storytelling. This is a generally likable effort, although it certainly isn't without its limitations.

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tags: special ed, legal, 1990, flac,

Special Ed - Revelations (1995)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: PRO-1463-2
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© 1995 Profile Records
AllMusic Review by Alex Henderson
Five years passed between Special Ed's sophomore effort, Legal, and his third album, Revelations. The Brooklyn native was 23 when this CD came out, and the hip-hop landscape had gone through its share of changes since Ed's emergence as a teenager in the late 1980s. So the rapper adjusted his flow to appeal to 1995 tastes, but he was still quite recognizable as Special Ed -- and he was still a technique-oriented boasting rapper first and foremost. Boasting, in fact, is about all he does on Revelations. But as clever as many of his boasts are, hearing nothing but bragging can wear thin after awhile. A few songs into the album, you're admiring Ed's flow but wishing he would talk about something other than how great a rapper he is and how inferior rival MCs are. And after over an hour of hearing nothing but boasting and nothing but technique, you're painfully aware of how limited this approach can be. Revelations isn't a bad album by any means, but it could have used some variety.

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tags: special ed, revelations. 1995, flac,

May 30, 2021

Missing Persons - Rhyme & Reason (2021 Remastered Edition)

 
*Reissued & remastered in 2021 by Capitol Records 
as part of the Rubellen Remasters series. 
This pressing contains 3 bonus tracks. 
Contains 13 tracks total. 
A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: New Wave
Label Number: RUBY17CD
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© 1984-2021 Capitol Records
AllMusic Review by Alex Ogg
Though some consider this to be Missing Persons' best album, it is, in essence, a catalog of flawed ambition and missed opportunities. For other, more sober critics, the band's moment had passed and they were in serious danger of outstaying their welcome. Trite rock songs such as "Surrender Your Heart" did little to assuage that opinion. The one clawback is "Give," the least obvious and least expansive track on a record that singularly fails to adhere to those values elsewhere.

tags: missing persons, rhyme and reason, 1984. 2021, remaster, reissue, rubellen, flac,

The Apples In Stereo - Trick Noisemaker (1995) ☠


Country: U.S.A.
Genre: Indie Rock
Label Number: spart 042
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© 1995 spinART Records
AllMusic Review by Stewart Mason
One of the defining albums of the mid-'90s indie scene, the Apples in Stereo's full-length debut is one of those records that marks a sea change in musical attitudes, akin to Mudhoney's "Touch Me I'm Sick" or Pavement's early singles. Besides being the breakthrough release of the Elephant 6 collective, which alone is responsible for many of the better albums of the decade, Fun Trick Noisemaker is the album that defines the post-grunge indie pop shift from sullen negativity into a kind of cockeyed, giddy optimism, and is also among the handful of albums that turned Brian Wilson, Arthur Lee, and Burt Bacharach into cool names to drop at the record store. The album opens with a plundered bit of sonic ephemera from an old stereo-effects demonstration record that plunges directly into the manic throb of "Tidal Wave," where Hilarie Sidney's thudding drums sound like "I Want Candy" on speed and Robert Schneider's goofy mixed-metaphor lyrics and boyish vocals blend with sci-fi vintage synth whooshes and a killer fuzz-guitar riff out of the Fillmore West's heyday. From that breathless start, the album skips blithely from high point to high point, like the sugar-sweet bubblegum melody and "la la la" harmonies of "Glowworm" and the hyperspeed rush of the Buzzcocks-meet-the Banana Splits "Dots 1-2-3." Childlike songs like Sidney's lone vocal showcase, "Winter Must Be Cold," add a charmingly naïve sensibility to what could otherwise be a collection of ideas plundered from impossibly hip record collections. Several years' worth of albums covering the same territory might have dulled the album's freshness just a touch, and the group's technical competence would grow with each successive album, but Fun Trick Noisemaker is a minor masterpiece.

tags: the apples in stereo, trick noisemaker, noise maker, 1995, flac,

Various Artists - Music From The Motion Picture Soundtrack: New Jack City (1991)

 
*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop, R&B
Style: Gangsta Rap
Label Number: 9 24409-2
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© 1991 Giant Records
AllMusic Review by Steven McDonald
This soundtrack, from Mario Van Peebles' hit movie New Jack City, is a fairly good cross section of rap, house, and R&B styles, in keeping with the attitude of the movie (a violent cop vs. crack lords drama). There's no "Theme from Shaft" for the '90s here, but there are some slammin' sides all the same -- the album kicks right into high gear with Ice-T's "New Jack Hustler (Nino's Theme)," a nonstop barrage of beats, samples, and furious rhymes. F.S. Effect manage to convey the same sort of energy and fury with "Get It Together (Black Is a Force)" later in the album. The disappointment in the rap area is the track from 2 Live Crew, with a mix of slightly better than routine beats and samples and some lousy lyrics handled in a lazy throwaway manner.

tags: various artists, new jack city, music from the motion picture soundtrack, ost, soundtrack, 1991, flac,

Goodie Mob - Soul Food (1995)

 
A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: 73008-26018-2
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© 1995 LaFace Records
AllMusic Review by Steve Huey
Over the years, Southern rap has come to be associated mostly with hit-factory labels like No Limit and Cash Money, or in its early days Miami bass music. In general, it's never been afforded much critical respect, but that started to change in the '90s, when Atlanta established itself as the home of intelligent, progressive Southern hip-hop. Despite some excellent predecessors, Goodie Mob's debut album, Soul Food, is arguably the city's first true classic, building on the social conscience of Arrested Development and the street smarts and distinctive production of OutKast. In fact, the production team behind the latter's Southernplayalisticadillacmuzik, Organized Noize, is also present here, and really hit their stride with a groundbreaking signature sound that reimagines a multitude of Southern musical traditions. Soul Food is built on spare, funky drum programs, Southern-fried guitar picking in the Stax/Volt vein, occasional stabs of blues harmonica, and strong gospel overtones in the piano licks and meditative keyboards. There's an even stronger spiritual flavor in the group's lyrics, based on a conviction that religion has been the saving grace of African-American culture as it's endured centuries of oppression. The album even opens with lead rapper Cee-Lo singing an original spiritual called "Free." Goodie Mob is firmly grounded in reality, though -- they rail against a system stacked against poverty-stricken blacks, and are more than willing to defend themselves in a harsh environment, as on the gritty street tales "Dirty South," the eerie single "Cell Therapy," and "The Coming." The meat of the album, however, lies in its more reflective moments: the philosophical "Thought Process"; "Sesame Street," a reminiscence on growing up poor and black; "Guess Who," one of hip-hop's greatest mama tributes ever; and the warm title track, which is about exactly what it says. If soul food was aptly named for its spiritual nourishment, the same is true of this underappreciated gem. 
 
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tags: goodie mob, soul food, 1995, flac,

Goodie Mob - Still Standing (1998)

 
A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: 73008-26047-2
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© 1998 LaFace Records
AllMusic Review by Steve Huey
Goodie Mob's debut album was a production masterpiece that ranks as perhaps the most Southern-sounding Southern rap album ever recorded; similarly, lead rapper Cee-Lo is one of the most Southern MCs on record, with a raspy, nasal, rural-sounding drawl that's utterly distinctive. The follow-up album, Still Standing, is mostly more of the same great stuff, with producers Organized Noize refining the soulful, organic blueprint laid out on Soul Food. There are some more up-tempo percussion tracks here, with a few detours into more typical Southern bounce tracks; it's mildly disappointing to hear Goodie Mob following trends instead of setting them, but they're well-executed all the same. When the results are more imaginative, as on the hit single "They Don't Dance No Mo'" and "Ghetto-ology," it's a terrific expansion of the group's sound; so is the heavy, guitar-driven rocker "Just About Over." The hardcore themes that occasionally popped up on Soul Food are a smaller presence on Still Standing; even so, while the group may be progressive in sentiment, they still aren't gentle in language. And their trademark social and spiritual awareness is very much in evidence. "The Experience" is a nimble meditation on the word "nigga"; "Black Ice," "Fly Away," and "Inshallah" have the deep gospel feel that makes Goodie Mob so unique; "Beautiful Skin" professes deep respect for women who respect themselves; and "Gutta Butta" and "Greeny Green" are reflections on neighborhood pride (by way of not littering) and materialism, respectively. Cee-Lo is even more of a breakout individual presence on Still Standing, and his unique style can sometimes overshadow his bandmates; plus, a few tracks just aren't that engaging. But overall, Still Standing is an excellent follow-up to a major artistic statement. 
 
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tags: goodie mob, still standing, 1998, flac,

Various Artists - Supercop (Music From & Inspired By The Dimension Motion Picture) (1996)

 
A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: Hip-Hop, Electronic, Rock, Funk, Stage & Screen
Label Number: INTD-90088
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© 1996 Interscope Records
AllMusic Review by Adam Greenberg
The soundtrack to Jackie Chan's Supercop holds all of the action of the movie and manages to spread across genres in the process but remain coherent. There are some serious oddities in the roll call for the album, but throughout the whole, the album manages to pull itself together. The album starts out with an odd techno version of Carl Douglas' martial arts movie standard "Kung Fu Fighting," performed by Tom Jones himself. Later, Warren G contributes a reworking of the Tina Turner classic "What's Love Got to Do With It." Following in the covers department, Devo puts in a cover of Trent Reznor's "Head Like a Hole," and Siobhan Lynch puts in an eerie, dark techno version of the Bee Gees' "Stayin' Alive." There are West Coast rap pieces from 2Pac as well as Tha Dogg Pound. Punk and ska are represented by songs from Rocket From the Crypt and No Doubt. Pantera guitarist Dimebag Darrell sounds oddly similar to Rob Zombie on "Caged in a Rage," and Joel McNeely finishes the album with the rock instrumental "Main Title From Supercop." While the usual course of a soundtrack involves a mixing of genres, which can often go horribly wrong when the mixing becomes incoherent, Supercop holds together remarkably well, if only because of the novel covers of various songs, and the reappearance of Devo

tags: various artists, supercop, super cop, music from and inspired by the dimension motion picture, ost, soundtrack, 1996, flac,

Hangemen 3 - No Skits, Volume 1 (2000)

 
*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Style: Gangsta Rap, Pop Rap
Label Number: 0694907072
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© 2000 Surrender Records
AllMusic Review by Jason Birchmeier
No Skits, Vol. 1 showcases the production abilities of Hangmen 3 (Ray Benzino, Jeff Two Times, and Johnny Bananas) and the raps of the Wiseguys (Tangg da Juice, Big Roscoe, M3, Masta Criminal, and Mann Terror) and Made Men (Benzino, Twice Thou, and Mr. Gzus). These rap artists rep Boston, and their local anthem, "Holla Back (Holla Boston)," is the album highlight. Hangmen 3 had previously produced the Made Men album Classic Limited Edition, and the entire collective is rooted in the Almighty RSO. Anyone endeared to one of these acts -- be it Hangmen 3, the Wiseguys, Made Men, or the Almighty RSO -- will likely find plenty to enjoy here on No Skits, Vol. 1. The production work is the primary draw, though the raps are noteworthy as well, for these guys are gangsta, but they're especially literate gangsta rappers and bring a unique viewpoint, having grown up in Boston rather than New York or L.A.

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tags: hangmen 3, no skits volume 1, vol 1, 2000, flac,

La Etnnia - El Ataque Del Metano (2005 Reissue)

 
*Reeditado en 2005 por 5-27 Records.  
Esta edición contiene la lista de pistas original de 1995 y la masterización de audio.  
Se incluye una foto del disco en el archivo RAR. 
(*Reissued in 2005 by 5-27 Records
This pressing contains the 1995 original tracklist and audio mastering. 
A photo of the disc is included in the RAR file.)

Country: Colombia
Language: Spanish (Español)
Genre: Hip-Hop
Style: Gangsta Rap
Label Number: [none]
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© 1995-2005 5-27 Records
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tags: la etnnia, el ataque del metano, 1995, 2005, reissue, flac

Gente Loca - A Buena Vida Mala Paga (2001) ⚓

 
*Se incluye una foto del disco en el archivo RAR.
(A photo of the disc is included in the RAR file.)

Country: Mexico
Language: Spanish (Español)
Genre: Hip-Hop
Label Number: [none]
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© 2001 G.R.I.F.A. Studio
*No professional reviews are available for this release.

 
 
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tags: gente loca, a buena vida mala plaga, 2001, flac,

Bocafloja - A Título Personal (2005)

 
*Se incluye una foto del disco en el archivo RAR.
(A photo of the disc is included in the RAR file.)

Country: Mexico
Language: Spanish (Español)
Genre: Hip-Hop
Style: Conscious Rap
Label Number: NKCD068
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© 2005 Bocafloja
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tags: bocafloja, a titulo personal, 2005, flac,

Contraflujo - 2a Fase (2005)

 
*Se incluye una foto del disco en el archivo RAR.
(A photo of the disc is included in the RAR file.)

Country: Mexico
Language: Spanish (Español)
Genre: Hip-Hop
Label Number: 7243 8 60358 2 0
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© 2005 EMI Music Mexico S.A.
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tags: contraflujo, 2a fase, segunda, 2005, flac,

Redención - Antidepresivo (2006) ☠

 
*Se incluye una foto del disco en el archivo RAR.
(A photo of the disc is included in the RAR file.)

Country: Mexico
Language: Spanish (Español)
Genre: Hip-Hop
Style: Conscious Rap
Label Number: IR38224
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☠: Selected by Sentinel
© 2006 Redención/C&M Productions/Urban Poets Crew
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tags: redencion, antidepresivo, 2006, flac,

Kraneo - De La Calle Pa La Calle (2007) ☠

 
*Se incluye una foto del disco en el archivo RAR.
(A photo of the disc is included in the RAR file.)

Country: Mexico
Language: Spanish (Español)
Genre: Hip-Hop
Label Number: [none]
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☠: Selected by Sentinel
© 2007 Producciones G.R.I.F.A.
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tags: kraneo, de la calle pa la calle, 2007, flac,

El Emsí Burrón - Burrón Y Cuenta Nueva (2009)

 
*Se incluye una foto del disco en el archivo RAR.
(A photo of the disc is included in the RAR file.)

Country: Mexico
Language: Spanish (Español)
Genre: Hip-Hop
Label Number: 8 21759 13352 4
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© 2009 La Otra Trinchera Records/DeepSound Productions
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tags: el emsi burron, elemsiburron, mc burron, burron y cuenta nueva, 2007, flac