February 26, 2026

REO Speedwagon - Hi Infidelity (1980)

*U.S. first pressing.
Contains 10 tracks total.
Country: U.S.A.
Genre: Hard Rock
Label Number: EK 36844
 
© 1980-1983 Epic
Many albums have scaled to the top of the American charts, many of them not so good, but few have been as widely forgotten and spurned as REO Speedwagon's Hi Infidelity. In a way, the group deserved this kind of success. They had been slogging it out in the arenas of the U.S., building up a sizeable audience because they could deliver live. And then, in 1980, they delivered a record that not just summarized their strengths, but captured everything that was good about arena rock. This is the sound of the stadiums in that netherworld between giants like Zeppelin and MTV's slick, video-ready anthems. This is unabashedly mainstream rock, but there's a real urgency to the songs and the performances that gives it a real emotional core, even if the production keeps it tied to the early, previsual '80s. And so what if it does, because this is great arena rock, filled with hooks as expansive as Three Rivers Stadium and as catchy as the flu. That, of course, applies to the record's two biggest hits -- the power ballad "Keep on Loving You" and the surging "Take It on the Run" -- which define their era, but what gives the album real staying power is that the rest of the record works equally well. That's most apparent on the Bo Diddley-inspired opener, "Don't Let Him Go," whose insistent beat sent it to the album rock charts, but also such great album tracks as "Follow My Heart," the sun-kissed '60s homage "In Your Letter," and "Tough Guys." What's really great about these songs is not just the sheen of professionalism that makes them addictive to listen to, but there's a real strain of pathos that runs through these songs -- the album's title isn't just a clever pun, but a description of the tortured romantic relationships that populate this record's songs. This is really arena rock's Blood on the Tracks, albeit by a group of guys instead of a singular vision, but that makes it more affecting, as well as a killer slice of ear candy. It's easy to dismiss REO Speedwagon, since they weren't hip at the time, and no amount of historical revisionism will make them cool kitsch. And, let's face it, their records were usually hit-and-miss affairs. But they did get it right once, and it's on this glorious record -- if you need proof why arena rock was giant, this is it. 
 
tags: reo speedwagon, hi infidelity, 1980, 1983, flac,

Various Artists - Valley Girl (Music From The Soundtrack) (1983)

*Reissued on CD for the first time in 1994 by Rhino Records 
This pressing contains 15 tracks total.
 
Country: U.S.A.
Genre: New Wave, Pop, Pop Rock
Label Number: R2 71590
 
© 1983-1994 Rhino Records
Over ten years after the movie was released and long since the original soundtrack has been out of print, Rhino released this compilation of songs from the 1982 teen cult classic Valley Girl. The movie was known for its killer soundtrack, so Rhino's release was welcomed by many who had searched fruitlessly for the original compilation. The soundtrack includes new wave faves such as Felony's eerie "Fanatic," the Plimsouls' earnest "Everywhere at Once" and the Flirts' pouty "Jukebox (Don't Put Another Dime)." Songs by Josie Cotton and the Payola$ also grace the album. Additionally, the soundtrack includes '80s staples from Men at Work, the Psychedelic Furs, and Modern English. Some tracks that are missing here -- such as Bonnie Hayes & the Wild Combo's "Shelly's Boyfriend" and "Girls Like Me," and the Sparks' "Eaten by the Monster of Love" -- are included on More Music from the Valley Girl Soundtrack.
 
tags: various artists, valley girl, music from the soundtrack, ost, 1983, 1994, flac,

Various Artists - 54 (Music From The Miramax Motion Picture - Volume 1) (1998)

Country: U.S.A.
Genre: Disco, Pop, House
Label Number: TBCD 1293
 
© 1998 Tommy Boy
 The first of two soundtracks to director Mark Christopher's ill-advised 54 is the stronger of the pair, with classics including Chic's "Dance Dance Dance (Yowsah Yowsah Yowsah)," Sylvester's "You Make Me Feel (Mighty Real)" and Amii Stewart's "Knock on Wood." Still, much like the film itself, the soundtrack fails to paint an accurate portrait of the disco era as it really was -- too many key records are absent, and too many of those that did make the cut simply don't capture the genre at its electrifying peak; viewers and listeners alike are instead directed to Whit Stillman's vastly superior The Last Days of Disco (and its accompanying soundtrack) for a real sense of what all the fuss was really about. 
 
 tags: various artists, 54, music from the miramax motion picture, volume 1, vol, ost, soundtrack, 1998, flac,

Various Artists - 54 (Music From The Miramax Motion Picture - Volume 2) (1998)

Country: U.S.A.
Genre: Disco, Pop, House
Label Number: TBCD 1294
 
© 1998 Tommy Boy/Miramax Films
The second of two soundtracks to director Mark Christopher's ill-advised 54 is even more unsatisfying than the first, with only a handful of disco classics (including Blondie's "Heart of Glass" and Thelma Houston's immortal "Don't Leave Me This Way") to its name. Much like the film itself, the soundtrack fails to paint an accurate portrait of the disco era as it really was -- too many key records are absent, and too many of those that did make the cut simply don't capture the genre at its electrifying peak; viewers and listeners alike are instead directed to Whit Stillman's vastly superior The Last Days of Disco (and its accompanying soundtrack) for a real sense of what all the fuss was really about. 
 
 tags: various artists, 54, music from the miramax motion picture, volume 2, vol, soundtrack, ost, 1998, flac,

Various Artists - Flawless: Music From & Inspired By The MGM Motion Picture (1999)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: House, Pop, Pop Rock, Trip-Hop
Label Number: JBR 5014-2
 
© 1999 Jellybean/Chalkboard Records
Flawless, Joel Schumacher's tale of a security guard left partially paralyzed by a stroke and the drag queen who helps him regain his voice, features an appropriately flamboyant soundtrack with appearances from Cher, Taylor Dayne, and Grace Jones. Elton John, Bruce Roberts, and Kristine W. collaborate on "When the Money's Gone," and Patti LaBelle contributes a live version of "Lady Marmalade"; Geri Halliwell's "Gay" is another of the album's highlights. Excerpts of Bruce Roberts' score completes this adequate soundtrack, which remains more entertaining as a part of the movie than as an album. 
 
 tags: various artists, flawless, music from and inspired by the mgm motion picture, soundtrack, ost, 1999, flac,

February 22, 2026

The Trash Can Sinatras - A Happy Pocket (1996)

Country: United Kingdom
Genre: Indie Pop
Label Number: 828 696-2
 
© 1996 Go! Discs
After the glorious pop masterpieces that were the Trash Can Sinatras' first two albums, A Happy Pocket is a bit of a letdown. Murky production, strange vocal effects that obscure Francis Reader's delicate voice, and an over-reliance on mandolin overdubs make for a generally less than engaging listen. That doesn't mean that there aren't some fine additions to the Trash Can canon, as "The Safecracker," "Twisted & Bent," "How Can I Apply...?," and "The Therapist" are absolutely sublime. One gets the sense that the album was only half complete upon its release. Indeed, a rotating bevy of mixers and engineers are credited with various batches of the songs. At least one-third of the album comes across like a collection of fleshless demos. Particularly stale is the amateurish cover of "To Sir With Love" that sounds as if it was recorded underwater with Reader half-asleep. A Happy Pocket is certainly more subdued than the band's earlier albums, but that's not what makes it disappointing. It's as if the band took a step backward, stripped down their trademark jangling guitars, and decided to rely on studio polish in place of their usually stellar hooks. Had it not been for the stunning musicianship and energy of the previous albums, A Happy Pocket would probably be more enjoyable. But outside of the occasional gems, as stellar as they are, A Happy Pocket lags far behind the band's earlier output due to poor sequencing, some sloppy production choices, and a lack of editing prowess. Had the album been edited down to five or six songs, it would have made a fine mini-album. 
 
tags: the trash can sinatras, a happy pocket, 1996, flac,

The Trash Can Sinatras - I've Seen Everything (1993)

Country: United Kingdom
Genre: Indie Pop
Label Number: 828 412-2
 
© 1993 Go! Discs/London Records
For their second album I've Seen Everything, West Scotland's The Trash Can Sinatras pull the blankies up snugly around you before tearing them away to reveal some rather stark-naked underlying truths. "Easy Read" and "Hayfever" start things off all warm and fuzzy, huge melodies set equally to sawing strings and chiming guitars. "Bloodrush" breaks the bed-sit mood with a swirl of frenetic string-bending that would get the most dour, pimply-faced, black-clad youth tapping his toes. But as the 14-track lineup progresses, whimsy gradually gives way to a darker cynicism and sarcasm that pays due tribute to predecessors The Velvet Underground. Tracks like "Killing The Cabinet" and "One At A Time" cut to the bone instrumentally and lyrically, leaving one to scramble quickly back to the closing security blanket of "Earlies." 
 
 tags: the trash can sinatras, ive seen everything, 1993, flac,

The Flying Lizards - The Flying Lizards (1979)

*Reissued on CD for the first time in 1995 Virgin Records
This pressing contains 13 tracks total.
 
Country: United Kingdom
Genre: New Wave
Label Number: VJCP-17501
 
© 1979-1995 Virgin Records
In the late 1970s, composer and producer David Cunningham was savvy enough to cloak his experimental music in the disguise of a novelty record, at least for a while; his fractured deconstructions of Eddie Cochran's "Summertime Blues" and Barrett Strong's "Money," released under the moniker the Flying Lizards, managed to inch into the pop charts because folks thought they were some sort of musical joke, even though Cunningham's wit didn't negate the seriousness of his musical ambitions. After the international success of "Money," Virgin Records wanted a Flying Lizards album to go along with it, and the resulting LP was where Cunningham's cred as an artist ran up against his instincts as a pop satirist. The principle reason "Money" became a left-field hit was that even though the song had been bent within an inch of its life, it still had a catchy hook and, if you wanted to, you could dance to it. That can't honestly be said for the new material Cunningham and his associates put together for the album; except for Bertold Brecht and Kurt Weill's "Der Song von Mandelay," which doesn't have an honestly memorable hook, the new tracks are all originals and they're informed by the space and anything-goes vibe of dub instead of radio-ready pop, and while they're intelligent and well-executed, they're not especially compelling. Through the soundscapes that dominate the second half of this album are more interesting to talk about than to hear, at least they're better than the vocal tracks closer to the beginning, which sound both pretentious and musically flawed. The Flying Lizards' first album unwittingly followed one of the greatest traditions of '50s and '60s pop -- take a hit single, surround it with a whole bunch of filler less interesting than the hit, and presto! You have an album. Too bad Cunningham didn't prove to have as much vision as, say, Count Five or the Royal Guardsmen, who did better with the quickie album concept than he did. 
 
 tags: the flying lizards, the flying lizards album, 1979, 1995, flac,

The Flying Lizards - The Secret Dub Life of The Flying Lizards (1995)

Country: United Kingdom
Genre: Reggae
Label Number: piano 501
 
© 1995 Piano
Released nearly ten years after it was recorded in 1978, The Secret Dub Life of the Flying Lizards features Lizard David Cunningham collaborating with Jah Lloyd on a set of surreal, Lee "Scratch" Perry-influenced dub reggae tracks. 
 
 tags: the flying lizards, the secret dub of life of the flying lizards, 1995, flac,

February 15, 2026

The Shining - True Skies (2002)

Country: United Kingdom
Genre: Alternative Rock
Style: Britpop 
Label Number: 508675-2
 
© 2002 Zuma Recordings
*No professional reviews are available for this release. 
 
 tags: the shining, true skies, 2002, flac,

Mutya Buena - Real Girl (Special Edition) (2007)

*This pressing contains 13 tracks total.
Country: United Kingdom
Genre: R&B, Pop
Label Number: 1734610
 
© 2007 Island/4th & Broadway & Universal Records
Fresh from departing the Sugababes, Mutya Buena released her debut album, Real Girl in June 2007. It reached the Top Ten on the strength of the title track, which samples the background music from Lenny Kravitz's "It Ain't Over Til It's Over" in the same way that her previous hit with the Sugababes, "Freak Like Me," used the music from "Are Friends Electric." There is a mixture of danceable R&B songs, like the album opener "Just a Little Bit," "It's Not Easy," and the collaboration with Groove Armada, "Song for Mutya (Out of Control)," which was also included on their Soundboy Rock album. There are also soulful ballads "Suffer for Love" and "This Is Not (Real Love)," a duet with George Michael on which they sing alternate verses; the track first appeared on his album Twenty Five. "Breakdown Motel" and "My Song" chug slowly along and Buena raps the verses on "B Boy Baby" before launching into a chorus consisting of a slowed down version of the Ronettes/Phil Spector '60s masterpiece which even Amy Winehouse couldn't save from dreary boredom. The latter singer, however, would have been proud to record "Strung Out," which opens with a solo piano and appears to be building into a minor key melodramatic ballad before breaking into a beat led R&B number. 
 
tags: mutya buena, real girl, special edition, 2007, flac,

February 14, 2026

Shining - II: Livets Ändhållplats (2005 Limited Edition)

*Reissued in 2005 by Osmose Productions
This pressing contains 7 tracks total.
Country: Sweden
Language: Swedish (svenska)
Genre: Black Metal
Label Number: OPCD 169
 
© 2001-2005 Osmose Productions
*No professional reviews are available for this release.
 
tags: shining, ii livets andhållplats, 2001, 2005, limited edition

Shining - III: Angst - Självdestruktivitetens Emissarie (2002)

Country: Sweden
Language: English, Swedish (svenska)
Genre: Black Metal
Label Number: AV066
 
© 2002 Avantgarde Music
*No professional reviews are available for this release. 
 
 tags: shining, iii angst självdestruktivitetens emissarie, 2002, flac,

Shining - IV: The Eerie Cold (2005)

Country: Sweden
Language: English, Swedish (svenska)
Genre: Black Metal
Label Number: AV082 CD
 
© 2005 Avantgarde Music
*No professional reviews are available for this release.
 
 tags: shining, iv the eerie cold, 2005, flac,

February 13, 2026

The Flying Lizards - Fourth Wall (1981)

*Reissued on CD for the first time in 1995 by Virgin Records
This pressing contains 15 tracks total 
and non-remastered audio.
 
Country: United Kingdom
Genre: New Wave, Art Pop
Label Number: VJCP-17502
 
© 1981-1995 Virgin
*No professional reviews are available for this release. 

 tags: the flying lizards, fourth wall, 1981, 1995, flac,

The Flying Lizards - Top Ten (1984)

Country: United Kingdom
Genre: New Wave, Art Pop
Label Number: CDST 20
 
© 1984 Statik Records
*No professional reviews are available for this release.
 
tags: the flying lizards, top ten, 1984, flac,

February 08, 2026

Buda Hedz - Rapwacks (12" Single) (1994)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: BU3DA1
 
© 1994 Miff Records
*No professional reviews are available for this release.
 
tags: buda hedz, rapwacks, 1994, flac,

Buda Hedz - If Ya Swing (12" Single) (1995)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: 100-ML
 
© 1995 Miff Records
*No professional reviews are available for this release.
 
 tags: buda hedz, if ya swing, 1995, flac,

Lucinda Williams - Essence (2001)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Alternative Country
Label Number: 088 170 197-2
 
© 2001 Lost Highway
 Between her well-documented determination to retail full control of her music and the plain-spoken willfulness of her best-known songs, Lucinda Williams is practically the working definition of a strong woman you do not want to mess with, but she reveals a very different side of her musical personality on her sixth album, Essence. Subtle and often stark, Essence is an unusually quiet and frequently downbeat set that depicts a fragile emotional vulnerability which rarely makes its presence felt in Williams' music; there's an unadorned longing in songs like "Blue" and "Lonely Girls" that's new and deeply affecting, and the leaf-in-the-breeze quaver of Williams' voice on "I Envy the Wind" is as heart-rending as anything she's ever committed to tape. But while a blue mood dominates Essence, this isn't an album about the blue funk of heartbreak, but a chronicle of the search for transcendence over sorrow in our lives, as her characters look for a path out of isolation ("Out of Touch"), try to find answers through faith ("Get Right With God"), or reconcile love with the desires of the flesh ("Essence"). As a songwriter, Williams has long shown a knack for charting the human heart and mind with intelligence and economy, and Essence finds her at the peak of her form; the delicacy of this music does not speak of weakness, but of the passion and bravery it takes to bare one's soul. And while Williams has gained a certain infamy for her obsessive perfectionism in the studio, the quality of her work speaks for the wisdom of her decision-making process, and Essence proves how well she understands the art of recording; producing in collaboration with Charlie Sexton (Tom Tucker and Bo Ramsey also contributed), Essence sounds full and rich even in its quietest moments, and her sweet-and-sour voice blends with the arrangements with subtle perfection. Those hoping for another dose of the bluesy roots rock of Car Wheels on a Gravel Road may be disappointed, but if you want to take a deep and compelling look into the heart and soul of a major artist, then you owe it to yourself to hear Essence. 
 
 tags: lucinda williams, essence, 2001, flac,

February 05, 2026

Bonnie Tyler - Faster Than The Speed of Night (1983)

*European first pressing. 
Contains 9 tracks total.
Country: United Kingdom
Genre: Pop Rock
Label Number: CDCBS 25304
 
© 1983 CBS
Although she had earned worldwide fame in 1978 with "It's a Heartache," Bonnie Tyler had trouble building on that success looked as if she were doomed to one-hit wonder status by the early 1980s. However, she returned to prominence in 1983 with Faster Than Speed of the Night, a bombastic opus that took her gift for heartbroken balladry to epic heights. The key to the this album's success is the production and writing chops of Jim Steinman. He applies the same gothic operatic touch that made his work with Meat Loaf so captivating (and successful), wrapping the songs in atmospheric, all-stops-out arrangements that blend drama and power chords in equal measure. The combination of Steinman's cinematic production style with Tyler's smoky vocals made Faster Than the Speed of Night her most successful album. It also spawned a huge hit single in "Total Eclipse of the Heart," an epic ballad about longing for a lost love that starts as a quiet piano-led piece and builds into a gargantuan production built on an equal balance of power chords and thick choral vocals. The title track, a romantic rocker that blends lighting-fast piano runs with metallic guitar soloing from Rick Derringer, also got a decent amount of radio play. The remainder of the album has Tyler turning her attention to cover versions, including a Phil Spector-styled remake of Bryan Adams' "Straight From the Heart" and a radically rearranged version of "Have You Ever Seen the Rain?" that transforms the song into an arena rock tune built on a complex, classical-styled piano riff from Roy Bittan. The standout among the cover versions is "Tears," a heart-tugging power ballad that Tyler performs as a duet with its author, Frankie Miller. Since Miller's gruff voice is close in style to Tyler's, their duet has a special chemistry and they milk the song for every drop of drama it has to offer. This combination of bombast and melodrama could have worn thin quickly, but Steinman keeps things moving smoothly by carefully pacing all the songs and throwing in odd, ear-catching elements to keep things interesting (example: the chanting children's chorus that introduces "Goin' Through the Motions"). All in all, Faster Than Speed of the Night remains Bonnie Tyler's finest and most consistent achievement on record. It's a must for anyone interested in her work and a worthwhile purchase for anyone who enjoys rock at its most melodramatic.
 
 tags: bonnie tyler, faster than the speed of night, 1983, flac,

Bonnie Tyler - Secret Dreams & Forbidden Fire (1986)

*European first pressing. 
Contains 9 tracks total.
Country: United Kingdom
Genre: Pop Rock
Label Number: CDCBS 86319
 
© 1986 CBS
Not totally unique, Secret Dreams & Forbidden Fire nevertheless depicts a cool portrait of '80s pomposity. Producer/director Jim Steinman always kicks his records off in style, and the breathtaking, go-for-Baroque "Ravishing" is no exception. Building to "Livin' la Vida Loca," Desmond Child's songwriting ascent continues with "If You Were a Woman," which morphed into "You Give Love a Bad Name" for a certain Bon Jovi big shot. No having a cranium-blasting "Faster Than the Speed of Night" or chart-busting "Total Eclipse of the Heart" immediately makes Secret Dreams & Forbidden Fire substandard to the 1983 Steinman/Tyler collaboration. This power-keg feels a bit sleeker and more streamlined: a fighter plane instead of a luxury jumbo. The ubiquitous Footloose soundtrack showcased colossal closer "Holding Out for a Hero," so even that ditty doesn't prop this platter. Todd Rundgren (another member of this bizarre clique) joins his distinctively plain voice to Tyler's for a deranged duet on "Loving You's a Dirty Job but Somebody's Gotta Do It" (not the Ratt killer). "No Way to Treat a Lady" follows "Straight From the Heart" as an attempted Bryan Adams interpretation. Too much ado piled on top of the glittering "Band of Gold" almost breaks the back of a very sturdy song. Naturally the unsubtle Steinman production boasts an excess of everything, but somehow this secret dream needs a bit more fire. Not a bad pickup from the delete bins though.
 
tags: bonnie tyler, secret dreams and forbidden fire, 1986, flac,

February 03, 2026

Coffin Break - Crawl (1991)

Country: U.S.A.
Genre: Punk Rock, Grunge
Label Number: E-86413-2
 
© 1991 Epitaph
*No professional reviews are available for this release.
 
 tags: coffin break, crawl, 1991, flac,