Country: U.S.A.
Genre: Hip-Hop
Label Number: 162-444 050-2
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© 1993 4th & Broadway
AllMusic Review by Nathan Bush
Unrestricted by tired rap themes, the Fellowship strikes at a range of subjects. The abrasive opening one-two of "Blood" and "Bullies of the Block" might throw listeners off guard but as "Everything's Everything" opens, they provide assurances that "It's all right y'all." The guns are dropped and microphones prevail. Inner City Griots (a griot is an African storyteller) takes on Aceyalone's twisted nursery rhyme "Cornbread," the positive vibes of "Inner City Boundaries," the locker-room machismo of "Shammy's" (an inevitable ode to the ladies), and "Way Cool," a tale of serial killing horror. On "Park Bench People," the Freestyle Fellowship even asks whether rap music is big enough to take in a sung rumination on homelessness. With live instrumentation provided by the Underground Railroad (whose members appear throughout the album), the song stretches into a section reminiscent of '70s Stevie Wonder. Like all great groups that preceded it, the Fellowship was simply testing the limits of hip-hop and its own capabilities on this multifaceted collection.
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tags: freestyle fellowship, innercity griots, 1993, inncer city, flac,