May 08, 2018

Kittie - I've Failed You (2011)

Country: Canada
Language: English
Genre: Alternative Metal, Groove Metal
Label Number: EOM-CD-2153
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© 2011 eOne Music
AllMusic Review by James Christopher Monger
Canadian heavy metal goddesses Kittie have been kicking out a respectable racket of goth-tinged, nu-metal/groove-thrash/screamo records since their inception in 1996. The band’s sixth full-length outing, I’ve Failed You, sounds nearly interchangeable with their previous releases, which may provide solace for some of the quartet’s many fans, but will likely provide a whole lot of ammunition for their detractors. Of I've Failed You's 11 cuts, only the brooding, emotive, clean-voiced closer “Time Never Heals” and the apocalyptic, yet frustratingly empty two-part “Empires” feel like they’re trying to open the window a crack, allowing a wisp of melody to sneak in through all of the exiting smoke. Musical growth, while often rewarded, has never been a true requirement of the heavy metal genre, but not everyone can be Motƶrhead.

tags: kittie, ive failed you, 2011, flac,

May 07, 2018

Kittie - Spit (2000)

Country: Canada
Language: English
Genre: Nü-Metal, Alternative Metal
Label Number: 751002-2
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© 2000 Artemis Records
AllMusic Review by Roxanne Blanford
Brandishing a meatier, heavier sound than contemporaries Limp Bizkit and Korn, the London, Ontario quartet Kittie debuted with Spit in late 1999. These 12 emotionally brutal tracks exhibit high degrees of angry, brash, pro-feminist declarations, proving these young women learned well the lessons of predecessors Joan Jett, Lita Ford, and the current reigning queen of angst-rock, Courtney Love. Kittie bites just as hard as the boys, as evidenced in the steely guitar churn of "Brackish" and the caustic burn of "Raven," wherein Morgan Lander's grating vocals shatter all illusions that women can't spew rock venom with the best of them. Borrowing their heavy sound from the familiar strains of '70s metal and tempering it with modern techno breakbeats, Kittie's lyrical assaults rain down mercilessly, making this debut simultaneously retro and progressive in its blunt musical expression.

tags: kittie, spit, 2000, flac,

Kittie - Oracle (2001)

*Canadian pressing 
Contains 16 tracks total.

Country: Canada
Language: English
Genre: Groove Metal
Label Number: CK 91572
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© 2001 Artemis Records
AllMusic Review by Bradley Torreano
Kittie returns from their debut album much, much angrier than before. In fact, despite the first album's aggressive tone, the band spews venom over the tracks with a brutal passion on this one. That does not always translate into great songs, as the disc opener, "Oracle," proves with its repetitive pounding that definitely sounds angry, but sounds pointlessly angry. But it can work in their favor on tracks too, like the Pantera-esque "Severed," which bubbles over with rage. The alternative rock of "In Winter" changes the pace a little with its smooth vocals and slow riffing, as does the piano metal dirge "Safe." Their cover of Pink Floyd's "Run Like Hell" takes the driving urgency of the original and turns it into a Metallica-style riff-fest, which comes off as interesting without ever truly getting engaging. The band is definitely heavy and their style of clear vocals over chugging death metal is certainly interesting. But one cannot help but feel mildly disappointed by their sophomore effort. While there are some good songs here, the band still needs to take the next step before they truly start writing great albums. As it is, this is an average album by a promising band who needs to find a distinct identity.

tags: kittie, oracle, limited edition, 2001, flac,

Kittie - Until The End (2004)

Country: Canada
Language: English
Genre: Groove Metal, Alternative Metal
Label Number: ATM-CD-51538
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© 2004 Artemis Records
AllMusic Review by James Christopher Monger
Anyone who's spent time on the hypnotizing bore that is Canada's highway 401 knows that the only antidote to waking up in a Tim Horton's parking lot is a stack of blisteringly loud records. Kittie, the London, Ontario, heavy metal sisterhood have turned up the amps to 11 and delivered their heaviest batch of songs to date with the road-ready Until the End. Steve Thompson's (Korn, Anthrax) bottom-heavy production and the addition of second guitarist Lisa Marx have had a profound effect on the band's overall sound, resulting in an aural experience that goes straight to the gut. The brutal opener, "Look So Pretty," features singer Morgan Lander doing terrifying things with her throat -- it's somewhere between an emaciated alley cat fighting off the neighborhood skunk and the squelch on a walkie-talkie. "Career Suicide" finds the group in a more melodic mood, balancing the snarling verses with a clean chorus vocal, though this balance works best on the brooding title cut. While siblings Morgan and Mercedes Lander's songwriting has improved since 2001's Oracle, there's still an air of mediocrity to later tracks like "Loveless" and "Burning Bridges" that shows an adherence to formulaic modern metal clichƩs, and a lack of confidence on some of the vocal takes that makes some of the songs sound like demos. Until the End isn't a big step forward for Kittie, but it's a step nonetheless, and if they can find a way to more creatively disperse their newfound power they'll be unstoppable.

tags: kittie, until the end, 2004, flac,

May 05, 2018

En Vogue - Soul Flower (2004)

Country: U.S.A.
Genre: R&B
Label Number: 3326

© 2004 33rd Street/Funkigirl/Beat Exchange
AllMusic Review by David Jeffries
Four years after their last true full-length (the nearly Internet-only Christmas album from 2002 barely counts), En Vogue return as independent women, not only in record label but also in attitude. Soul Flower benefits from more of an eye on the groove than on the charts and better than ever tricks from longtime producers Denzil Foster and Thomas McElroy. Within the first five seconds of the album listeners get a slinky shuffle of a beat, '40s-styled harmonies, and a confident, soulful lead vocal. A ton of winning ideas follow, and Foster and McElroy seem to be having as much fun as ever. The 2004 version of En Vogue -- original members Terry Ellis and Cindy Herron with newish member Rhona Bennett -- harmonize as well as the original four, adding a mature attitude that's still sexy and strong. "All You See" is Sex in the City in a song, with the women delivering their "can't live with 'em, can't live without 'em" lyrics in elegant fashion. The plea for men to stop acting like boys on the slinky "Dissed Him" could make the lowliest player straighten up and "Nearly Lost" is a wonderful bit of light chamber funk. This isn't a return to form -- there's nothing reaching for the brassy heights of "Free Your Mind" and nothing as gimmicky as "My Lovin'" -- but Soul Flower finds the band revitalized, learned, and with a whole new set of opportunities in front of them.

tags: en vogue, soul flower, soulflower, 2004, flac,

Sentenced - Shadows of The Past (1995 Remastered Edition)

*Reissued & remastered in 1995 by Century Media. 
Contains 3 bonus tracks. 12 tracks total.

Country: Finland
Language: English
Genre: Death Metal
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© 1992-1995 Century Media
AllMusic Review by Antti J. Ravelin
Sentenced is known for their rockish heavy metal, but their debut was something really different. Shadows of the Past is, simply, pure death metal. It is hilarious to hear lead guitarist Miika Tenkula try to sing while the rest of band play really low and extremely slow, as is the way in their genre. However, the members of Sentenced are quite young while they recorded this debut album, so it is understandable that they didn't make gold. Shadows of the Past should come with a warning: "Only for fans."

tags: sentenced, shadows of the past, 1992, 1995, remaster, flac,

Sentenced - North From Here (1993)

Country: Finland
Language: English
Genre: Death Metal
Style: Melodic Death Metal
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© 1993 Spinefarm Records
AllMusic Review by Antti J. Ravelin
Sentenced's disappointment with a small French label led them back to the Finnish Spinefarm label. After Shadows From the Past, these young musicians seemed to be wiser in every way, especially when changing slow death metal to a very fast, black metal-ish progressive rock. This means that complex guitar riffs and melodies form a big part of North From Here, which is very rare in Sentenced's genre. The sound is quite flat, but Sentenced still succeeds in creating a believable ambition. And they don't break down into the overdramatics that are quite typical with their colleagues.

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Sentenced - Amok (1995)

Country: Finland
Language: English
Genre: Death Metal
Style: Melodic Death Metal
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© 1995 Century Media
AllMusic Review by Antti J. Ravelin
After Sentenced moved to a bigger record company, their style changed as well. While North From Here was almost categorized as black metal, Amok is pure rock & roll. And looking at that change afterwards, it seems that a rockish style fits better with Taneli Jarva's voice and Miika Tenkula's riffs. In particular, the large guitar wall and amazing ambition don't fail even for a second during Amok, even when Jarva's songs "Funeral Spring" and "Moon Magic" seem to be a little frustrating for a moment. However, as a vocalist, Jarva succeeds in creating a depressive mood for every song, and that mood and the sound of Amok are traditional to a Finnish heavy metal band. Still, Amok is a perfect choice for everyone who likes heavy metal with complex rockish guitar riffs.

tags: sentenced, amok, 1995, flac,

May 04, 2018

Lubricated Goat - Paddock of Love (1988)

Country: Australia
Language: English
Genre: Noise Rock, Post Punk
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© 1988 Black Eye Records
AllMusic Review by Skip Jansen
Paddock of Love is the second album from the Australian noise rock group led by Stu Spasm, this time enlisting Guy Maddison (King Snake Roost) on bass. The 1988 album again explores the Pere Ubu/Captain Beefheart angles of truly demented rock for the Australian punk label Black Eye. This album grabbed the attention of Minneapolis hardcore and noise rock label Amphetamine Reptile, which issued the awesome follow-up, Psychedelicatessen. Paddock of Love will appeal to fans of Helios Creed, Halo of Flies, Butthole Surfers, and the Jesus Lizard.

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Lubricated Goat - Psychedelicatessen (1990)

Country: Australia
Language: English
Genre: Noise Rock
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© 1990 Amphetamine Reptile Records
AllMusic Review by Skip Jansen
The third album from this Australian noise rock project led by Stuart Gray (aka Stu Spasm) and first for Minneapolis noise label Amphetamine Reptile is no less fierce than the previous two released on Black Eye, still fusing Suicide, Captain Beefheart, and Pere Ubu to sheet-metal guitar noise and depraved lyrical content in the formula of the Black Eye albums but with additional deviations into nightmarish jazz, hip-hop, and lurching industrial noise. "Give Chance a Piece," "New Kind of Animal, and "Spoil the Atmosphere are classic noise rock in the vein of Helios Creed, the Jesus Lizard, and Halo of Flies.

tags: lubricated goat, psychedelicatessen, 1990, flac,

Lubricated Goat - Forces You Don't Understand (1994)

Country: Australia
Language: English
Genre: Noise Rock
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© 1994 PCP Entertainment
AllMusic Review by Skip Jansen
The fourth album by this ex-Australian noise rock group is the first incarnation of the New York version of the Stu Spasm-led project. Vinnie Signorelli, who'd done time in Foetus and the Swans, was on drums and Tod Ashley from Cop Shoot Cop was on guitar, while Tony Lee of Railroad Jerk provided the bass and Jim Collaruso of Motherhead Bug completed what by this stage could be considered something of a noise rock supergroup. The switch from Amphetamine Reptile to PCP also saw a revamping of the classic Lubricated Goat sound; the abrasive Big Black/Birthday Party sound gave way to a lurid mix akin to Tom Waits or Nick Cave fronting Pere Ubu. This short-lived incarnation marks the end of Lubricated Goat, with Spasm going to the West Coast and joining Bloodloss along with Mark Arm of Mudhoney fame. A revived trio cut Shut Your Mind/In the Wrong Hands for Sympathy in 1992 and Play Dead/Prayer for the Blood on Sub Pop a year later. Spasm formed Crunt with wife Kat Bjelland of Babes in Toyland, yet never quite topped Lubricated Goat's finest hour,

tags: lubricated goat, forces you don't understand, 1994, flac,

Lubricated Goat - The Great Old Ones (2003)

Country: Australia
Language: English
Genre: Noise Rock
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© 2003 Reptilian Records
*No professional reviews are available for this release.

tags: lubricated goat, the great old ones, 2003, flac,

May 03, 2018

Vixen - Live & Learn (2006)

Country: U.S.A.
Genre: Hard Rock
Label Number: DEMUS 002

© 2006 Demolition Records
AllMusic Review by Greg Prato
For Live & Learn, Vixen's first new studio release in nearly ten years, one of the few all-female heavy metal bands to prosper in the '80s continues to focus on highly commercial, mainstream rock. But unlike the last studio album credited to Vixen, 1998's Tangerine, the players are completely different. The only remaining original Vixen member left in attendance is guitarist Jan Kuehnemund (who did not even appear on the aforementioned album), who is now supported by an all-new cast -- singer Jenna Sanz-Agero, bassist Lynn Louise Lowrey, and drummer Kathrin Kraft. Although released in 2006, close your eyes and Live & Learn will transport you back to the late '80s -- as evidenced by such selections as the title track and "Don't Want It Anymore" (the latter of which proves that Sanz-Agero has her Stevie Nicks-isms down pat). With only a single original member left, perhaps it's time to nix the Vixen moniker.

tags: vixen, live and learn, 206, flac,

Bathory - Nordland I (2002)

Country: Sweden
Language: English
Genre: Viking Metal
Label Number: BMCD 666-18

© 2002 Black Mark Production
AllMusic Review by Eduardo Rivadavia
A two-album saga based upon Norse mythology, the first chapter of Bathory's Nordland frankly comes off as somewhat less accomplished and, well, immense in scope compared to similar epic works conjured in recent years by new groups such as Edge of Sanity and Green Carnation. But before we drive a stake through Bathory main man Seth Quorthon's black heart, let's get some perspective here. Like many masters of old, Bathory's music derives from an altogether different place and time, and, lest we forget, taking a template and improving upon it is usually far easier than creating the template from scratch in the first place. Therefore, much like Venom, who saw their thrash metal sketches developed to an entirely different level of musical mastery and compositional depth by the likes of Metallica and Slayer, so do Bathory's once groundbreaking black metal overtures often seem elementary when compared to those of his dedicated former students -- now competitors. Such is the fate of true pioneers, but you can bet the fjord that many of these 'followers' will pass into memory long before Quorthon puts away his blackened boots. Having said all that, the first installment of Nordland manages to blend grand symphonic metal schematics with Quorthon's still quite noticeable New Wave of British Heavy Metal influences. Therefore, epic examples of modern black metal such as "Vinterblot" and the nine-minute title track share the spotlight with the refreshingly straightforward arrangements and staccato riffing of "Great Hall Awaits a Fallen Brother" and the thrash-happy "Broken Sword." With its folky acoustic guitars, "Ring of Gold" is also pulled off quite convincingly, and the opening riff of "Dragon's Breath" is a stone-cold classic; but the not-quite-effective operatic tones heard on "Foreverdark Woods" also remind us of Quorthon's limited vocal range. Still, Nordland I's many superlatives easily outshine its deficiencies, heightening anticipation for what's to come on Nordland II.

tags: bathory, norland i, nordland 1, 200, flac,

New Order - Technique (1989) ☠

Country: United Kingdom
Genre: Pop Rock, Pop
Label Number: 9 25845-2
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☠: Selected by Lass
© 1989 Qwest Records
AllMusic Review by John Bush
Tastes and sounds were changing quickly in the late '80s, which prompted New Order's most startling transformation yet -- from moody dance-rockers to, well, moody acid-house mavens. After the band booked a studio on the island hotspot of Ibiza, apparently not knowing that it was the center of the burgeoning house music craze, New Order's sure instincts for blending rock and contemporary dance resulted in another confident, superb LP. Technique was the group's most striking production job, with the single "Fine Time" proving a close runner-up to "Blue Monday" as the most extroverted dance track in the band's catalog. Opening the record, it was a portrait of a group unrecognizable from its origins, delivering lascivious and extroverted come-ons amid pounding beats. It appeared that dance had fully taken over from rock, with the guitars and bass only brought in for a quick solo or bridge. But while pure dance was the case for the singles "Fine Time" and "Round & Round," elsewhere New Order were still delivering some of the best alternative pop around, plaintive and affecting songs like "Run" (the third single), "Love Less," and "Dream Attack." Placed in the perfect position to deliver the definitive alternative take on house music, the band produced another classic record.

tags: new order, technique, 1989, flac,

Bathory - Nordland II (2003)

Country: Sweden
Language: English
Genre: Viking Metal
Label Number: BMCD666-20

© 2003 Black Mark Production
AllMusic Review by Eduardo Rivadavia
When Bathory released the first installment of their latest sonic adventure in Norse mythology, 2002's Nordland I, there was a distinct sense of "been there, done that" to the proceedings. After all, Bathory pretty much invented the Viking metal sub-genre with watershed releases such as Blood Fire Death and Hammerheart years ago, and there was no denying that the band's basic template was sounding somewhat tired and recycled. Nordland I's compositional depth eventually rose to its defense over repeated listens, but one was nevertheless left with the feeling that this was an incomplete vision, making the arrival of Nordland II a few months later all the more urgent and necessary. Thankfully, this was exactly the case, as both albums' individual weaknesses are greatly subdued by their unified strength. And yet, as has often been the case with Bathory's latter-day albums, Nordland II only really starts to pick up steam after a few rather tentative songs, hitting its stride on this occasion with the gloriously marching "The Land" and its superior follow-up, "Death and Resurrection of a Northern Son." The second truly encapsulates all the elements that have made Bathory great over the years, as it blasts into hyper-metallic territory with some furious riffing, then settles into a slower, though no less powerful mid-section before slowing it all down entirely for a melodic acoustic passage. Clocking in at ten, slightly bloated minutes, subsequent track "The Messenger" (replete with galloping hooves) is less effective, as is the even lengthier "The Wheel of Sun," but once again, the problems here don't involve a lack of substance or quality, so much as Bathory's many prior triumphs in the same arena. Still, listen to both volumes of Nordland back to back (preferably while watching The Lord of the Rings with the sound turned off), and you'll get a better grasp and appreciation for the entire magnum opus. Possibly too much to digest for neophytes, Nordland I and II offer a bountiful feast for serious Bathory followers.

tags: bathory, nordland ii, nordland 2, 2003, flac,

May 02, 2018

Zeebrahead - Get Nice! (2011)

Country: U.S.A.
Genre: Punk Rock
Style: Pop Punk
Label Number: NEG10

© 2011 Niji
Review by Rich Hobson for Uberrock.co.uk
The first time I came across Zebrahead was at Download Festival 2008, awaiting another band and despite my initial misgivings - I had the image of the band as being some teen-pop band masquerading as a punk band, ala Blink 182 but the second they hit the stage it was difficult not to enjoy the out and out party vibe and energetic performance that the band put in onstage, and their music certainly had a blast of diversity which set them apart from any of the other so called "pop punk" acts that I'd heard in the past. Flash forward 3 years, and the band are now releasing their 9th album, further proof, if needed that Zebrahead has what it takes to continually create great sounding and original music and aren't just "a punk band that your mom wouldn't mind listening to".

The album opens with 'Blackout', an Offspring like chart invading punk rock tune with a feel-good, sing along once you know the words chorus, a chorus which, though admittedly cheesy, is also catchy as hell and it's difficult not to get caught up in the energy of the song and warm to the band (and hence the album) instantly. Though the punk rock side of the band is greatly showcased on this track, the band's trademark infusion of hip-hop into proceedings isn't neglected, and indeed the track also has all the "rapcore" sides to the band which has set them apart from many of their contemporaries in the California punk scene, meaning that 'Blackout' is a perfect and unabashed introduction to the album which gives the listener a taste of what is to come, warts 'n' all.

Follow up 'Nothing To Lose' picks up the pace, and continues the fusion of hip-hop vocals with a speedy punk rock backing, all leading up to another chorus which is both catchy, and has great sing along potential, in fact it's so cheerful and optimistic that if you don't end up humming it to yourself at the very least, you must have a serotonin imbalance in your brain (or are Morrissey, though I'm sure the two are linked).

'She Don't Want To Rock' is less punk rock and more Kiss style anthemic rock, and as background music to the hip-hop vocals works perfectly, this track has more than a tad of an "A" sound to it, right down to the balls-out sing along chorus, and the whole track has, dare I say it, a "Bon Jovi leaning" more than say Offspring or Green Day.

'Ricky Bobby' puts the pace right back up to hyperactive levels, kicking up a storm of energetic punk rock with a no holds barred thrash out. This is no doubt the heaviest track of the album, and it's frantic energy is perfectly utilised to really sucker punch you right after between the eyes, and thus showing that the band are more than just another group with great backing tracks and no substance. Zebrahead are definitely a band that can hit just as hard as any of their contemporaries whether it is The Offspring or Rancid.

The rest of 'Get Nice!' keeps the pace to a frantic punk rock party level, and with choruses that seem perfectly engineered to incite a riotous sing-along it's not difficult to imagine the album being a mainstay of house-parties all over the world, especially when each track flows seamlessly whilst still retaining a strong sense of diversity that means the album won't just melt into one big hulking mass of interchangeable background noise.

Overall 'Get Nice!' offers up enough punk rock guts to appease those with a leaning to the heavier side of things, and proves that you don't need coarse language or risquƩ suggestions to showcase that you have hair on your chest, musically speaking at least. The album also showcases rhythms so bouncy its difficult to stay rooted to the spot and even the hip-hop vocals are pulled off in such a natural manner that Zebrahead are able to differentiate themselves from the usual fare of chart punk acts without trying too hard.

Musically then Zebrahead sound like America's answer to "A", which if you're a big fan of the Manchester rockers, and find yourself suffering the itch left by the 6 year absence of new material, will probably mean 'Get Nice!' being a must hear for you.  The energetic delivery, strong positive vibes and diverse musicianship all show that at their 9th album in a 15 year career, Zebrahead is still sounding as strong and as fresh as they were when they first formed.

tags: zebrahead, get nice, 2011, flac,

May 01, 2018

Zebrahead - Phoenix (2008)

Country: U.S.A.
Genre: Punk Rock
Style: Pop Punk
Label Number: ICON112

© 2008 Icon MES
AllMusic Review by Alexey Eremenko
Phoenix entered the Japanese Top Ten, but its first few minutes make one wonder why, because the album opens up with some sturdy hardcore that's not exactly prime charting material. However, things clear up pretty fast, and the hardcore thing turns out to be a harmless mimicry for what is actually an emo-punk album. Sounding like Fall Out Boy became a safe ticket to success around 2008, but the downside is that the shtick began wearing thin fast -- which explains the non-conventional intro, as Zebrahead seem to be trying to make up for lack of originality on Phoenix with versatility. The backbone of the album is still formed by simple riffs played with punk speed, their energy serving as a counterbalance to the melodies that are so sensitive they border on whiny. However, the guitars are often genuinely heavy, reminding of Taking Back Sunday, and the punk vibe occasionally becomes too brutal to count as melodic. But only occasionally: melody is still a byword for Phoenix, which clearly longs for pop appeal, for all its speed and quasi-metal elements. There are a couple of more daring detours, too, such as the reggae-tinged "Mike Dexter," or "The Juggernauts," which plunders the vaults of arena rock of U2 by way of Angels & Airwaves (making it a double plunder). All in all, the genre-hopping is handled pretty well, and the album never becomes a disparate jumble of influences, but the emo-rock used as glue, while energetic and not overly sentimental, isn't exactly full of hooks, which probably explains why this album, in the end, only enjoyed moderate chart success.

tags: zebrahead, phoenix, 2008, flac,

Zebrahead - Broadcast To The World (2006)

Country: U.S.A.
Genre: Punk Rock
Style: Pop Punk
Label Number: ICON102

© 2006 Icon MES
AllMusic Review by Rick Anderson
Back in the mid- to late '80s, when hip-hop was still a relatively young art form, there was such a thing as rock-rap fusion -- but it sounded very different from the rap-inflected nu metal of the late '90s. It was more like hardcore punk or artsy post-punk with breakbeats, and the most popular practitioners of the genre were Faith No More. Zebrahead are a sort of rap-rock outfit owing far more to the old school than the new, but that adds the welcome element of solid melodic hooks to the mix. The result is music that you can sing along to, or rap along to, or mosh along to, or yell along to. This band started out in the ska-punk ghetto, and on its fourth album there are a couple of nods to the old days (most notably on the high-stepping "Anthem"), but mostly Zebrahead keep the sound in a heavy rock mode. There are nods to the Clash (listen to the verse on "Back to Normal" and think of London Calling) and to Rancid (the "out come the wolves" shout-out on "Karma Flavored Whiskey"), and there's the flat-out gorgeous heavyosity of "Wake Me Up." There are also one or two moments when the rap interludes fall a bit flat (notably on the string-laden "Your New Boyfriend Wears Girl Pants"), but for the most part this album succeeds admirably. Recommended.

tags: zebrahead, broadcast top the world, 2006, flac,

Born Jamericans - Kids From Foreign (1994)

Country: U.S.A.
Genre: Ragga
Label Number: 92349-2

© 1994 Delicious Vinyl
AllMusic Review by Leo Stanley
Although the duo occasionally falls prey to style over substance, Born Jamericans' debut, Kids from Foreign, is an impressive collection of street-oriented hip-hop and dancehall reggae, highlighted by the singles "Boom Shak-A-Tack" and "Cease & Seckle."

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Various Artists - Precious Metal (1995)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hard Rock, Pop Rock
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© 1995 Temple
*No professional reviews available for this release.

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Born Jamericans - Yardcore (1997) ⚓

Country: U.S.A.
Genre: Ragga
Label Number: DV5018-2
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© 1997 Delicious Vinyl
AllMusic Review by Curtis Zimmermann
While most hip-hop/reggae hybrids feature endless streams of lyrics indistinguishable to those not familiar with the dialect, Born Jamericans slow up the beat and infuse the style with lover's rock. The result is a rather seductive album of mellow grooves and sensual lyrics that leans much closer to the sounds of Jimmy Cliff than that of Buju Banton. High points include "State of Shock," which features Johnny Osbourne, and the cover of Frankie Avalon's "Venus." Even though the style gets a bit long winded and the tracks tend to blur, there is still enough strong material on this album to make it worth listening to, and perhaps slow dancing to as well.

tags: born jamericans, yardcore, 1997, flac,