The year 1976 was crucial for the evolution of heavy metal, as landmark albums like
Rainbow's
Rising and
Scorpions'
Virgin Killer began to reshape the genre. Perhaps none was quite as important as
Judas Priest's sophomore effort,
Sad Wings of Destiny,
which simultaneously took heavy metal to new depths of darkness and new
heights of technical precision. Building on the hard prog of bands like
Queen and
Wishbone Ash, plus the twin-guitar innovations of the latter and
Thin Lizzy,
Sad Wings fused these new influences with the gothic doom of
Black Sabbath, the classical precision of
Deep Purple, and the tight riffery of the more compact
Led Zeppelin tunes.
Priest's
prog roots are still readily apparent here, particularly on the spacy
ballad "Dreamer Deceiver," the multi-sectioned "Victim of Changes," and
the softer sonic textures that appear from time to time. But if
Priest's style was still evolving, the band's trademarks are firmly in place -- the piercing, operatic vocals of
Rob Halford and the tightly controlled power riffing of guitarists
K.K. Downing and
Glenn Tipton.
This foundation sounded like little else on the metal scene at the time, and gave Sad Wings of Destiny much of its dramatic impact. Its mystique, though, was something else. No metal band had been this convincingly dark since Black Sabbath,
and that band's hallucinatory haze was gone, replaced by a chillingly
real cast of serial killers ("The Ripper"), murderous dictators
("Tyrant"), and military atrocities that far outweighed "War Pigs"
("Genocide"). Even the light piano ballad "Epitaph" sounds like a
morbidly depressed Queen rewriting Sabbath's
"Changes." Three songs rank as all-time metal classics, starting with
the epic "Victim of Changes," which is blessed with an indelible main
riff, a star-making vocal turn from Halford,
explosive guitar work, and a tight focus that belies its nearly
eight-minute length. "The Ripper" and "Tyrant," with their driving
guitar riffs and concise construction, are the first seeds of what would
flower into the New Wave of British Heavy Metal movement.
More than any other heavy metal album of its time,
Sad Wings of Destiny
offered the blueprint for the way forward. What's striking is how
deeply this blueprint resonated through the years, from the prog
ambitions of
Iron Maiden to the thematic echoes in a pair of '80s thrash masterpieces. The horrors of
Sad Wings are largely drawn from real life, much like
Slayer's
Seasons in the Abyss, and its all-consuming anxiety is over powerlessness, just like
Metallica's magnum opus,
Master of Puppets. (Though this latter preoccupation doubtlessly had more psychosexual roots in
Rob Halford's case -- witness the peculiar torture fantasy of "Island of Domination.") Unfortunately,
Sad Wings of Destiny
didn't have as much impact upon release as it should have, mostly owing
to the limitations of the small Gull label. It did, however, earn
Judas Priest a shot with Columbia, where they would quickly become the most influential band in heavy metal not named
Black Sabbath.
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