June 30, 2021

The Inbreds - Kombinator (1994) ☠

 
*A photo of the disc is included in the RAR file.
Country: Canada
Language: English
Genre: Alternative Rock
Label Number: 92606-2
☠: Selected by Lass
© 1994 Tag Recordings
Kombinator starts with a typically Canadian approach to mellow, melodic, mid-tempo pop, adds a nicely stratchy recording technique and few twangy, rustic touches, and then runs through some appealingly written songs -- the result is entirely pleasant, achieving a clear, friendly, and unironic tone that can be greatly appreciated. It's not the sort of album that will be flying off of record store shelves and getting listeners' attention, but it accomplishes its goals solidly enough to deserve a good deal of credit.

tags: the inbreds, kombinator, 1994, flac,

Shaquille O'Neal - You Can't Stop The Reign (Promo CD) (1996)

 
*Promotional disc. 
Contains 19 tracks total. 
A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: Hip-Hop
Style: Pop Rap
Label Number: INTD-90087

© 1996 T.W.IsM. Records
Released a week after The Best of Shaquille O'Neal, You Can't Stop the Reign demonstrates that the basketball player is continuing to improve as a rapper. Of course, he is helped by a bevy of guest stars, including Mobb Deep, the Notorious B.I.G., Fat Joe, Bobby Brown and Jay-Z, but what makes the album noteworthy is how Shaq's rapping has improved. Of course, even his improved speed and versatility can't excuse the occasional pedestrian funk of the backing tracks, but You Can't Stop the Reign remains enjoyable, nevertheless.

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tags: shaquille o neal, shaq, you cant stop the reign, 1996, promo, flac,

Various Artists - Raw Materials (Joints From The UK Hip-Hop Underground) (1999)

 
*A photo of the disc is included in the RAR file.

Country: United Kingdom
Genre: Hip-Hop
Label Number: STONECD103

© 1999 Stonegroove Recordings
*No professional reviews are available for this release.

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tags: various artists, raw materials joints from the uk hip hop underground, 1999, flac,

June 29, 2021

Kula Shaker - Peasants, Pigs & Astronauts (1999)

 
Country: United Kingdom
Genre: Alternative Rock
Style: Britpop
Label Number: COL 493142 2
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© 1999 Columbia
AllMusic Review by Stephen Thomas Erlewine
Fame was not kind to Kula Shaker, largely because Crispian Mills could not keep his mouth shut. Speaking like the child of privilege he is, Mills alienated a fair segment of the British pop audience and music press with presumptuous, misguided comments about mysticism and spirituality, as well as a general arrogance. A mere eight months after the release of their debut, K, Kula Shaker was dreadfully overexposed and the group's hippy-dippy neo-psychedelicism and rock classicism were falling out of favor, leaving them with little choice but to retreat to work on their second record. It wasn't quite as easy as that. After rejecting their original producer, John Leckie, and George Drakoulias, they brought Bob Ezrin aboard and began a lengthy recording process. By the time their second record, Peasants, Pigs & Astronauts, was released in the spring of 1999, it had been two-and-a-half years since K appeared in stores -- enough time to regulate the group to footnote status for many observers. You wouldn't know that from the grand, theatrical sound of Peasants, however. The record comes on as a blockbuster, deluging the listener with layers of psychedelic effects, swirling guitars, appropriated chants, Indian instruments, Deep Purple jams, Beatles references, and mystical babble. On a purely sonic level, it's easy to admire what Kula Shaker achieve. They have no shame in recreating the summer of love in a '90s studio and, with Ezrin's help, they've created some enticing, sugary Technicolor treats. The problem is, the high fades away pretty quickly, leaving very little of substance behind. As a songwriter, Mills, for all his portentous posturing, doesn't have a whole lot to say and he doesn't really know how to say it. Only a handful of songs -- "Shower Your Love," "108 Battles" -- are memorable outside of their sonic trappings, which leaves Peasants, Pigs & Astronauts in pretty much the same position as K. It's the kind of record that sounds pretty impressive as it plays, but makes almost no lasting impression.

tags: kula shaker, peasants pigs and astronauts, 1999, flac,

Kula Shaker - Strangefolk (2007)

 
Country: United Kingdom
Genre: Neo-Psychedelia
Label Number: SFKS001CD
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© 2007 EMI
AllMusic Review by Stephen Thomas Erlewine
Tommy Duncan once sang time changes everything but he never lived to hear Kula Shaker. The British quartet is impervious to time just as they are immune to criticism; they are what they are and nothing will change them, as their 2007 album Strange Folk proves. Ten years on from their briefly successful Noel-rock era debut K, the band sounds exactly the same -- an ungainly mix of early Deep Purple, Small Faces and Traffic spiced with a hint of Beatles, apparent in both swirling psychedelic hooks and George-ian mysticism. They are deeply, inadvertently silly -- "Great Dictator (Of the Free World)," a stab at anti-Bush criticism, is powered by the unforgettable chorus of "I'm a dick/I'm a dick/I'm a dictator" -- their jams are mushy and rudderless, and they never quite seem aware that their inability to resist clichés turns their exceptional taste in '60s rock & roll into something terribly tacky, but their gangly grotesqueness is the key to their limited charm. It is hard not to listen to Kula Shaker and their banal, blissfully insulated retro-rock and not be a little amazed that a band can get so many right elements so wrong. If you share some of their taste, there are two options: to get offended or to enjoy their ongoing quest at public embarrassment as they prove the truth in what Neil Innes once sang: "How Sweet to Be an Idiot."

tags: kula shaker, strangefolk, 2007, flac,

Pete Rock - Soul Survivor II (2004)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: RR0032CD
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© 2004 Rapster Records
AllMusic Review by John Bush
Though by the mid-'90s he had earned his status as one of the finest producers in hip-hop, Pete Rock's solo career didn't get off to a good start. He split with C.L. Smooth in 1995 and moved back into independent production for several years, occasionally getting together a project with personal appeal, like his brother's group, InI. Finally signed to Loud/RCA for his first solo album in 1998, Rock called in fans and friends from Wu-Tang Clan to Kool G Rap to Beenie Man for a very promising record. Despite some great material, it wasn't a commercial success and he was unceremoniously dropped from the label (with one final disrespect: five years later, the Loud website was still proclaiming the release of Soul Survivor on November 10, 1998). More productions followed before he signed to Rapster, which treated him more like an artist than a meal ticket, and reissued some old projects (Lost and Found) before following through with the sequel to Soul Survivor. Surprisingly, Soul Survivor II is a much better record than the original, and the best production album Rock's ever done on his own. He's less reliant on hooks than in the past, instead content to simply recruit a cast of great rappers and give them enough to run with. And with more focus (i.e., fewer tracks) this time out, the quality level has gone up. On the second track, "We Good," Kardinal Offishall gets the high honor of Rock's best production (or at least, the most immediately gratifying), and doesn't let it slip with a barrage of dense but freewheeling rhymes. Next on the mike is Pharoahe Monch, the recipient of a classic Rock track (airy effects and slightly stuttered beats) called "Just Do It," on which he preaches self-reliance with informed lyrics. Pete Rock's two-song reunion with C.L. Smooth, "It's a Love Thing" and "Appreciate," illustrate that Smooth still has plenty of what originally gave him his name but hasn't come too far from ten years ago. More than any of his other records, Soul Survivor II displays Rock crafting his productions to fit the rappers -- just compare the tense track that drives the politicized "Warzone" for Dead Prez to the smoothed-out '70s samples and horns laid underneath GZA and RZA for "Head Rush."

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tags: pete rock, soul survivor 2, 2004, flac,

Pete Rock - PeteStrumentals 2 (2015)

 
Country: U.S.A.
Genre: Hip-Hop
Style: Instrumental
Label Number: MMG-00071-2
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© 2015 Mellow Music Group
*No professional reviews are available for this release.

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tags: pete rock, petestrumentals 2, 2015, flac,

Purple City - Road To The Riche$: The Best of The Purple City Mixtapes (2005)

 
*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Style: Gangsta Rap, Pop Rap
Label Number: BBG-CD-50
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© 2005 Babygrande
Review by Allmusic.com
Purple City is more an attitude created and cultivated by rapper/producer/entrepreneur Shiest Bub than any particular location (although it does embody the spirit of the Harlem and Washington Heights sections of New York City where it originated). As he rose in the hip-hop mixtape world, Shiest Bub routinely adorned himself in purple, producing an indelible image as he joined up with Agallah and Un Kasa, and aligned with the powerful Diplomats crew to become one of the strongest East Coast mixtape producers.

ROAD TO THE RICHES, a title recalling the like-minded seminal 1989 hit by Kool G. Rap, brings Purple City's underground world out into the daylight, collecting the strongest tracks from the group's numerous mixtapes for its official debut. The result is anything but patched together, as the tracks blend almost supernaturally for a hazily enjoyable record. The Purple City sound combines a 1990s bass-heavy, stripped-down vibe with an odd pop sensibility for a sinister and strange aesthetic. On tracks like "Winning" and "Purple City Byrdgang," the raps are laid down hard, yet somehow drift above the unearthly melodies for a unique listening experience. With its inventive 21 tracks, ROAD TO THE RICHES is a strong coming-out party for the Purple City set.

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tags: purple city, road to the riches the best of the purple city mixtapes, 2005, flac,

Helloween - Helloween (2021)

 
*A photo of the disc is included in the RAR file.
Country: Germany
Language: English
Genre: Power Metal
Label Number: 6013-2
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© 2021 Nuclear Blast
Review by Gareth Williams for Wall of Sound AU.com
As with any band who has had lineup changes though their history fans all have their favourite. Dio era Black Sabbath v Ozzy era, Van Roth v Van Hagar or Paul Dianno v Bruce Dickinson v Blaze Bailey era Iron Maiden – just kidding no one prefers Blaze era Maiden… Helloween are no different. The masters and pioneers of the European power metal sound have had their share of line-up changes, but one thing every fan can agree on regardless who was lead vocals the band delivered some truly great music. They’ve never shied away from doing things their own way and getting the pumpkins united for a tour (and a song) was one thing, but this is a new era for the band.

Firstly, and most importantly this album is pure unadulterated 100% Helloween. The band have in the past strayed from the power metal path on occasion with varying degrees of success, not so this time. The first track Out For Glory is a perfect example of this. The united pumpkins collaboration is on full show with this Michael Weikath composition. The veteran guitarist gives a vehicle for each lead vocalist to shine. Andi Deris’ harsher style is in perfect contrast to the great Michael Kiske’s soaring smooth operatic vocals, throw in the triple threat NWOBHM galloping guitars courtesy of Weikath, Sascha Gerstner and the legendary Kai Hansen, a touch of atmospheric synth, the driving rhythm section of Markus Grosskopf and Daniel Loeble and you get a feel for what is in store on the hour long self-titled release. But wait there’s more! Let’s be honest, when it comes to power metal more is always more, in this case the more is in the form of OG vocalist and guitarist Kai Hansen. On first listen his vocal delivery had me reaching for the media release to check if these crazy Germans hadn’t grabbed Judas Priest’s Rob Halford for a guest appearance. No mention of the Metal God just Hansen taking it to the next level. This is as strong an opening of any Helloween album in recent memory.

From that blistering opening, things calm down a little with the second track and latest single Fear of the Fallen. This song is pure Deris, the vocalist put pen to paper and produced an absolute banger! It’s beautiful and complex from the acoustic intro, the chugging riffs into the double threat of Deris and Kiske delivering a rousing chorus, all wrapped up in an orchestral arrangement. On initial listen its hard not to think the band has gone out too strong too early in the album, but subsequent tracks put any doubts to bed. The third cut is fun and uplifting, it delivers positive vibes by the truckload. It’s hooky as anything, the perfect antidote for a world gone mad … “yesterday is history, tomorrow is a mystery”  At a time when things change daily and hourly the best thing we can do is stay positive, help those around us who’re struggling and have the Best Time.

If there’s one thing we know about Helloween, they don’t do filler, even the B-sides are killer, such is the case for the Markus Grosskopf composition ‘Indestructible’. The idea for the song came from the energy the band soaked up on the Pumpkins United Tour, the seven together on stage for over two hours, eight feet tall, bullet proof and indestructible. It’s a four minute and forty three second fun ride, oozing positivity. On an album where each track is stronger than the last it still manages to be a standout.

Speaking of standout’s, the final track is an absolute belter! Released as the first single, only Helloween would run with a track nearly thirteen minutes long. I’m not going to use the E word as it’s overused and doesn’t do this song justice. But it is in every sense of the word. ‘Skyfall’ is like four songs in one, at least. It’s the tale of an alien who crash lands on Earth, a rollicking science fiction joy ride of massive proportions. With more layers than Shrek’s onion, the song twists and turns like a heavy metal rollercoaster. It should be noted the single and subsequent video is only a measly seven minutes long, so there’s five minutes of pumpkin spice missing, and believe me to truly appreciate this song for what it is, you have to hear the full album version.

If Helloween made their mark on that other thirteen minute opus ‘Keeper Of The Seven Keys’ with ‘Skyfall’, their authority is without question. There’s no meandering bridge here, each section of the song is deliberate and with purpose, as a listener you’re taken on an enthralling journey. Indeed this can be said for the album in general, I don’t want to use the word masterpiece but this self-titled release can take its place alongside the best albums metal has to offer. Helloween have released some staggeringly great music over the last few decades, this is up there with the best, if not the best.

Happy happy Helloween, this is the perfect pumpkin 10/10

tags: helloween, helloween album, 2021, flac,

Somethin' For The People - Somethin' For The People (Promo CD) (1995) ☠

 
*Promotional disc. 
Contains 16 tracks total. 
Country: U.S.A.
Genre: R&B
Label Number: 9 46060-2
☠: Selected by Lass
© 1993-1995 Warner Bros. Records
*No professional reviews are available for this release.

tags: somethin for the people, something, somethin for the people album, 1993, 1995, promo, flac,

Quo - Quo (1994) ⚓

 
*A photo of the disc is included in the RAR file.
Country: Australia/U.S.A.
Genre: Hip-Hop
Style: G-Funk, Pop Rap
Label Number: EK 57689
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© 1994 MJJ Music
*No professional reviews are available for this release.


 
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Kula Shaker - K (1996)

 
Country: United Kingdom
Genre: Alternative Rock
Style: Britpop
Label Number: SHAKER 1CDK
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© 1996 Columbia
AllMusic Review by Stephen Thomas Erlewine
By the mid-'90s, most bands had abandoned the sounds and sensibilities of late-'60s psychedelia, which is what makes Kula Shaker's debut album, K, such a weird, bracing listen. The band doesn't simply revive the swirling guitar and organ riffs of psychedelia, it embraces the mysticism and Eastern spirituality that informed the music. On both "Tattva" and "Govinda," lead singer Crispian Mills has adapted portions of Sanskrit text for the lyrics, chanting Indian mantras without a hint of embarrassment. Similarly, Kula Shaker are unashamed about their devotion to Hendrix, Traffic, and the Beatles, cutting their traditionalist tendencies with an onslaught of volume, overdriven guitars, and catchy melodies -- though they have a song called "Grateful When You're Dead," all of their psychedelic sensibilities derive from British rock, not the more experimental American counterpart. Kula Shaker may play well -- they have a powerful rush that makes you temporarily forget how classicist their music actually is -- but they still have trouble coming up with hooks. About half the record ("Hey Dude," "Tattva," "Govinda," "Grateful When You're Dead") has strong melodies, while the rest just rides by on the band's instrumental skills. Consequently, much of K doesn't stick around once the record is finished, but the singles remain excellent blasts of colorful neo-psychedelia.

tags: kula shaker, k, 1996, flac,

June 28, 2021

Noisy Mama - Everybody Has One (1991)

 
Country: U.S.A.
Genre: Hard Rock
Label Number: 7 91399-2

© 1991 ATCO Records
*No professional reviews are available for this release.

tags: noisy mama, everybody has one, 1991, flac,

Tipsy Wit - Songs & Dreams (1991)

 
Country: France
Language: English
Genre: Hard Rock
Label Number: 582 902 

© 1991 Semetery Records
*No professional reviews are available for this release.

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Xzibit - At The Speed of Life (1996)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: RADV 66816-2

© 1996 Loud Records
Xzibit's debut album, At the Speed of Life, is an excellent mixture of hardcore showcases for his lyrical virtuosity and ruminative, reflective hip-hop ballads. Though his rhyming skills are impeccable, the production from tha Alkoholiks' E-Swift, Muggs, and Diamond D gives the album the musical weight it needs to keep it interesting throughout the album.                 

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tags: xzibit, at the speed of life, 1996, flac,

Xzibit - 40 Dayz & 40 Nightz (1998)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: 1840-2

© 1998 Loud/RCA Records
The dysfunctional member of the Likwit Crew once again re-emerged to lyrically decapitate fake MCs. Xzibit's verbal asperity and rough, blunted diction is unmistakable. The sophomore jinx is null and void as Xzibit rips line after line over a grab bag of sizzling tracks. Sir Jinx and Xzibit combine production duties on the haunting "Torture Chamber," which incorporates elements of Ice Cube's "When Will They Shoot." The propensity at which Rass Kass, Saafir, and Xzibit drop bombs over "3 Card Molly" is sick, with each flipping an exceptional verse. Another gem is the marvelously crafted, Jesse West-produced "What U See Is What U Get" in which Xzibit touches all bases over a fluctuating piano and synthesizer track. On "Handle Your Business," Xzibit and Defari coalesce to show and prove for Cali over an expansive well-constructed track from DJ Pen One. In addition, Xzibit gives you a survival guide for the City of Angels with "Los Angeles Times." When the Likwit Crew convenes on a cut, the results are usually splendid, and "Let It Rain" is no exemption to that rule. The Liks, King T, and Xzibit drench this E-Swift track, with Tash shining in grand fashion. A newcomer to the Likwit family, Montageone touches down on the flame-broiled "Recycled Assassins." Also, Xzibit brings the heat in ridiculous ways on "Focus" and "Deeper." 40 Dayz and 40 Nightz is sure to whet your appetite with a nonstop accumulation of lyrics and a prolific variety of production.                 

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tags: xzibit, 40 dayz and 40 nightz, days, nights, 1998, flac,

Icon - Right Between The Eyes (1989)

 
Country: U.S.A.
Genre: Hard Rock
Label Number: 7 82010-2
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© 1989 Megaforce/Atlantic
*No professional reviews are available for this release.

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Rosanna's Raiders - Clothed In Fire (1989)

 
Country: Australia
Genre: Hard Rock
Label Number: SPCN7900604316
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© 1989 Refuge Records
*No professional reviews are available for this release.

tags: rosannas raiders, clothed in fire, 1989, flac,

The Four Horsemen - Nobody Said It Was Easy (1991)

 
*First pressing. 
Contains 12 tracks total.
Country: U.S.A.
Genre: Hard Rock
Label Number: 9 26561-2
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© 1991 Def American Recordings
AllMusic Review by Eduardo Rivadavia
For a brief moment at the start of the '90s, everyone seemed to be doing the retro-rock thing, and while most bands were digging back to the late '60s for inspiration, the Four Horsemen's ambitions went no further than the late '70s -- more specifically AC/DC. There's not a single original riff on all of their first full album, Nobody Said It Was Easy, mind you, but the band's raunchy guitars and gritty delivery make up for this in spades. And had he not been arrested seemingly every six months for one misdemeanor or another, outlaw frontman Frank Starr may have even challenged Axl Rose for his "king of the bad boys" crown. Starr's whiskey and broken glass vocal style literally ignites the album's best moments, including the title track, "Can't Stop Rockin'," and the incredible "Rockin' Is Ma' Business." And while "Hot Head lifts its main riff directly from AC/DC's "Rock'n'Roll Damnation," the slightly more original "Tired Wings" actually received some MTV rotation thanks to its mellower Southern rock vibe and slide guitars. Rounded out by the easy strut of "Moonshine," the all-out fury of "Lookin' for Trouble," and the lazy jamming of "I Need a Thrill/Somethin' Good," this album scores low on originality, but high on honesty and charisma. A sure winner for lovers of no-image, no-class rock & roll.

tags: the four horsemen, nobody said it was easy, 1991, flac,

The Four Horsemen - Gettin' Pretty Good At Barely Gettin' By (1996)

 
*First pressing. 
Contains tracks total.
Country: U.S.A.
Genre: Hard Rock
Label Number: SPV 034-46572
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© 1996 Magnetic Air
AllMusic Review by Eduardo Rivadavia
The Four Horsemen were quite literally a shattered band come 1996. Five years on from their simplistic but infectious retro-rock debut, they'd been dropped by Def American, been abandoned by their main songwriter guiding force in founding guitarist Haggis, and, most heartbreaking of all, lost drummer Ken "Dimwit" Montgomery to a drug overdose. As the band's last remaining original members, it came down to guitarist Dave Lizmi and troubled singer Frank C. Starr (more on him later) to assemble a new lineup and attempt to shoulder the load themselves on the snidely named Gettin' Pretty Good at Barely Gettin' By. And they did an OK job. The album still featured much of the Four Horsemen's stripped-down, hard-rocking style, but standout cuts such as "Hot Rod" and the poignant "Song for Absent Friends" generally lacked the Southern Skynyrd flavor, and especially the power boogie AC/DC crunch of old. Instead, the album mostly resorted to a mellower, more soulful, decidedly sleeker Black Crowes-type groove for tracks like the title song and "Drunk Again" (note background lady singers). A few songs also forced the "we're still rockin''' storyline ad nauseam (see cheesy opener "Still Alive and Well" and the edgier, frankly biographical "Back in Business Again"), while others simply lacked originality (for example, "Livin' These Blues," which apes the debut's hit, "Tired Wings," a tad too closely). Still, the fact that's it's clearly inferior compared to its predecessor shouldn't entirely detract from this album's good-time blue-collar rock & roll, and fans of the Horsemen will likely want to give it a chance anyway. Sadly, Gettin' Pretty Good at Barely Gettin' By proved to be the final musical testament for singer Starr, who passed away under tragic circumstances a few years later.

tags: the four horsemen, gettin pretty good at barely gettin by, getting, 1996, flac,

June 27, 2021

The Roots - Things Fall Apart (1999)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: MCAD-11948

© 1999 MCA Records
One of the cornerstone albums of alternative rap's second wave, Things Fall Apart was the point where the Roots' tremendous potential finally coalesced into a structured album that maintained its focus from top to bottom. If the group sacrifices a little of the unpredictability of its jam sessions, the resulting consistency more than makes up for it, since the record flows from track to track so effortlessly. Taking its title from the Chinua Achebe novel credited with revitalizing African fiction, Things Fall Apart announces its ambition right upfront, and reinforces it in the opening sound collage. Dialogue sampled from Spike Lee's Mo' Better Blues implies a comparison to abstract modern jazz that lost its audience, and there's another quote about hip-hop records being treated as disposable, that they aren't maximized as product or as art. That's the framework in which the album operates, and while there's a definite unity counteracting the second observation, the artistic ambition actually helped gain the Roots a whole new audience ("coffeehouse chicks and white dudes," as Common puts it in the liner notes). The backing tracks are jazzy and reflective, filled with subtly unpredictable instrumental lines, and the band also shows a strong affinity for the neo-soul movement, which they actually had a hand in kick-starting via their supporting work on Erykah Badu's Baduizm. Badu returns the favor by guesting on the album's breakthrough single, "You Got Me," an involved love story that also features a rap from Eve, co-writing from Jill Scott, and an unexpected drum'n'bass breakbeat in the outro. Other notables include Mos Def on the playful old-school rhymefest "Double Trouble," Slum Village superproducer Jay Dee on "Dynamite!," and Philly native DJ Jazzy Jeff on "The Next Movement." But the real stars are Black Thought and Malik B, who drop such consistently nimble rhymes throughout the record that picking highlights is extremely difficult. Along with works by Lauryn Hill, Common, and Black Star, Things Fall Apart is essential listening for anyone interested in the new breed of mainstream conscious rap.

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Little Brother - The Listening (2003) ☠

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: ABB1038-2
☠: Selected by Lass
© 2003 ABB Records
In Little Brother's music, the North Carolina group makes a specific point to highlight the more refined aspects of mid-'90s hip-hop. Basing its 2002 sound upon the foundation previously established by the likes of Pete Rock, A Tribe Called Quest, Jay Dee, and Black Star, Little Brother makes somewhat of a political statement by applying such standards to this modern age. The Listening does an exceptional job of proving that soulful meditations have indeed retained their traditional relevancy within the contemporary realms of rap. 9th Wonder's production leads the charge with distinct drum kicks pacing larger-than-life melodic samples, which are often enhanced with sultry female voice-overs. Meanwhile, Phonte and Big Pooh dig even deeper within the hip-hop vaults as they draw upon classic routines by the likes of Rakim, Slick Rick, and Audio 2 for their lyrical inspiration. Whether engaged in storytelling, braggadocio, or simple reassurance, the rhyming duo complements 9th Wonder's varying shades of mood music with a consistent degree of skill and sincerity. The album both starts and finishes strongly, with "For You," "Speed," "Nighttime Maneuvers," and the title track serving as its most stellar moments. Despite its unavoidably derivative orientation, The Listening is a finely crafted musical document, composed by artists who want nothing more than to provide even just a glimpse of hip-hop purity within an ever-expanding maze of cultural deterioration.

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Little Brother - The Minstrel Show (2005)

 
Country: U.S.A.
Genre: Hip-Hop
Label Number: 83783-2

© 2005 Atlantic/ABB Records
Few groups earn a major-label contract based on their producer's merits, but when Little Brother jumped to Atlantic for their second full album, The Minstrel Show, any cynic looking for a good reason would point to the increased profile of trackmaster 9th Wonder (Jay-Z, Destiny's Child). But it wasn't just 9th Wonder that made Little Brother's first album one of the best underground rap debuts of the new millennium; rappers Phonte and Big Pooh matched a smooth Southern drawl with up-North smarts. Like their influences in the Native Tongues family, the trio cast a clever eye over music and culture, sniffing out hypocrisy and greed, then dismissing them with sparkling satires. The Minstrel Show presents more of the same, expanding the palette to a host of hot topics: R. Kelly's "Trapped in the Closet" series, which gets skewered by the spot-on "Cheatin"; exploitative urban TV stations (the album's main concept); and even the need for brand-name clothes ("5th and Fashion"). And any fans who feared that 9th Wonder's success would lead to a diluted or overly polished record have nothing to worry about; awash in '70s soul and mellow, slapping beats, his productions make the message tracks carry just as well as the humorous material.

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tags: little brother, the minstrel show, 2005, flac,