February 22, 2026

The Trash Can Sinatras - A Happy Pocket (1996)

Country: United Kingdom
Genre: Indie Pop
Label Number: 828 696-2
 
© 1996 Go! Discs
After the glorious pop masterpieces that were the Trash Can Sinatras' first two albums, A Happy Pocket is a bit of a letdown. Murky production, strange vocal effects that obscure Francis Reader's delicate voice, and an over-reliance on mandolin overdubs make for a generally less than engaging listen. That doesn't mean that there aren't some fine additions to the Trash Can canon, as "The Safecracker," "Twisted & Bent," "How Can I Apply...?," and "The Therapist" are absolutely sublime. One gets the sense that the album was only half complete upon its release. Indeed, a rotating bevy of mixers and engineers are credited with various batches of the songs. At least one-third of the album comes across like a collection of fleshless demos. Particularly stale is the amateurish cover of "To Sir With Love" that sounds as if it was recorded underwater with Reader half-asleep. A Happy Pocket is certainly more subdued than the band's earlier albums, but that's not what makes it disappointing. It's as if the band took a step backward, stripped down their trademark jangling guitars, and decided to rely on studio polish in place of their usually stellar hooks. Had it not been for the stunning musicianship and energy of the previous albums, A Happy Pocket would probably be more enjoyable. But outside of the occasional gems, as stellar as they are, A Happy Pocket lags far behind the band's earlier output due to poor sequencing, some sloppy production choices, and a lack of editing prowess. Had the album been edited down to five or six songs, it would have made a fine mini-album. 
 
tags: the trash can sinatras, a happy pocket, 1996, flac,

The Trash Can Sinatras - I've Seen Everything (1993)

Country: United Kingdom
Genre: Indie Pop
Label Number: 828 412-2
 
© 1993 Go! Discs/London Records
For their second album I've Seen Everything, West Scotland's The Trash Can Sinatras pull the blankies up snugly around you before tearing them away to reveal some rather stark-naked underlying truths. "Easy Read" and "Hayfever" start things off all warm and fuzzy, huge melodies set equally to sawing strings and chiming guitars. "Bloodrush" breaks the bed-sit mood with a swirl of frenetic string-bending that would get the most dour, pimply-faced, black-clad youth tapping his toes. But as the 14-track lineup progresses, whimsy gradually gives way to a darker cynicism and sarcasm that pays due tribute to predecessors The Velvet Underground. Tracks like "Killing The Cabinet" and "One At A Time" cut to the bone instrumentally and lyrically, leaving one to scramble quickly back to the closing security blanket of "Earlies." 
 
 tags: the trash can sinatras, ive seen everything, 1993, flac,

The Flying Lizards - The Flying Lizards (1979)

*Reissued on CD for the first time in 1995 Virgin Records
This pressing contains 13 tracks total.
 
Country: United Kingdom
Genre: New Wave
Label Number: VJCP-17501
 
© 1979-1995 Virgin Records
In the late 1970s, composer and producer David Cunningham was savvy enough to cloak his experimental music in the disguise of a novelty record, at least for a while; his fractured deconstructions of Eddie Cochran's "Summertime Blues" and Barrett Strong's "Money," released under the moniker the Flying Lizards, managed to inch into the pop charts because folks thought they were some sort of musical joke, even though Cunningham's wit didn't negate the seriousness of his musical ambitions. After the international success of "Money," Virgin Records wanted a Flying Lizards album to go along with it, and the resulting LP was where Cunningham's cred as an artist ran up against his instincts as a pop satirist. The principle reason "Money" became a left-field hit was that even though the song had been bent within an inch of its life, it still had a catchy hook and, if you wanted to, you could dance to it. That can't honestly be said for the new material Cunningham and his associates put together for the album; except for Bertold Brecht and Kurt Weill's "Der Song von Mandelay," which doesn't have an honestly memorable hook, the new tracks are all originals and they're informed by the space and anything-goes vibe of dub instead of radio-ready pop, and while they're intelligent and well-executed, they're not especially compelling. Through the soundscapes that dominate the second half of this album are more interesting to talk about than to hear, at least they're better than the vocal tracks closer to the beginning, which sound both pretentious and musically flawed. The Flying Lizards' first album unwittingly followed one of the greatest traditions of '50s and '60s pop -- take a hit single, surround it with a whole bunch of filler less interesting than the hit, and presto! You have an album. Too bad Cunningham didn't prove to have as much vision as, say, Count Five or the Royal Guardsmen, who did better with the quickie album concept than he did. 
 
 tags: the flying lizards, the flying lizards album, 1979, 1995, flac,

The Flying Lizards - The Secret Dub Life of The Flying Lizards (1995)

Country: United Kingdom
Genre: Reggae
Label Number: piano 501
 
© 1995 Piano
Released nearly ten years after it was recorded in 1978, The Secret Dub Life of the Flying Lizards features Lizard David Cunningham collaborating with Jah Lloyd on a set of surreal, Lee "Scratch" Perry-influenced dub reggae tracks. 
 
 tags: the flying lizards, the secret dub of life of the flying lizards, 1995, flac,

February 15, 2026

The Shining - True Skies (2002)

Country: United Kingdom
Genre: Alternative Rock
Style: Britpop 
Label Number: 508675-2
 
© 2002 Zuma Recordings
*No professional reviews are available for this release. 
 
 tags: the shining, true skies, 2002, flac,

Mutya Buena - Real Girl (Special Edition) (2007)

*This pressing contains 13 tracks total.
Country: United Kingdom
Genre: R&B, Pop
Label Number: 1734610
 
© 2007 Island/4th & Broadway & Universal Records
Fresh from departing the Sugababes, Mutya Buena released her debut album, Real Girl in June 2007. It reached the Top Ten on the strength of the title track, which samples the background music from Lenny Kravitz's "It Ain't Over Til It's Over" in the same way that her previous hit with the Sugababes, "Freak Like Me," used the music from "Are Friends Electric." There is a mixture of danceable R&B songs, like the album opener "Just a Little Bit," "It's Not Easy," and the collaboration with Groove Armada, "Song for Mutya (Out of Control)," which was also included on their Soundboy Rock album. There are also soulful ballads "Suffer for Love" and "This Is Not (Real Love)," a duet with George Michael on which they sing alternate verses; the track first appeared on his album Twenty Five. "Breakdown Motel" and "My Song" chug slowly along and Buena raps the verses on "B Boy Baby" before launching into a chorus consisting of a slowed down version of the Ronettes/Phil Spector '60s masterpiece which even Amy Winehouse couldn't save from dreary boredom. The latter singer, however, would have been proud to record "Strung Out," which opens with a solo piano and appears to be building into a minor key melodramatic ballad before breaking into a beat led R&B number. 
 
tags: mutya buena, real girl, special edition, 2007, flac,

February 14, 2026

Shining - II: Livets Ändhållplats (2005 Limited Edition)

*Reissued in 2005 by Osmose Productions
This pressing contains 7 tracks total.
Country: Sweden
Language: Swedish (svenska)
Genre: Black Metal
Label Number: OPCD 169
 
© 2001-2005 Osmose Productions
*No professional reviews are available for this release.
 
tags: shining, ii livets andhållplats, 2001, 2005, limited edition

Shining - III: Angst - Självdestruktivitetens Emissarie (2002)

Country: Sweden
Language: English, Swedish (svenska)
Genre: Black Metal
Label Number: AV066
 
© 2002 Avantgarde Music
*No professional reviews are available for this release. 
 
 tags: shining, iii angst självdestruktivitetens emissarie, 2002, flac,

Shining - IV: The Eerie Cold (2005)

Country: Sweden
Language: English, Swedish (svenska)
Genre: Black Metal
Label Number: AV082 CD
 
© 2005 Avantgarde Music
*No professional reviews are available for this release.
 
 tags: shining, iv the eerie cold, 2005, flac,

February 13, 2026

The Flying Lizards - Fourth Wall (1981)

*Reissued on CD for the first time in 1995 by Virgin Records
This pressing contains 15 tracks total 
and non-remastered audio.
 
Country: United Kingdom
Genre: New Wave, Art Pop
Label Number: VJCP-17502
 
© 1981-1995 Virgin
*No professional reviews are available for this release. 

 tags: the flying lizards, fourth wall, 1981, 1995, flac,

The Flying Lizards - Top Ten (1984)

Country: United Kingdom
Genre: New Wave, Art Pop
Label Number: CDST 20
 
© 1984 Statik Records
*No professional reviews are available for this release.
 
tags: the flying lizards, top ten, 1984, flac,

February 08, 2026

Buda Hedz - Rapwacks (12" Single) (1994)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: BU3DA1
 
© 1994 Miff Records
*No professional reviews are available for this release.
 
tags: buda hedz, rapwacks, 1994, flac,

Buda Hedz - If Ya Swing (12" Single) (1995)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: 100-ML
 
© 1995 Miff Records
*No professional reviews are available for this release.
 
 tags: buda hedz, if ya swing, 1995, flac,

Lucinda Williams - Essence (2001)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Alternative Country
Label Number: 088 170 197-2
 
© 2001 Lost Highway
 Between her well-documented determination to retail full control of her music and the plain-spoken willfulness of her best-known songs, Lucinda Williams is practically the working definition of a strong woman you do not want to mess with, but she reveals a very different side of her musical personality on her sixth album, Essence. Subtle and often stark, Essence is an unusually quiet and frequently downbeat set that depicts a fragile emotional vulnerability which rarely makes its presence felt in Williams' music; there's an unadorned longing in songs like "Blue" and "Lonely Girls" that's new and deeply affecting, and the leaf-in-the-breeze quaver of Williams' voice on "I Envy the Wind" is as heart-rending as anything she's ever committed to tape. But while a blue mood dominates Essence, this isn't an album about the blue funk of heartbreak, but a chronicle of the search for transcendence over sorrow in our lives, as her characters look for a path out of isolation ("Out of Touch"), try to find answers through faith ("Get Right With God"), or reconcile love with the desires of the flesh ("Essence"). As a songwriter, Williams has long shown a knack for charting the human heart and mind with intelligence and economy, and Essence finds her at the peak of her form; the delicacy of this music does not speak of weakness, but of the passion and bravery it takes to bare one's soul. And while Williams has gained a certain infamy for her obsessive perfectionism in the studio, the quality of her work speaks for the wisdom of her decision-making process, and Essence proves how well she understands the art of recording; producing in collaboration with Charlie Sexton (Tom Tucker and Bo Ramsey also contributed), Essence sounds full and rich even in its quietest moments, and her sweet-and-sour voice blends with the arrangements with subtle perfection. Those hoping for another dose of the bluesy roots rock of Car Wheels on a Gravel Road may be disappointed, but if you want to take a deep and compelling look into the heart and soul of a major artist, then you owe it to yourself to hear Essence. 
 
 tags: lucinda williams, essence, 2001, flac,

February 05, 2026

Bonnie Tyler - Faster Than The Speed of Night (1983)

*European first pressing. 
Contains 9 tracks total.
Country: United Kingdom
Genre: Pop Rock
Label Number: CDCBS 25304
 
© 1983 CBS
Although she had earned worldwide fame in 1978 with "It's a Heartache," Bonnie Tyler had trouble building on that success looked as if she were doomed to one-hit wonder status by the early 1980s. However, she returned to prominence in 1983 with Faster Than Speed of the Night, a bombastic opus that took her gift for heartbroken balladry to epic heights. The key to the this album's success is the production and writing chops of Jim Steinman. He applies the same gothic operatic touch that made his work with Meat Loaf so captivating (and successful), wrapping the songs in atmospheric, all-stops-out arrangements that blend drama and power chords in equal measure. The combination of Steinman's cinematic production style with Tyler's smoky vocals made Faster Than the Speed of Night her most successful album. It also spawned a huge hit single in "Total Eclipse of the Heart," an epic ballad about longing for a lost love that starts as a quiet piano-led piece and builds into a gargantuan production built on an equal balance of power chords and thick choral vocals. The title track, a romantic rocker that blends lighting-fast piano runs with metallic guitar soloing from Rick Derringer, also got a decent amount of radio play. The remainder of the album has Tyler turning her attention to cover versions, including a Phil Spector-styled remake of Bryan Adams' "Straight From the Heart" and a radically rearranged version of "Have You Ever Seen the Rain?" that transforms the song into an arena rock tune built on a complex, classical-styled piano riff from Roy Bittan. The standout among the cover versions is "Tears," a heart-tugging power ballad that Tyler performs as a duet with its author, Frankie Miller. Since Miller's gruff voice is close in style to Tyler's, their duet has a special chemistry and they milk the song for every drop of drama it has to offer. This combination of bombast and melodrama could have worn thin quickly, but Steinman keeps things moving smoothly by carefully pacing all the songs and throwing in odd, ear-catching elements to keep things interesting (example: the chanting children's chorus that introduces "Goin' Through the Motions"). All in all, Faster Than Speed of the Night remains Bonnie Tyler's finest and most consistent achievement on record. It's a must for anyone interested in her work and a worthwhile purchase for anyone who enjoys rock at its most melodramatic.
 
 tags: bonnie tyler, faster than the speed of night, 1983, flac,

Bonnie Tyler - Secret Dreams & Forbidden Fire (1986)

*European first pressing. 
Contains 9 tracks total.
Country: United Kingdom
Genre: Pop Rock
Label Number: CDCBS 86319
 
© 1986 CBS
Not totally unique, Secret Dreams & Forbidden Fire nevertheless depicts a cool portrait of '80s pomposity. Producer/director Jim Steinman always kicks his records off in style, and the breathtaking, go-for-Baroque "Ravishing" is no exception. Building to "Livin' la Vida Loca," Desmond Child's songwriting ascent continues with "If You Were a Woman," which morphed into "You Give Love a Bad Name" for a certain Bon Jovi big shot. No having a cranium-blasting "Faster Than the Speed of Night" or chart-busting "Total Eclipse of the Heart" immediately makes Secret Dreams & Forbidden Fire substandard to the 1983 Steinman/Tyler collaboration. This power-keg feels a bit sleeker and more streamlined: a fighter plane instead of a luxury jumbo. The ubiquitous Footloose soundtrack showcased colossal closer "Holding Out for a Hero," so even that ditty doesn't prop this platter. Todd Rundgren (another member of this bizarre clique) joins his distinctively plain voice to Tyler's for a deranged duet on "Loving You's a Dirty Job but Somebody's Gotta Do It" (not the Ratt killer). "No Way to Treat a Lady" follows "Straight From the Heart" as an attempted Bryan Adams interpretation. Too much ado piled on top of the glittering "Band of Gold" almost breaks the back of a very sturdy song. Naturally the unsubtle Steinman production boasts an excess of everything, but somehow this secret dream needs a bit more fire. Not a bad pickup from the delete bins though.
 
tags: bonnie tyler, secret dreams and forbidden fire, 1986, flac,

February 03, 2026

Coffin Break - Crawl (1991)

Country: U.S.A.
Genre: Punk Rock, Grunge
Label Number: E-86413-2
 
© 1991 Epitaph
*No professional reviews are available for this release.
 
 tags: coffin break, crawl, 1991, flac,

Coffin Break - Thirteen (1992)

Country: U.S.A.
Genre: Punk Rock, Grunge
Label Number: E86421-2
 
© 1992 Epitaph
*No professional reviews are available for this release.
 
tags: coffin break, thirteen, 1992, flac,

January 31, 2026

Def Jef - Just a Poet With Soul (2012 Deluxe Edition)

*Reissued and remastered in 2012 by Delicious Vinyl
This pressing contains a second disc with 16 bonus tracks.
Country: U.S.A.
Genre: Hip-Hop
Label Number: DV 9056
 
© 1989-2012 Delicious Vinyl
 Raised in Harlem and the Bronx, talented rapper Def Jef hung out in the same neighborhoods that gave listeners Grandmaster Flash & the Furious Five, Kurtis Blow, and the Treacherous Three, and he was exposed to their music at an early age. When he moved to Los Angeles and signed with Delicious Vinyl in the late '80s, the influence of hip-hop's old school remained. Jef's debut album, Just a Poet with Soul, wasn't as big a seller as the albums Young MC and Tone Loc had recorded for Delicious, but jams like "Droppin' Rhymes on Drums" (which employs Etta James as a background singer), "God Made Me Funky," and "Give It Here" made it clear that his rapping skills were first-rate. Jef is at his most interesting on the excellent sociopolitical offerings "Black to the Future" and "Downtown," both of which suggest that he should consider devoting more time to message songs and less time to boasting lyrics. But even so, Poet with Soul is exhilarating and relentlessly funky. [Delicious Vinyl's 2012 reissue adds a bonus disc of 12" and instrumental mixes.] 
 
* Due to past abuse, comments for the Hip-Hop section have been disabled. 
 
 
 tags: def jef, just a poet with soul, 2012, 1989, flac,

KMC - Three Men With The Power of Ten (1991)

Country: U.S.A.
Genre: Hip-Hop
Label Number: CDL 57122
 
© 1991 Priority Records
There's nothing even remotely subtle about Southern California trio KMC's (whose name stands for Kaotic Minds Corruptin') style of rapping, which is relentlessly forceful, hyper and aggressive. KMC's hard-as-hell tracks are abrasive enough, but what makes the amelodic Three Men with the Power of Ten so exhilarating is the boundless energy in the rapping styles of Poison Ivey, Tee and Rocc. Their merciless verbal assaults exceed even Public Enemy's intensity. The subject matter is, for the most part, fairly conventional hip-hop fare (the rappers' proficiency and other MCs' ineptness on the microphone), although KMC does provide some jolting social commentary on "Living in the Ghetto" and "The Streets Are the Battlefield." Unfortunately, this album didn't receive nearly the attention that so many releases by West Coast rappers enjoyed in the early '90s. 
 
 * Due to past abuse, comments for the Hip-Hop section have been disabled. 
 
 
 tags: kmc, three men with the power of ten, 1991, flac,

January 30, 2026

Def Jef - Soul Food (1991)

Country: U.S.A.
Genre: Hip-Hop
Style: Conscious Rap 
Label Number: 314-510 120-2
 
© 1991 Delicious Vinyl
 Def Jef followed up Just a Poet With Soul with the equally likable Soul Food, which regrettably didn't bring the underexposed L.A.-based rapper the commercial success he deserved. The CD's more sociopolitical songs are also its best, including "Get Up 4 the Get Down," "Don't Sleep (Open Your Eyes)" and the reggae-Influenced "Voice of a New Generation." But Jef is also quite enjoyable on more escapist tunes like "Cali's All That" (a duet with Tone Loc), "Fa Sho Shot" (which samples L.T.D.'s 1977 hit "Back In Love Again"), and the single "Here We Go Again." Jef may have been "coolin' in Cali," but Soul Food is a very East Coast-sounding disc illustrating the fact that the MC never forgot his New York upbringing. 
 
* Due to past abuse, comments for the Hip-Hop section have been disabled.
 
 
tags: def jef, soul food, 1991, flac,

Stephen Duffy - The Ups & Downs (2008 Remastered Edition)

*Reissued and remastered in 2008 by Cherry Pop
This pressing contains 17 tracks total.
 
Country: United Kingdom
Genre: Pop
Label Number: CR POP 11
 
© 1985-2008 Cherry Pop
This is a brilliant debut album. Dropping the name Tin Tin (due to the threat of a law suit from the publishers of the Tin Tin comics), Stephen Duffy emerged with this stunning album. It's chock-full of strong pop melodies, love-found-and-lost lyrics, and Duffy's sweet vocals. The album was assembled over a period of time using a variety of co-producers (Stephen Street and Art of Noise's J.J. Jeczalik), but it all comes together, as the subtitle states, as "A Very Beautiful Collection." The hit "Kiss Me" is re-recorded here and actually sounds better than the original single version -- noisier, but more interesting. "Icing on the Cake" and the enchanting "She Makes Me Quiver" are other highlights that demonstrate Duffy's ability to use clever lyrics without sounding smug. Although the album sounds somewhat dated ('80s dance music with the heavy production), it holds together well due to the strong playing and the mixture of conventional instruments (e.g., piano and vocals) with keyboards/synths. It works. Duffy has studied '60s pop and quite simply updated the sound, but he knew enough to include his own style and sounds. Overall, a very strong album that comes highly recommended.
 
 tags: stephen duffy, the ups and downs, 1985, 2008, flac,