September 21, 2023

Spandau Ballet - Through The Barricades (1986)

*European first pressing. 
Contains 9 tracks total.
Country: United Kingdom
Genre: Pop Rock, Pop
Label Number: CBS 450259

© 1986 CBS/Reformation
By the time Spandau Ballet's fifth album appeared in 1986, the sun had set on the synth poppers of the second British Invasion and guitars were all the rage once again. Never ones to miss a trend, the former new romantics -- who'd signed with a new label, Epic, and were determined to make a big splash stateside -- declared their admiration for bands like Bon Jovi and made an album that likely surprised their diminishing fan base with its AOR aspirations. Rocking up Spandau Ballet's smooth white-boy soul, Through the Barricades manages to avoid utter disaster via the tuneful creations of songwriter/guitarist Gary Kemp. Some would argue Kemp had finally evolved into a first-class hack, but while his songs never avoid a cliché if it can be helped (and occasionally offer much worse; see "Virgin"), he does a credible job of supplying his bandmates with arena-ready material like "How Many Lies." Unsurprisingly, melodramatic vocalist Tony Hadley digs in with real gusto, but the production and mix prove the undoing of this effort. Most of the tunes demand guitar and drum bombast; instead, the riff-rocking "Cross the Line" and "Fight for Ourselves," in particular, are undercut by the polite-sounding rhythm section. Given that weakness, which affects much of the album, it's unsurprising that the best song by far is the title track, a Bic-flicking acoustic ballad that became a deserved hit.

 tags: spandau ballet, through the barricades, 1986, flac,

September 20, 2023

Spandau Ballet - Heart Like a Sky (1989)

*European first pressing. 
Contains 9 tracks total.
Country: United Kingdom
Genre: Pop Rock, Pop
Label Number: 463318 2

© 1989 CBS/Reformation
*No professional reviews are available for this release. 

 tags: spandau ballet, heart like a sky, 1989, flac,

Bivouac - Tuber (1993)

*A photo of the disc is included in the RAR file.
Country: United Kingdom
Genre: Grunge
Label Number: vroom-08

© 1993 Engine Recordings
*No professional reviews are available for this release.

tags: bivouac, tuber, 1993, flac,

Various Artists - Best of Grunge Rock (1993)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Grunge
Label Number: P2 53708

© 1993 Priority Records
Best of Grunge Rock is a fairly entertaing, budget-priced collection that contains nine alternative rock and grunge hits from the late '80s and early '90s. A couple of cuts fall flat and not all of the songs could be classified as "grunge, " but there are enough good tracks to make it worth its budget price.

 tags: various artists, best of grunge rock, 1993, flac,

September 18, 2023

Spandau Ballet - Musclebound (1996)

Country: United Kingdom
Genre: New Wave, Synth Pop
Label Number: DC 864592

© 1996 Disky
*No professional reviews are available for this release.

tags: spandau ballet, musclebound, 1996, flac,

Dressy Bessy - Sound Go Round (2002)

Country: U.S.A.
Genre: Indie Pop
Label Number: KC069

© 2002 Kindercore Records
Alternative bubblegum quartet Dressy Bessy oozes with sex appeal on Sound Go Round, a short, sharp collection of cute love songs rendered as if they were vintage '60s AM radio singles. Ultimately the band soars via concise classic Brill Building pop-meets-British Invasion songcraft and playful pop arrangements made for mass consumption. Singer/songwriter Tammy Ealom is the center attraction, cooing and dropping G-rated innuendoes ("it's hard as heck") as guitarist John Hill underpins the overtly candy-coated wordplay with minimally distorted counterpoint that rescues the ensemble from sounding like cartoon characters. If this record came out in 1965 they'd be superstars; however, in 2002 they would have to settle for cult favorites. Bouncy, melodic, and uplifting, Sound Go Round is good, clean fun.

 tags: dressy bessy, sound go round, 2002, flac,

Dressy Bessy - Pink Hearts Yellow Moons (1999) ☠

Country: U.S.A.
Genre: Indie Pop
Label Number: KC025
☠: Selected by Lass
© 1999 Kindercore Records
Pink Hearts Yellow Moons is about as perfect as pop records come -- fuzzy, buoyant, and ridiculously catchy, in essence it's a classic girl group disc re-imagined for the lo-fi era, brilliantly marrying its head-bobbing melodies and la-la-la harmonies with a garage-quality sonic approach which lends even the most precious moments a tuff-grrrl edge. Tammy Ealom's songs are models of simplicity, three-chord gems crafted with precision and purpose, and for all the superficial breeziness of her lyrics, tracks like "Just Like Henry," "Lookaround," and "If You Should Try to Kiss Her" cast a keen eye on boy/girl dynamics, evoking the trials of modern romance with wit and nuance. Cute but never cutesy, sweet but never sappy, Pink Hearts Yellow Moons is utterly irresistible.

 tags: dressy bessy, pink hearts yellow moons, 1999, flac,

Dressy Bessy - Dressy Bessy (2003)

Country: U.S.A.
Genre: Indie Pop
Label Number: KC082

© 2003 Kindercore Records
Dressy Bessy believes in keeping it simple. No fancy chords, wasted notes, or glitzy orchestration for them. Just verse-chorus guitar/drums/bass bubblegum and snappingly catchy pop tunes -- lots of them. Their two albums and their singles collection are remarkably consistent documents from one of the strongest indie pop bands to come down the pike in a while. That being said, this album is a bit of a change in direction for the group. Dressy Bessy retains the hooks and simple approach and adds a newfound harder sound. The guitars have some bite to them, and singer Tammy Ealom's usually sugar-spun vocals occasionally sound angry; on "This May Hurt (A Little)" she sounds like she is getting ready to kick some unfortunate jerk in the shins. Georgie Blue matches grinding guitars with Ealom's off-kilter vocals and produces a track that wouldn't sound out of place on one of Blondie's first LPs. Elsewhere, there are plenty of finger-snapping peppy pop tunes that betray the influence of early new wave and power pop bands like Blondie and the Ramones. They haven't entirely thrown off the influence of indie pop groups like Talulah Gosh on the cute "New Song (From Me to You)" and "Hey May." The album's stripped-down sound and approach may leave the listener wishing the band had found a little space for some flashy chords or glitzy orchestration to break things up a bit. Still, it is hard to argue with an album as pure and true as this.

 tags: dressy bessy, dressy bessy album, 2003, flac,

Dressy Bessy - Electrified (2005)

Country: U.S.A.
Genre: Indie Pop
Label Number: TR0004

© 2005 Transdreamer Records
Dressy Bessy's fourth album continues where their last album, 2003's Dressy Bessy, left off. That album featured a shift away from the band's cheerful, bubble pop sound toward a darker, more adult feeling manifested in Tammy Ealom's tougher vocals, a beefed-up guitar sound, and more aggressive lyrics. Electrified is even tougher sounding, the guitars and Ealom's vocals are even more aggressive this time out, and the group sounds miles away from their early records with only the sweet and bouncy "Who'd Stop the Rain" giving any clue to the ramshackle cuties they once were. The album's sound is a step away from the lo-fi shamble of their first efforts, sounding resolutely slick and pro but with enough life to escape being overly produced and safe sounding. No record that featured Ealom's conversational and artless vocals could ever be too slick anyway; she has a way of sliding around the notes that gives her a charming punk-next-door appeal. Perfect for the kind of tough punk-pop numbers ("Side 2," "It Happens All the Time," "Small," and "Call It Even Later") that predominate on the album. The mood, as on Dressy Bessy, is angry and melancholy with only a couple of songs like the aforementioned "Who'd Stop the Rain" and "Electrified," a funky new wave groover that has some fine sassy vocals from Ealom, around to lighten the mood. The overall tone of the album, and the fact that they have made two records in a row like it, might be enough to chase away many of the band's original fans for good, but those who stick around will be treated to an album of fine, fizzy adult punk-pop with a mean streak and a broken heart. Dressy Bessy are as pure and true as ever.

 tags: dressy bessy, electrified, 2005, flac,

Dressy Bessy - Holler & Stomp (2008)

Country: U.S.A.
Genre: Indie Pop
Label Number: TR125

© 2008 Transdreamer Records 
On their fifth album, it seems that Dressy Bessy have discovered the minor chord. No longer content as a purveyor of the peppy Elephant Six spirit, they've left sunny pastures behind in search of a darker sound. Think of this as their attempt at maturity by way of toning down the spunk. Recorded with a certain listlessness that could easily be construed as boredom, Holler and Stomp is a curve ball that veers away from the group's long-running trademark bubblegummy pop-punk sound, the same way that Sleater-Kinney flipped the script for The Woods and Shonen Knife changed their tune in Genki Shock. Unfortunately, while these other artists' albums showed that they were capable of accomplishing greatness when branching out, Dressy Bessy's direction here falls a bit flat. Where Shonen Knife added a metal edge and Sleater-Kinney served up some sludgy hard rock, Tammy Ealom and the crew try their hand at no wave and early post-punk by adding some angular basslines, jerking up the rhythms, and dirtying up the guitars. While the idea of Belly performing songs by Wire sounds intriguing on paper, Dressy Bessy's new musical ideas (diminishing half-step progressions, winding structures, and clashing modal scales) aren't drastic enough departures to be engaging, and instead get in the way of their poppy sensibilities. It's not a completely lackluster effort, though. The cowbell and tambourine-infused "Dressed the Part" and the mentions of whirlybirds, candygrams, and doo doos in "Shoot, I Love You" act as reminders of just how much fun Dressy Bessy can be at their simplest, flashing back to their Pink Hearts Yellow Moons era. It's understandable that after penning some 60 songs of summery music, a change was necessary to keep things interesting, but by incorporating the element of dissonance in the new blueprint, they downplayed their most appealing component: their syrupy sweet hook.

 tags: dressy bessy, holler and stomp, 2008, flac,

September 17, 2023

Sex Pistols - The Great Rock 'N' Roll Swindle (1979)

*U.K. first pressing.
Contains 24 tracks total.
Country: United Kingdom
Genre: Punk Rock
Label Number: CDVD 2510

© 1979-1985 Virgin Records
When first approaching The Great Rock 'n' Roll Swindle, it's best not to think of it as a Sex Pistols album; rather, keep in mind that it's the soundtrack to a movie that was mostly about Malcolm McLaren and only tangentially concerned the great band he managed. Only eight of the twenty-four songs on The Great Rock 'n' Roll Swindle feature the same band as on Never Mind the Bollocks, and most of those capture them stomping through covers in the studio, sometimes to impressive effect (Johnny Rotten sounds positively feral on the Who's "Substitute" and the whole band tears into "(I'm Not Your) Stepping Stone" with malicious glee) and sometimes not (Rotten reveals he doesn't know the words to either Chuck Berry's "Johnny B. Goode" or Jonathan Richman's "Roadrunner," and the band's familiarity isn't much greater). A live take of the Pistols roaring through "Belsen Was a Gas" is exciting, but sounds as if Rotten and the rest of the band were traveling in very different directions, and it's not hard to imagine why he quit the group after the show. Steve Jones and Paul Cook offer up a few tunes of their own, which lack the danger of the cuts with Rotten but confirm they were the backbone of a solid, scrappy rock band, and if Tenpole Tudor isn't much of a singer, on his numbers he delivers an impressive degree of sheer eccentricity. But a large percentage of the album is devoted to jokey material tied into the movie -- orchestral versions of "EMI" and "God Save the Queen," a French busker performing "Anarchy in the UK" en Français, train robber Ronnie Biggs attempting to sing, and Malcolm McLaren ascending to show biz heaven with a cover of Max Bygraves' "You Need Hands." And while Sid Vicious sounds like a good if unexceptional rock & roll shouter on a pair of Eddie Cochran covers, his inarguably remarkable version of "My Way" shows the man was incapable of comprehending the irony of his situation, and sadly sounds like the work of a kid destined to die young. Never Mind the Bollocks, Here's the Sex Pistols was the sound of a hydrogen bomb being dropped on your head, and The Great Rock 'n' Roll Swindle collects some of the debris left after the explosion; parts are brilliant, but it's ultimately a padded and slightly depressing look at a great band in collapse.

 tags: sex pistols, the great rock n roll swindle, 1979, flac,

Chris De Burgh - Eastern Wind (1980)

*First pressing. 
Contains 10 tracks total.
Country: United Kingdom
Genre: Pop Rock, Pop
Label Number: D18Y4132

© 1980-1989 A&M Records
1980's Eastern Wind sports a quicker pace that demonstrates that de Burgh can sing songs outside of ballads. It was this album that helped him gain worldwide recognition, thanks in part to it's huge success in the Scandinavian countries (especially Norway). Although the album does include some slower love songs, the overall appeal of Eastern Wind contains some musical jaunts as opposed to his usual collection of tranquil pieces. The lovely "Sailor" is fine proof that de Burgh can contour his voice at will. "Shadows and Lights" is a pure example of the manner in which de Burgh creates atmosphere by way of aromatic phrasing. The shadowy feel of "The Traveller" is by far the best track on the album, as both his voice and the music combine to create the perfect adventurous tone that rides all the way through the song's entirety. Both "Tonight" and "Some Things Never Change" present de Burgh in his familiar tempered surroundings. Eastern Wind contributes to a minor turning point in de Burgh's career, as his singing and his music begin to exhibit more vigor and dimension.

 tags: chris de burgh, eastern wind, 1980, flac,

Sunshine Anderson - Your Woman (2001)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: R&B
Label Number: 93011-2

© 2001 Atlantic Records
While too many pop and R&B divas rely on Mariah Carey-like vocal histrionics, Sunshine Anderson wins over fans with her understated maturity. The first single, "Heard It All Before," breathes new life into a typical R&B diva scenario of a jilted woman confronting her cheating lover. The guitar-based mid-tempo track "Lunch and Dinner" features smooth guitar and straightforward, earnest lyrics. Your Woman features some solid production by Mike City and Mark Spark, and rather than trying to overpower the music with her voice, Anderson has enough confidence to just go along for the ride.

 tags: sunshine anderson, your woman, 2001, flac,

September 16, 2023

The Psychedelic Furs - Forever Now (1982) ☠

*This is a repress of the original 1982 LP pressing on CD. 
Contains 10 tracks total and non remastered audio. 
A photo of the disc is included in the RAR file.
 
Country: United Kingdom
Genre: New Wave
Label Number: CK 38261
 
☠: Selected by Lass
© 1982 Columbia
Likely exercising the same controlling approach that he was notorious for, from his work with every act from the New York Dolls to XTC, Todd Rundgren brought in legendary backup vocal duo Flo & Eddie as well as a cellist, two horn players (including NRBQ member Donn Adams), and himself on keyboards. The end result is simply fantastic, fusing the post-punk charge of the first two albums (Ely still sounds great as always, from the first song on, while Tim Butler acquits himself well on bass) with a new synth-based approach that works wonders. Ashton's guitar often settles back in the mix a bit to allow Rundgren's wall of sound to come together fully, often with great success. The title track is a great example of this, an inspirational anthem where Ashton fully and appropriately lets go right at the end. The most well-known song is one that, for the Furs, was their most atypical single to date: "Love My Way." Butler's very Bowie-like vocals and lyrics slyly celebrate and ponder the triumphant synth rock scene of the time, while Rundgren's often quirky keyboards take the lead in place of Ashton's guitar and Flo & Eddie wordlessly vocalize at the end. "Goodbye" has a brisk, horn-driven punch underscoring Butler's wickedly sour au revoir to a past love; "Sleep Comes Down" mixes Tim Butler's lovely bassline and Rundgren's piano; "President Gas" wryly takes a shot at Reagan while avoiding obvious platitudes; and "Yes I Do" ends on an almost sweetly romantic note, even as the cello/drum-driven arrangement surges along.

 tags: the psychedelic furs, forever now, 1982, flac,

Pixies - Surfer Rosa (2003 Reissue) ☠

*Reissued in 2003 by 4AD. 
Contains 13 tracks total. 
A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: Indie Rock
Label Number: GAD 8030 CD
☠: Selected by Lass
© 1988-2003 4AD
One of the most compulsively listenable college rock albums of the '80s, the Pixies' 1988 full-length debut Surfer Rosa fulfilled the promise of Come on Pilgrim and, thanks to Steve Albini's production, added a muscular edge that made their harshest moments seem even more menacing and perverse. On songs like "Something Against You," Black Francis' cryptic shrieks and non sequiturs are backed by David Lovering and Kim Deal's punchy rhythms, which are so visceral that they'd overwhelm any guitarist except Joey Santiago, who takes the spotlight on the epic "Vamos." Albini's high-contrast dynamics suit Surfer Rosa well, especially on the explosive opener "Bone Machine" and the kinky, T. Rex-inspired "Cactus." But, like the black-and-white photo of a flamenco dancer on its cover, Surfer Rosa is the Pixies' most polarized work. For each blazing piece of punk, there are softer, poppier moments such as "Where Is My Mind?," Francis' strangely poignant song inspired by scuba diving in the Caribbean, and the Kim Deal-penned "Gigantic," which almost outshines the rest of the album. But even Surfer Rosa's less iconic songs reflect how important the album was in the group's development. The "song about a superhero named Tony" ("Tony's Theme") was the most lighthearted song the Pixies had recorded, pointing the way to their more overtly playful, whimsical work on Doolittle. Francis' warped sense of humor is evident in lyrics like "Bone Machine"'s "He bought me a soda and tried to molest me in the parking lot/Yep yep yep!" In a year that included landmark albums from contemporaries like Throwing Muses, Sonic Youth, and My Bloody Valentine, the Pixies managed to turn in one of 1988's most striking, distinctive records. Surfer Rosa may not be the group's most accessible work, but it is one of their most compelling.

 tags: pixies, surfer rosa, 1988, 2003, reissue, flac,

Bivouac - Full Size Boy (1995)

*A photo of the disc is included in the RAR file.
Country: United Kingdom
Genre: Post Grunge
Label Number: DGCD 24803

© 1995 DGC
*No professional reviews are available for this release.

 tags: bivouac, full size boy, 1995, flac,

Various Artists - Deep Blue Sea (Music From The Motion Picture) (Promo CD) (1999)

*This is a promotional disc not intended for consumer sale.
Contains 14 tracks total.
A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop, R&B, Film Score
Label Number: 9 47485-2

© 1999 Warner Bros./Rock The Bells
The soundtrack to the action-thriller Deep Blue Sea features two new songs from LL Cool J (who also appears in the movie), "Deep As Blue Is (Shark's Fin)" and "Say What." More hip-hop comes from artists like Hi-C, DJ Quik, and new artists like AMyth and Divine make their debut here.

 tags: various artists, deep blue sea, music from the motion picture, soundtrack, ost, promo, 1999, flac,

Olivia - Olivia (2001)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: R&B
Label Number: 80813-20001-2

© 2001 J Records
Anyone who listened to R&B radio in 2001 is no doubt familiar with Olivia's hit single "Bizounce." The song's stunning contrast of seductive music and brutally frank lyrics about infidelity made for one of the most memorable singles of the year. If you thought Olivia vented all her rage in "Bizounce," then you better run for cover. Her self-titled debut features tracks like "Silly Bitch in Love," an equally venomous account of a lover's infidelity. Olivia does show some range, however, showing her tender side on "When 2 Souls Touch." While her softer tracks show some versatility, Olivia is at her best when she is venting her spleen rather than revealing her soul.

 tags: olivia, olivia album, 2001, flac,

September 13, 2023

Mansun - Little Kix (2000)

Country: United Kingdom
Genre: Alternative Rock
Style: Britpop
Label Number: 7243 5 27782 2 5
.FLAC via Florenfile
.AAC 256 kbps via Florenfile


© 2000 Parlophone
AllMusic Review by Dean Carlson
Mansun's Little Kix is an album of the joke being on them. Attack of the Grey Lantern brazenly screamed its melodies amidst the pomp and circumstance, Six showed that Marillion-like "concept" albums even had their place in the post-Brit-pop landscape, and on both attempts, the more Mansun seemed out of touch with the masses, the better off they were. Here, the band simply seems out of touch with themselves. As leadoff single "I Can Only Disappoint U" croons in with over-accented curls and turns, one notices that the band's characteristic over-production is turned down to outline the band's actual songwriting chops. Which is laudable. Yet, in "Soundtrack 4 2 Lovers" (spelled the New Edition way) or "Electric Man" (the most significant nod to Suede's "The Chemistry Between Us" in ages), a new, lovelorn Mansun is shown stripped of their highly divisive costuming of old -- and their bare bodies are ugly. It's this album's simpler approach that shows them naked and floppy without their previous new romantic/prog-rock garments to hide their failings. With oafish lyrics carrying these semi-tunes along like "Video games, we have lost our souls/Bulldozer head 'cos we're stoned," there's a feeling that Mansun is grasping toward just about anything new for a sense of perspective. Admittedly, the band's commendable, urgent rises of orchestration still remain, which is a strong selling point. It's the feeling of a mistaken step that feels the most damaging. With future work with Paul Oakenfold, one hopes that Little Kix will merely be seen as a pause between superior albums. Indeed, as in the George Michael clap-along "Until the Next Life," Draper sings: "We were always acting out some drama." If he is to be believed, it's a fine time for them to get out of intermission and to start making plans for some new kind of pageant play.

tags: mansun, little kix, 2000, flac,

Mansun - Six (1998) ☠

Country: United Kingdom
Genre: Alternative Rock
Style: Britpop
Label Number: 7243 4 96723 2 1
.FLAC via Florenfile
.AAC 256 kbps via Florenfile

☠: Selected by Lass
© 1998 Parlophone
AllMusic Review by Stephen Thomas Erlewine
Since Mansun's debut album, Attack of the Grey Lantern, was some sort of convoluted song cycle, it shouldn't have been surprising that their second album, Six, felt like the second coming of prog rock. What was a surprise was the extent to which Mansun pushed the limits forward on the album. From the garish Marillion-styled artwork to the endlessly shifting, segued songs, Six fits into the grand tradition of prog rock, and it does tell some kind of a story, even if it's impossible to tell what that story may be. In fact, it's difficult to get into the music itself, even as it dazzles with its twists, turns, appropriations, and recontextualizations. And, make no mistakes, Six is frequently dazzling, since Mansun skillfully melds classic prog and pop styles with contemporary ideas, including a healthy portion of electronica. It's a head-spinning listen, especially the first time through when it's impossible to tell where it's going or where it's going to end. That feeling doesn't quite let up on repeated listens, either, mainly because the record is so dense with impenetrable ideas -- ideas that are confounding even when you think you understand where Paul Draper is going with the entire thing. On one scale, that's an impressive achievement, but it's diminished somewhat when you take into account that Six isn't particularly rewarding once you get a handle on it. Since it never reveals its secrets, or even its clues, it's hard to embrace the record, even for all of its many attributes. Still, Six is clearly the work of ambitious, gifted musicians who aren't willing to stay still, which is reason enough to try to come to terms with it.

tags: mansun, six, six album, 1998, flac,

Rapper Big Pooh - Sleepers (2005)

Country: U.S.A.
Genre: Hip-Hop
Label Number: 6HR004-2

© 2005 6 Hole Records
*No professional reviews are available for this release.

* Due to past abuse, comments for the Hip-Hop section have been disabled.


 tags: rapper big pooh, sleepers, 2005, flac,

Various Artists - Death Is Just The Beginning Vol. 7 (2002)

Country: U.S.A.
Genre: Heavy Metal, Thrash Metal, Black Metal, Death Metal 
Label Number: NB 1054-2

© 2002 Nuclear Blast
*No professional reviews are available for this release. 

tags: various artists, death is just the beginning vol 7, 2002, flac,