May 26, 2020

Running Wild - The Rivalry (1998) ☠

*German first pressing. 
Contains 13 tracks total.
Country: Germany
Language: English
Genre: Speed Metal, Heavy Metal
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☠: Selected by Buccaneer
© 1998 GUN
AllMusic Review by Antti J. Ravelin
Even before Running Wild was dropped from the roster of Noise, it was obvious that their time was up. Black Hand Inn and Masquerade were both big failures and being faithful to their genre didn't really help the fact that Running Wild repeated themselves for ten years. It seems that Running Wild still haven't learned their lesson; however, The Rivalry is surely a treat to their fans. As a whole it isn't much, but, as usual with Running Wild, The Rivalry has a few standout tracks. The title track, "Kiss of Death," and a few others make sure that an old fan of Running Wild will wait for more.

tags: running wild, the rivalry, 1998, flac,

Running Wild - Victory (1999)

*European first pressing. 
Contains 12 tracks total.
Country: Germany
Language: English
Genre: Heavy Metal
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© 1999 GUN
*No professional reviews are available for this release.

tags: running wild, victory, 1999, flac,

Running Wild - Shadowmaker (2012)

Country: Germany
Language: English
Genre: Heavy Metal
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© 2012 Steamhammer
AllMusic Review by Christian Genzel
Shadowmaker is the 14th record by German heavy metal band Running Wild, a comeback album released seven years after their previous effort, Rogues en Vogue (2005), and three years after the band called it quits in July 2009. While working on four new tracks for a compilation album, bandleader Rolf Kasparek felt he enjoyed writing songs again, which led to the band's reunion in October 2011. Only two of the ten new songs revel in the band's trademark pirate imagery ("Riding on the Tide," "Sailing Fire"), while other tracks revolve around topics such as the Apocalypse ("Into the Black," "Black Shadow") and Dracula, as portrayed in Bram Stoker's novel and the Christopher Lee movies (the eight-minute "Dracula"). The album entered the German charts at number 12 and is available as a limited edition with a bonus DVD (which features a making-of clip and "track by track commentary" by Kasparek) and in a box set edition featuring the DVD, the album on both CD and vinyl, and a 30-page book on the history of the band.

tags: running wild, shadowmaker, shadow maker, 2012, flac,

Babes In Toyland - Fontanelle (1992)

Country: U.S.A.
Genre: Grunge, Punk Rock
Style: Riot grrrl
Label Number: 9 26998-2

© 1992 Reprise Records
AllMusic Review by Steve Huey
Babes in Toyland's most focused and powerful statement, Fontanelle was vaguely associated with grunge upon its release, and tossed in with the Pacific Northwest-centered riot grrrl movement after the fact. In truth, it lies somewhere in between, its raw punkish fury and metallic grind making it the spiritual kin of L7. Fontanelle isn't necessarily explicitly feminist, since the glorious noise of rock & roll is viewed as the ultimate empowerment. And that noise is all over Fontanelle -- it's arguably the harshest, most abrasive recording to come out of any part of the riot grrrl camp. Like L7, Babes in Toyland are more about pure sound than songs, but the similarities end there. Instead of just grinding away on simple power chords, Kat Bjelland's distinctive guitar work is full of intentionally grating dissonance, which is complemented by the jittery rhythm section. Vocally, Bjelland can move from a faux little-girl coo to a bellowing snarl in the space of one line; put together, all of this imbues Fontanelle with a terrifically explosive tension. Fittingly, the closing track features nothing but Bjelland, her guitar, and the sound of breaking glass bottles. Measured by any standard, Fontanelle is a frighteningly primal record, one whose sheer ferocity Babes in Toyland never quite captured this convincingly anywhere else

tags: babes in toyland, fontanelle, 1992, flac,

Rein Sanction - Mariposa (1992) ☠

Country: U.S.A.
Genre: Grunge
Label Number: SP161b
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☠: Selected by Lass
© 1992 Sub Pop
Review by Mark Woodlief for Trouser Press.com
Years after Dinosaur Jr's J Mascis introduced his pedal-driven, melancholic noise-guitar histrionics to indie rock, Rein Sanction's Mark Gentry emerged from his Jacksonville, Florida basement with drummer/brother Brannon and bassist Ian Chase. Although hamstrung by the Dinosaur Jr comparisons, the trio nonetheless created two powerful albums before folding up in 1993.
Broc's Cabin, produced by Shimmy-Disc honcho Kramer, revels in dense psychedelia, abundantly frenzied guitar and at least one song title — "Sasquatch" — that aptly describes the band's style. Mark Gentry's liberal use of wah-wah, distortion and envelope filter could also draw some comparisons to early Meat Puppets, but the blueprint here seems effectively Dinosaur-esque-pretty, sludgy and pretty sludgy.
Jack Endino twisted the knobs and slid the faders for Mariposa, but the band's initial sound is roughly duplicated all the same. Mark's voice is more plaintive here, even as the caterwauling trio drowns what few vocals exist. (Rein Sanction's strength lies in its sprawling jams and expansive instrumental energy.) He's not much of a vocalist and doesn't have to be-his languid, overpowering guitar really sings, as the throwaway title "B-F#" might suggest. (The song itself, an acoustic-based jam with fluttering backward guitar riffs, is simple and a strong diversion from the group's usual overdrive.) Despite such efforts at diversification and strong tracks like "Loaded Decision," "Blow" and "Railway," the inclusion of a live cover — Hendrix's "Ain't No Tellin" — possibly indicates Rein Sanction's shortage of its own ideas.
tags: rein sanction, mariposa, 1992, flac,

May 25, 2020

Running Wild - Pile of Skulls (1992) ☠

*German first pressing. 
Contains 11 tracks total.
Country: Germany
Language: English
Genre: Speed Metal, Heavy Metal
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☠: Selected by Buccaneer
© 1992 Electrola
AllMusic Review by Steve Huey
One of Running Wild's strongest efforts, Pile of Skulls combines the group's trademark pirate subject matter with a unifying concept about corruption and abuse of power through history. It's perhaps a bit too ambitious, but there are enough strong songs here to justify the approach.

tags: running wild, pile of skulls, 1992, flac,

Running Wild - Black Hand Inn (1994) ⚓

*European first pressing. 
Contains 10 tracks total.
Country: Germany
Language: English
Genre: Heavy Metal
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© 1994 Electrola
AllMusic Review by Antti J. Ravelin
It's no surprise that Running Wild hasn't bothered to update their sound, but Black Hand Inn is a new low. Black Hand Inn doesn't contain any catchy riffs at all, and the songs are just replicas of each other. Usually Running Wild has compensated for this by including one or two stand-out tracks (usually one of them is the title track itself), but, unfortunately, Black Hand Inn is a complete failure. Fans of Running Wild might find it amusing, but it seems that Running Wild doesn't have anything to offer to the heavy metal audience anymore.

tags: running wild, black hand inn, in, 1994, flac,

Worl-A-Girl - Worl-A-Girl (1994)

Country: U.S.A.
Language: Jamaican Patois, English
Genre: Reggae, Dancehall, R&B
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© 1994 Columbia
*No professional reviews are available for this release.

tags: worl a girl, worl a girl album, worl-a-girl, wirl a girl, 1994, flac,

The Color Red - Below The Under (2000)

Country: U.S.A.
Genre: Post Grunge
Label Number: SPR-0001
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© 2000 Spin Records
*No professional reviews are available for this release.

tags: the color red, below the under, 2000, flac,

Pig Destroyer - Terrifyer (2004) ☠

Country: U.S.A.
Genre: Grindcore
Label Number: rr 6618-2
☠: Selected by Buccaneer
© 2004 Relapse Records
AllMusic Review by Ned Raggett
Pig Destroyer aren't out for the middle of the road presentation with this album given the Ralph Steadman/Gerald Scarfe-styled cover art, then again it's hard to see how they would be interested in that approach in the first place. Perhaps thankfully, the cover's nowhere near as grotesque to look at as the cover of Prowler in the Yard. That said, the music? Now that high-speed grindcore of any variety is about to move into its third decade of existence, it'll take accomplished performers to step up to the plate, and this trio does have the goods -- the main album itself is over 20 tracks in 32 minutes and completely nails it in terms of strong, honestly memorable performances. Where so many groups rely on undifferentiated blur, guitarist Scott Hull and drummer Brian Harvey are masters of brief, brilliant riffs and drum blasts that are memorable hooks as much as sheer rampage. The stop-start on-a-dime switches between the songs make the entire album one long but constantly changing listen. Songs like "Gravedancer" and "Carrion Fairy" are practically classic rock in ways and all the better for it, welding together a slew of familiar styles into something memorable in its own right. Even the sudden dropout on "Lost Cause" to a dramatic, hard to fully understand conversation/shouting match between two people acts as a needed deep breath before returning to the pit. What fans may be even more intrigued by is the bonus second disc, an audio DVD presentation called "Natasha" even longer than Terrifyer by five minutes. Pitched somewhere between a very long song and a movie without visuals (the presentation was mixed in 5.1 sound for those with such a setup), with both lyrics and a related short story reprinted in the booklet, it's the complete opposite of Terrifyer's sound -- slow, considered, many pauses, even intelligible lyrics -- but is equally powerful in its own right.

tags: pig destroyer, terrifyer,  2004, flac,

May 24, 2020

Running Wild - Branded & Exiled (1985) ☠

*German first pressing. 
Contains 8 tracks total.
Country: Germany
Language: English
Genre: Heavy Metal
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☠: Selected by Buccaneer
© 1985-1988 Noise International
Review by Thomas Meyer for Voices From The Darkside.de
In 1984, RUNNING WILD had released “Gates To Purgatory”, an enormously important album, not only for me personally, but also for German Heavy Metal in general. Not even one year later, the band announced a second album. Still impressed by the debut album, my expectations were very high. Thus “Branded And Exiled” became the most expected album of 1985, despite the fact that original guitar player Preacher (in civil life Gerald Warnecke) left the band at the beginning of the year to really become a preacher. In retrospect, this loss was very important for RUNNING WILD, but that wasn’t forseeable back then. When I got my copy of “Branded And Exiled” a few days after it was released, I started to listen to the album over and over again. The eight new songs exactly hit my nerve back then. The musical direction of RUNNING WILD hasn’t really changed, it was only that the songwriting was a little more elaborate. So, in 1985 “Branded And Exiled” was one of my personal favourites of the year. But time can sometimes be cruel. Listening to “Branded And Exiled” 32 years later and for the first time in ten years, the album didn’t completely pass the test of time. Some songs like the stomping and marching title track or the melodic ‘Gods Of Iron’ still sound fine, but the other two songs of the first side of the album haven’t been treated well by time. Both ‘Realm Of Shades’ and ‘Mordor’ have lost a bit of their magic and became a little mundane stuff to my ears. For the b-side, it’s pretty much the same. ‘Evil Spirit’ and ‘Marching To Die’ are not really something to write home about any more, even the twin guitars of the latter won’t help here. But ‘Fight The Oppression’ still is a fine classic Metal tune with a catchy refrain, and the old band anthem ‘Chains And Leather’ hasn’t lost its naïve charm and its sing-along qualities. As I said, time can be a little cruel sometimes. And to be honest, without the songs of Preacher, who composed half the songs of the first album, Rock’n’Rolf lost his counter part. Thus it is no wonder that RUNNING WILD became more and more the band to back up Rock’n’Rolf. With the next album “Under Jolly Roger”, the band literally tossed their occult image of “Gates To Purgatory” over board and started to sing about and dress up like pirates. And the pirates turned to fools for me, the too polished cliché music did the one last thing. It took me years to find a kind of peace with the stuff RUNNING WILD recorded after “Branded And Exiled”. But that last good album, like all other albums they did for Noise Records, got re-released now. As it became usual for Noise Records 2.0, this one also got some extra tracks. In this case, they are pretty annoying ones, since we only find re-recorded versions of songs from the album. First we have three songs that were recorded for the album "The First Years of Piracy" in 1991. Those newer versions of ‘Branded And Exiled’, ‘Fight The Oppression’ haven’t been necessary, since they lack the original spirit. And the re-recorded version of ‘Marching To Die’ sucks, for now this song really is as exchangeable as most RUNNING WILD songs. And in 2003, the band put out a compilation called “20 Years In History” for which they recorded new versions of ‘Branded And Exiled’ (again!) and ‘Mordor’. With these versions, the songs met their Waterloo. Since these five re-recordings are the only bonus material, the album would be better off without any extra tracks. In case you need more info: www.running-wild.net, www.facebook.com/runningwildmusic or www.noiserecords.net 

tags: running wild, branded and exiled, 1985, flac,

Running Wild - Under Jolly Roger (1987) ☠

*German first pressing. 
Contains 8 tracks total.
Country: Germany
Language: English
Genre: Heavy Metal
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☠: Selected by Buccaneer
© 1987 Noise International
Review by Adam McCann for MHF-Mag.com
1987 proved to be quite a significant turning point for Running Wild. The band made the conscious decision to move away from the relatively en vogue Satanic themes of mid 80’s heavy metal and shocked the community by releasing the pirate themed ‘Under Jolly Roger’.

In this rather interesting move, Running Wild inadvertently created what would become pirate metal, although it would take the best part of 25 years for Running Wild to be credited as the influences that they would become and in particular, Captain Rolf Kasparek as the visionary and genius that he is.

Unlike many of the bands that they would influence with ‘Under Jolly Roger’, Running Wild’s pirate themes are less subtle than their overt offspring singing about: “yo ho ho’s” and “a bottle of rum” after watching ‘Pirates of the Caribbean’ once. ‘Under Jolly Roger’ adds the heavy metal influences of Accept and Judas Priest, those leaden chugging riffs interspersed with some excellent guitar work and raw vocals from the Captain himself which are showcased perfectly during ‘Raw Ride’, ‘War in the Gutter’, ‘Diamonds of the Black Chest’ and the fist rousing title track, which makes you want to punch the air like a pissed-up sports fan.

As influential as ‘Under Jolly Roger’ is, rather than suffering from bad song writing or poor musicianship, the album is stricken with a relatively dodgy mid-to-late 80’s production. There are times where the guitars of Running Wild become indistinguishable from the likes of Accept, Twisted Sister or W.A.S.P. especially when coupled with that crisp sampled 80’s drum sound which haunts the era like the ghost of Christmas Past 1987.

Looking back, no one would have thought that ‘Under Jolly Roger’ would become as influential as ‘Reign in Blood’, ‘Master of Puppets’ or ‘Seventh Son of a Seventh Son’, but ‘Under Jolly Roger’, although more niche, would become just as coveted and rightly so.

tags: running wild, under jolly roger, 1987, flac,

Running Wild - Port Royal (1988)

*U.S. first pressing. 
Contains 11 tracks total.
Country: Germany
Language: English
Genre: Heavy Metal
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© 1988 Noise International
AllMusic Review by Antti J. Ravelin
1988's Port Royal is somehow surprising, as Running Wild's large back catalog isn't of the highest quality. Port Royal is very fine overall, with excellent songs and fantastic arrangements. Even though the second half of the album fails in comparison with the first, Port Royal is absolutely the most steady of Running Wild's albums. The only thing that might bother listeners is the rather poor mixing, which leaves some pretty vital instruments behind drums and vocals. However, highlights such as the title track, "Blown to Kingdom Come," and "Mutiny" help ensure that Port Royal is a great choice for anyone into speed metal and its spin-offs.

tags: running wild, port royal, 1988, flac,

Running Wild - Blazon Stone (1991)

*German second pressing. 
Contains 2 bonus tracks.
13 tracks total.
Country: Germany
Language: English
Genre: Heavy Metal
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© 1991 Noise International
AllMusic Review by Steve Huey
Blazon Stone solidified Running Wild's cult following with another heavy dose of pirate imagery and enough strong riffs to put the record over, although some songs can be a bit repetitive or unmemorable.

tags: running wild, blazon stone, 1991, flac,

May 23, 2020

The Handsome Family - Twilight (2001)

Country: U.S.A.
Genre: Country Rock
Style: Alternative Country
Label Number: SAKI-027

© 2001 Carrot Top Records
AllMusic Review by Jason MacNeil
In the world of the Handsome Family, it would appear that the glass is half full. The only problem is that the glass is either upside down or shattered on the floor. Riddled with dark and morbid tales of suburbia, murder, and the demise of carrying pigeons, the baker's dozen offerings seem animal-oriented, but still teem with an eerie old-time country & western sense of foreboding. Although the first track, "The Snow White Diner," seems uplifting with its "Layla"-like intro, the album waltzes along with keyboards and basic bare-bones accompaniment. Particularly pretty is "All the TVs in Town" and the spacy background of "Gravity." There is also a sense of this being a dysfunctional Christmas album, exemplified by "Birds You Cannot See." The husband and wife team of Rennie Sparks on keyboards and singer Brett Sparks lead the listener down a lovely yet dark trail few would dare tread twice.

tags: the handsome family, twilight, 2001, flac,

The Handsome Family - In The Air (2000)

Country: U.S.A.
Genre: Alternative Country
Label Number: SAKI-023

© 2000 Carrot Top Records
AllMusic Review by Joslyn Layne
If their last album, Through the Trees, came to us from the darkness at the bottom of a well (or a liquor bottle), In the Air is the sound of the Handsome Family after they made it out of the depths and up onto the grass -- and are now adjusting to a less desperate life. Not to say that it's sunny. Lyricist Rennie Sparks still presents us with dark and bloody tragedies, as well as whimsical fairytales about lonely, but hopeful figures. The difference between In the Air and the Handsome Family's last album seems to be the presence of a calm (as opposed to disturbed restraint) and a certain warmth pervading this album. Brett Sparks' vocal delivery comes across as more relaxed and natural and in lieu of the occasional, creepy vocal effects used on the last album. The colorful, sad, and disturbed scenes are often delivered with a country flavor and a folk instrumentation, and include songs that are the rightful offspring of Appalachian murder ballads, such as "My Beautiful Bride" and "Up Falling Rock Hill," and southern hymns ("Never Grow Old"). The Handsome Family's songs are imbued with a tender romanticism and love of the fantastic -- and of a world that, for all it's real twists and sadness, still holds moments of childlike wonder and magical possibilities.
In the Air was recorded, as were their three previous albums, in the Handsome Family living room, this time with live percussion (provided by Brett) instead of a drum machine. Also heard are guest musicians Darrell Sparks, who sings backup and plays guitar on two songs, and violinist Andrew Bird (formerly of the Squirrel Nut Zippers, leader of his own roots music-based band) who contributes to "Poor, Poor Lenore," "Up Falling Rock Hill," and "When That Helicopter Comes," a hellfire and brimstone, foot-stomping number with a sparse, bluegrass delivery: "It's gonna rain champagne/and the hills are gonna dance... The sky will swim in lightning fire and the trees will shake and scream."

tags: the handsome family, in the air, 2000, flac,

Familiar 48 - Wonderful Nothing (2002) ☠

Country: U.S.A.
Genre: Alternative Rock
Label Number: 088 112 852-2
☠: Selected by Lass
© 2002 MCA Records
AllMusic Review by Alex Henderson
There as a time when an alternative pop/rock release like Wonderful Nothing would not have been described as commercial, radio-friendly, and mainstream. But that was before the early '90s, before the rise of grunge icons Pearl Jam and Nirvana, and before post-grunge bands like Matchbox Twenty, Third Eye Blind, Creed, and Eagle-Eye Cherry (just to give a few examples) became the sound of rock radio. By 2002 standards, Familiar 48's Wonderful Nothing isn't groundbreaking; anyone who listened to rock radio extensively in the late '90s or early 2000s has heard a lot of similar material by similar bands. But while this Don Gehman-produced CD won't receive any awards for innovation, it still wins the listener over with sincerity, warmth, and solid songwriting. The Philadelphia band formerly known as Bonehead has a definite asset in lead vocalist/songwriter Jayy Mannon, whose vocal mannerisms bring to mind Pearl Jam's Eddie Vedder and Matchbox Twenty's Rob Thomas (among others). Mannon is an expressive and emotive belter who fares well on tuneful, melodic, pop-minded offerings like "Place of You," "Learn to Love Again," and "Miss You" (not to be confused with the Rolling Stones' 1978 hit). His songs are, by early-2000s standards, quite radio-friendly -- if Led Zeppelin, Bad Company, Deep Purple, and Peter Frampton were the sound of rock radio in the '70s, bands like Familiar 48 are the sound of alternative rock radio in a post-grunge, post-Nirvana era. And that isn't necessarily good or bad -- commercial radio (rock, urban, country, or otherwise) takes a lot of well-deserved criticism for playing it safe, but that doesn't mean that everything it plays is without merit. No one will accuse Wonderful Nothing of trying to reinvent the alternative pop/rock and post-grunge wheel; regardless, there is a lot to enjoy about this solid, if derivative, outing.

tags: familiar 48, wonderful nothing, 2002, flac,

Local H - Here Comes The Zoo (2002)

Country: U.S.A.
Genre: Post Grunge, Alternative Rock
Label Number: PALMCD 2072-2

© 2002 Palm Pictures
AllMusic Review by Mark Deming
Released in 1998, Pack Up the Cats was supposed to be Local H's breakthrough album, which would propel the band to fame and fortune (or at least a better touring van), but that sure wasn't how things worked out. The merger of Polygram and Universal shortly after Pack Up the Cats was released drove a stake through the album before it could take off, and the bandmembers quickly found themselves stranded and without a label, which led drummer Joe Daniels to quit the group -- no small thing for a two-man band. The fact that Local H survived at all to make Here Comes the Zoo is no small accomplishment, but the album suggests guitarist/bassist/vocalist/songwriter Scott Lucas is still trying to win back the momentum he lost after the debacle of 1999. New drummer Brian St. Clair has both the muscle and the chops that these songs need, but his slightly heavier and busier style does give Local H a different sound than when Daniels was timekeeper and, just as importantly, Lucas seems to be pushing Local H in a new direction that doesn't always seem to fit. Lucas' fondness for Cheap Trick rises to the surface on "Half-Life" and "(Baby Wants To) Tame Me" but, while both boast strong melodies, they're not as exciting as his more straightforward hard rockers, and the mid-tempo "Keep Your Girlfriend" sounds like the least essential song Lucas has cut since Ham Fisted (and while Jerry Only from the Misfits plays on it, you'd never guess to listen to it). Also, the songs on Here Comes the Zoo lack the thematic unity that added so much strength to As Good as Dead and Pack Up the Cats, giving the album a more scattershot feel (though the closer, "What Would You Have Me Do?," is an interesting and mostly successful attempt to tie the album's melodic and lyrical themes together into a big finish). But the best moments on Here Comes the Zoo leave no doubt that Scott Lucas still has plenty to say and good ways to say it -- "Hands on the Bible," "Creature Comforted," and "Son of 'Cha!'" are powerful studies of Midwestern angst, and "Rock & Roll Professionals" is a hard-rockin' and very funny attack on would-be arena rockers. Here Comes the Zoo is a good album that, coming after two great albums from Local H, sounds like a bit of a disappointment, but it also makes clear that Scott Lucas is still one of the most interesting and distinctive talents in American hard rock, and it's good to see he hasn't thrown in the towel.

tags: local h, here comes the zoo, 2002, flac,

May 22, 2020

The Handsome Family - Through The Trees (1998)

Country: U.S.A.
Genre: Alternative Country
Label Number: SAKI 020

© 1998 Carrot Top Records
AllMusic Review by Joslyn Layne
Through the Trees was the Handsome Family's breakthrough album, garnering enough attention and sales that they were finally able to quit their day jobs and focus on music full-time. The group subsequently toured the U.S. and Europe, while critics on both sides of the Atlantic went nuts for the Sparks' clever, brooding songs. With Through the Trees, the transitional phase heard on Milk and Scissors was complete and the duo emerged with a more defined style, delivery, and songcraft which became their trademark sound. Brett sings with a deeper resonance and phrases Rennie's mini-stories more skillfully, while the occasional distorted guitar and harder-rocking tunes have been trimmed away, leaving a more consistent, stripped-down country feel. This album includes Rennie's vocal debut (albeit in a self-conscious, exaggerated nasal twang) on "Down in the Ground"; "Cathedrals," a song originally heard on their limited-edition vinyl EP Invisible Hands (Carrot Top, 1997); and enduring crowd favorites "The Woman Downstairs" and "Weightless Again." It also includes guest Jeff Tweedy of Wilco. While the albums that followed were excellent, Through the Trees remains the Handsome Family's definitive album, and is a wonderful encapsulation of the myths and heartbroken tales that populate the dark, romantic world of Brett and Rennie Sparks.

tags: the handsome family, through the trees, 1998, flac,

The Handsome Family - Milk & Scissors (1996) ☠

Country: U.S.A.
Genre: Alternative Country
Label Number: SAKI-011
☠: Selected by Lass
© 1996 Carrot Top Records
AllMusic Review by Mark Deming
On their second album, the Handsome Family began their retreat away from the scrappy, electric guitar-based sound of their debut, Odessa, and started to ease into the lovely but unnerving mix of Appalachian textures and 20th century despair that would become their calling card on Milk and Scissors. While "Winnebago Skeletons" and "The Dutch Boy" still feature amped-up guitars in all their noisy glory, most of the cuts reflect a more subdued approach, with acoustic guitars and subtle steel work dominating the proceedings. Despite embracing a less-abrasive style, Brett Sparks and his spouse and musical partner, Rennie Sparks, sure didn't sound any happier than they did on their debut; Milk and Scissors features a bit less in the way of dark humor and more simple darkness, reveling in bad judgment, cruel fate, heartbreak, and simple disappointment in all its shapes and sizes. Of course, the Handsome Family's gift is in making something beautiful and compelling out of such things, and there are a handful of great songs here, especially the darkly fanciful "Amelia Earhart vs. the Dancing Bear" and the oddly catchy "Drunk by Noon," but for the most part Milk and Scissors captures them in mid-stylistic shift, and they would be a lot more compelling when they arrived on the other side.

tags: the handsome family, milk and scissors, 1996, flac,

Paula Cole - This Fire (1996)

Country: U.S.A.
Genre: Pop Rock, Ballad
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© 1996 Imago, Warner Bros. Records
AllMusic Review by Stephen Thomas Erlewine
Paula Cole's songwriting and musical skills sharpened considerably on her second album, This Fire. Occasionally, she flirts a little too closely with Sarah McLachlan territory, but Cole has developed her own, subtly mature style, equally informed by textured electronics, light worldbeat influences, and soul-baring lyrics. "Where Have All the Cowboys Gone" may epitomize the sound of the album, but it only scratches the surface of what This Fire has to offer

tags: paula cole, this fire, 1996, flac,