July 23, 2025

Nicole Renée - Nicole Renée (Promo CD) (1998)

*This is a promotional disc not 
intended for consumer sale. 
Contains the album in its entirety.
(15 tracks total.)
Country: U.S.A.
Genre: R&B
Label Number: 83101-2
 
© 1998 Atlantic
Comparing the soul music of the 1960s and 1970s to the urban contemporary of the 1990s, many Baby Boomers would tell you that R&B isn't what it used to be -- and, to be sure, 1990s R&B was full of faceless automatons who went for a cookie-cutter, assembly-line approach. But 1990s R&B wasn't a total waste, and sizable talents like Mary J. Blige, Lisa Stansfield, En Vogue and Lauryn Hill indicated that R&B wasn't something you could close the book on. One of the more promising R&B debuts of 1998 was this self-titled release by Nicole Renee, an interesting singer who often favors a nasal style of singing but can bring to mind Deniece Williams and Ron Isley when she hits the high notes. Renee did most of the producing, arranging and writing herself, although she had some help from Lamont Dozier and Arif Mardin here and there, and even though she uses some samples and drum machines, real instruments are prominent on impressive originals like the alluring "Strawberry," the sentimental "Seems Like Yesterday" and the Isley Brothers-influenced "Let Me Down." Most of Renee's songs are about romantic relationships, but addresses social issues on "Cocaine Lane" and "Ain't Nothin' Changed" (which reflects on the hopelessness and despair of a poor neighborhood). Striving for the organic instead of the mechanical, this album made it clear that Renee had a lot of potential. 
 
tags: nicole renee, nicole renee album, self titled, promo, 1998, flac,

Inoj - Ready For The World (1999)

*European pressing. 
Contains 15 tracks total.
Country: U.S.A.
Genre: R&B
Label Number: CSK 41874
 
© 1999 Columbia
*No professional reviews are available for this release.
 
tags: inoj, ready for the world, 1999, flac,

3T - Identity (2004)

*European pressing. 
Contains 12 tracks total.
Country: U.S.A.
Genre: R&B
Label Number: DIGI092-2
 
© 2004 Digidance
*No professional reviews are available for this release. 

tags: 3t, identity, 2004, flac,

Ice‐T - Home Invasion/The Last Temptation of Ice (1993) ⚓

*European pressing.
Contains a bonus disc titled 
"The Last Temptation of Ice" with 7 additional tracks.
 
Country: U.S.A.
Genre: Hip-Hop
Style: Political Hip-Hop, Gangsta Rap 
Label Number: RSYND 101
 
© 1993 Virgin/Rhyme $yndicate Records 
Given the fact that most of Home Invasion was recorded during and after the "Cop Killer" media firestorm, it comes as no surprise that the album is an uneven, muddled affair, not the clean, focused attack of O.G. Original Gangster. Instead of producing an album that illustrates his confusion through the music (like Public Enemy's claustrophobic "Welcome to the Terrordome"), Ice-T made a confused album, unsure in its musical and lyrical direction. Home Invasion does have some flashes of brilliance (about a third of the album, particularly the tribute to the gang truce, "Gotta Lotta Love"), but it takes a little digging to find the best material. 
 
* Due to past abuse, comments for the Hip-Hop section have been disabled. 
 
 
tags: ice t, home invasion, the last temptation of ice, 1993, flac,

Whitehead Bros. - Serious (1994)

Country: U.S.A
Genre: R&B
Label Number: 314530346-2
 
© 1994 Motown
Kenny and Johnny Whitehead are the multi-talented sons of John Whitehead (of Whitehead & McFadden). The Whitehead Boys' problem is that they're musical in-betweeners -- their style is too light for hardcore fans and too suggestive for Boyz II Men followers. Their attempts at gangsta rap are almost laughable; the songs are constructed well, but their recitations just aren't believable. Meanwhile, love songs like "Shaniqua," "Beautiful Black Princess," "Sex On the Beach," and others sound limp compared to the testosterone-laced efforts of artists like Dru Hill, H-Town, and Jodeci. 
 
 tags: whitehead bros, serious, 1994, flac,

Syleena Johnson - Chapter 4: Labor Pains (2009)

Country: U.S.A.
Genre: R&B
Label Number: FED006
 
© 2009 Aneelys/Federal Distribution
Chapter 4: Labor Pains is arguably Syleena Johnson's first attempt to grapple with the towering legacy of her father, Syl Johnson. While Syleena's previous albums featured smartly produced, forward-looking R&B, the retro flourishes of Chapter 4's "Shoo Fly," with its slow burning wah-wah guitar, and Syleena's incredible interpretation of her father's gut-wrenching signature hit "Is It Because I'm Black," mark a fascinating and rewarding change of direction for this talented singer. 
 
tags: syleena johnson, chapter 4 labor pains, 2009, flac,

Belphegor - Bloodbath In Paradise (1992)

Country: Austria
Language: English 
Genre: Death Metal, Black Metal
Label Number: None
 
© 1992 Not On Label [Self-Released]
*No professional reviews are available for this release.

tags: belphegor, bloodbath in paradise, 1992, flac

July 20, 2025

The Velvet Underground & Nico - The Velvet Underground & Nico (1990 Reissue)

*Reissued in 1990 by Verve Records for the Japanese market. 
This pressing contains 11 tracks total. 
Mastered by Bob Ludwig. 
Edited & Remixed under the supervision of 
Tom Wilson by Gene Radice & David Greene
Country: U.S.A.
Genre: Art Rock, Experimental Rock
Label Number: POCP-1841
 
© 1967-1990 Verve Records
One would be hard-pressed to name a rock album whose influence has been as broad and pervasive as The Velvet Underground & Nico. While it reportedly took over a decade for the album's sales to crack six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band, what's most surprising about this album is its diversity. Here, the Velvets dipped their toes into dreamy pop ("Sunday Morning"), tough garage rock ("Waiting for the Man"), stripped-down R&B ("There She Goes Again"), and understated love songs ("I'll Be Your Mirror") when they weren't busy creating sounds without pop precedent. Lou Reed's lyrical exploration of drugs and kinky sex (then risky stuff in film and literature, let alone "teen music") always received the most press attention, but the music Reed, John Cale, Sterling Morrison, and Maureen Tucker played was as radical as the words they accompanied. The bracing discord of "European Son," the troubling beauty of "All Tomorrow's Parties," and the expressive dynamics of "Heroin" all remain as compelling as the day they were recorded. While the significance of Nico's contributions have been debated over the years, she meshes with the band's outlook in that she hardly sounds like a typical rock vocalist, and if Andy Warhol's presence as producer was primarily a matter of signing the checks, his notoriety allowed The Velvet Underground to record their material without compromise, which would have been impossible under most other circumstances. Few rock albums are as important as The Velvet Underground & Nico, and fewer still have lost so little of their power to surprise and intrigue more 50 years after first hitting the racks. 

 tags: the velvet underground, nico, the velvet underground and nico album , 1967, flac,

Tashan - On The Horizon (1989)

Country: U.S.A.
Genre: R&B
Label Number: 465521 2
 
© 1989 CBS/OBR
A sleeper from a deep-voiced crooner, he wants to rewrite What's Going On. On "Black Man," "Save the Family," and a few others he actually succeeds. 
 
 tags: tashan, on the horizon, 1989, flac,

July 18, 2025

Gehenna - Seen Through The Veils of Darkness (The Second Spell) (1995) ☠

*First pressing. 
Contains 9 tracks total.
Country: Norway
Language: English, Norwegian (Nynorsk)
Genre: Black Metal
Label Number: NIHIL 9CD
 
☠: Selected by Buccanner
© 1995 Cacophonous Records
Initially released in 1995, GEHENNA delivered an evil yet atmospheric record, Seen Through the Veils of Darkness (The Second Spell), taking lyrical influences from Lucifer, mythology, and magic. It’s been 21 years since the album was released, and now it arrives once more in the form of a reissue. Does it still have the same impact today as it did when initially released?

The album kicks off with Lord of Flies, presenting a pestilent distortion from the get-go, opening with ominous chanting before the main riff kicks in. Somewhat heavy IMMORTAL-esque influences can be heard throughout, which is never a bad thing. The vocals compliment the track well, offering a mix of higher and deeper-pitched growls to refrain from falling into the stereotypical black metal vocal trap. A beautifully orchestrated atmospheric section adds to the immersion of the track, and boosts the overall quality before kicking into a fast-paced riff and the black metal goodness we so cravingly demand.

As Lord of Flies eases off, Shairak Krinnummh enters. Shairak Krinnummh is another strong track on this record, as it really brings in the atmospheric elements the band offers, and pulls it off excellently. The atmosphere created in this track feels almost magical, in that you feel transported into another realm whilst listening to it. The brief exclusions of vocals from time to time allow that immersion to progress, however the vocals do nothing but compliment the track whenever they’re present.

 Vinterriket, interestingly the only track on this record with Norwegian lyrics, has a much darker feel to it than the other tracks on the album. While keeping the alluring atmospheric elements, this track still manages to throw damning black metal riffs in your face, in the best way imaginable. Guest vocals from Garm (ULVER) are well received on the track, and are a nice touch.

While several of the tracks on this album aren’t too hard-hitting or overly memorable (but still good), A Myth… is the highlight of the album, and one of the best tracks GEHENNA have created. The 8-minute epic beautifully shows off GEHENNA’s pure talent and musical ability, creating a magical and captivatingly evil atmosphere that draws you in from the start. A Myth… brings forth a sense of wonder while keeping its darker black metal elements clear to see for all, and really pushes forward our current idea of what atmospheric black metal is and should be. The spoken word sections add another layer to the track, without reducing its quality, before throwing you back into the ferocity of GEHENNA’s more evil side. Be it directly or indirectly, you can hear elements and influences from this track in alter atmospheric metal bands (think of a faster-paced AGALLOCH in the opening note pattern). Seen Through the Veils of Darkness (The Second Spell) is a killer album for this track alone.

The album closes with Dark Poems Author, a very satisfying end to GEHENNA’s offering. As with other tracks on the record, it consists of a strong mix of black metal and softer atmospheric elements, however more tilted towards the evil side with the inclusion of a piano adding an incredibly malevolent tone to the track.

Seen Through the Veils of Darkness (The Second Spell) has its positives and negatives as an album. Its biggest strength is the atmosphere GEHENNA create in each track, mixed perfectly with enough brutality to make it an album worth buying. This is amplified thanks to its reissue, with all tracks on the album produced excellently to make every little detail as clear as possible. While it does drag in some places and some songs don’t have as much of an impact as others, it can’t be denied that GEHENNA have created a wonderful black metal album, that could be used easily as an introduction to the genre or a gateway from straight black metal to its atmospheric sibling. What must really be complimented on the re-issue of Seen Through the Veils of Darkness (The Second Spell) is how well balanced the atmospheric and black metal elements are, which is no easy task to pull off.

Rating: 8/10
 
 tags: gehenna, seen through the veils of darkness, the second spell, 1995, flac,

Various Artists - NME In Association With War Child Presents 1 Love (2002)

Country: United Kingdom
Genre: Alternative Rock, Pop Rock, Indie Rock
Label Number: 0927 49371 2
 
© 2002 New Musical Express/War Child/B-Unique Records
*No professional reviews are available for this release.
 
 tags: various artists, nme in association with war child presents 1 love, 2002, flac,

July 17, 2025

Tashan - For The Sake of Love (1993)

Country: U.S.A.
Genre: R&B
Label Number: OK 52469
 
© 1993 Columbia/Chaos
Tashan reminds you of Luther Vandross but without Vandross' range, theatrics, or material; Tashan's the bargain basement variety. Listening to 13 straight tracks by the nouveau crooner gets boring, and a major part of the problem is the unimaginative, computerized/electronic backing. This mixture of mid-tempo romps and ballads tends to run together; the most interesting song is an off-the-script remake of Marvin Gaye's "I Want You"; other notables include the jubilant "Been a Long Time," "Still in Love," the best ballad, and "All I Ever Do." 
 
tags: tashan, for the sake of love, 1993, flac,

Damage - Forever (1997)

*U.K. pressing. 
Contains 13 tracks total.
Country: United Kingdom
Genre: R&B
Label Number: BLRCD31
 
© 1997 Big Life
*No professional reviews are available for this release. 
 
 tags: damage forever, 1997, flac,

Ol' Skool - Ol' Skool (1997)

Country: U.S.A.
Genre: R&B
Label Number: UD-53104
 
© 1997 Uptown/Universal Records
Masterminded by producer Keith Sweat, Ol' Skool's eponymous debut is a fitfully successful collection of urban R&B. Produced by Sweat, Organized Noize and Kevin "KJ" Johnson, the album has an appealing sound, but too often the tracks blend together. The best moments -- such as "Set You Free" and the cover of Atlantic Starr's "Am I Dreaming," which features Xscape and Sweat on vocals -- suggest that the group has potential, but those moments simply don't arrive often enough on their debut. 
 
tags: ol skool, ol skool album, old school, 1997, flac,

July 16, 2025

Various Artists - What's Up Matador (1997) ☠

*This is a 2 disc set. 
Contains 44 tracks total.

Country: U.S.A.
Genre: Indie Rock, Alternative Rock
Label Number: OLE 163-2

☠: Selected by Lass
© 1997 Matador
Once Sub Pop's roster broke through to the mainstream in the early '90s, its reign as America's premier independent label drew to a close, leaving Matador Records as the definitive indie label of the decade. Matador's period of greatest impact was between 1991 and 1997, which is the time that the double-disc set What's Up Matador chronicles. The budget-priced compilation is designed as both an introduction and as a collector's dream, containing one disc called Favorite Tracks and one disc of unreleased songs. Matador didn't have a signature sound, preferring to cultivate a loose aesthetic that permitted its artists to do whatever the hell they wanted. So, there's the nervous punk of Superchunk, the jangling pop of Bettie Serveert, the fractured pop of Pavement, pure weirdness from the Frogs, mathematical rock from Chavez, disco from the Pizzicato Five, the avant rock of Silkworm, hardcore punk from Unsane, psycho-blues from the Jon Spencer Blues Explosion and Railroad Jerk, and lo-fi from Guided By Voices and Spoon, along with singer/songwriters like Liz Phair, Helium's Mary Timony, Cat Power, and Barbra Manning/SF Seals. It's an eclectic roster, but it's a rich one, containing many of the best and most important bands of the decade. The first disc runs through the hits quite effectively; for anyone curious about Matador specifically and American indie rock in general, it's an excellent primer. The second disc is for collectors and fanatics, and it does not disappoint. Many of the bands on disc one contribute unreleased songs that never sound like throwaways, and some of the label's newer bands that didn't make the first disc -- Run On, The For Carnation, and Bardo Pond -- are included. With its abundance of strong music and its complete Matador discography, What's Up Matador is an essential purchase for anyone curious about '90s indie rock. 
 
tags: various artists, whats up matador, compilation, 1997, flac,

Various Artists - (Music From The Definitive Documentary) Metal: A Headbanger's Journey (2006)

Country: Canada
Language: English 
Genre: Heavy Metal, Groove Metal, Thrash Metal, Death Metal, Black Metal, Hard Rock
Label Number: 0249837182
 
© 2006 Universal Music Canada
*No professional reviews are available for this release.
 
tags: various artists, metal a headbangers journey, head banger, music from the definitive documentary, ost, soundtrack, 2006, flac,

June 29, 2025

Various Artists - Saw III (Original Motion Picture Soundtrack) (2006)

Country: U.S.A.
Genre: Metalcore, Industrial, Thrash Metal, Groove Metal, Alternative Metal, Hardcore
Label Number: TRI 300 CD
 
© 2006 Artists' Addiction/Warcon
With a cover adorned by a trio of bicuspids and molars, roots attached and hastily transformed into necklaces, it becomes awfully apparent what awaits the listener within the jigsaw-shaped disc called Saw 3. Composer Charles Clouser has returned, providing the film with a whole lot of tripped-out, electronic and orchestral tension and the soundtrack with one measly passage called the "Sh*! hole Theme," but its' alternative/industrial/death metal that provides the third installment of the popular horror series with the kick in the gut it needs. As usual, the songs are of the "inspired by" type, meaning that most of them have little or nothing to do with the film itself, but the incorporation of hard-hitting classic acts like Slayer ("Eyes of the Insane"), Helmet ("Monochrome"), and Ministry ("Fear Is a Big Business"), as well standout contemporary acts like Mastodon and Meshuggah into the mix helps keep some of the lesser locker room meat (think Drowning Pool and Disturbed) from stinking up the whole house. 
 
 tags: various artists, saw iii, original motion picture soundtrack, ost, 2006, flac,

Various Artists - Saw IV (Music From & Inspired By Saw IV)

Country: U.S.A.
Genre: Electronic, Industrial, Alternative Metal, Metalcore
Label Number: ADM-90080-2
 
© 2007 Artists' Addiction Records
It's no secret that among the young, and perhaps the morbid, the splatter horror film franchise known as Saw is wildly successful. 2007 sees the fourth incarnation of this gory, epic, and second only to Hostel -- who has some catching up to do -- these films generate interest, controversy, and plenty of cash. It's no wonder that the soundtracks chosen for these flicks are issued by the Adrenaline imprint. This one, like previous incarnations, is fueled with pedal to the metal industrial, punk, emo, thrash, and industrial metal itself. A list of the participants tells you plenty: Ministry, Skinny Puppy, Nitzer Ebb, Oxygen, Avenged Sevenfold, Fueled by Fire, Red Jumpsuit Apparatus, etc., etc., etc. Saosin is singled out here -- despite the fact that many mainstream critics express a widespread disdain for their music and marketplace success -- because they have both the compositional element in song, lyrical content, and sheer musicianship to communicate something that fits the place of a cinematic concern, though it is wasted on this film. (Hopefully they got paid handsomely.) They transcend the soundtrack. Submersed is another example that while not as out of place here, has more to offer than speed, aggression, and misanthropy. Some of those seeking the aural equivalent of the movie experience will want the souvenir; those who collect music by any of these bands may grudgingly purchase it for the sake of completism. As for the rest of us, why bother? You know what it sounds like already. 
 
tags: various artists, saw iv, music from and inspired by saw iv, soundtrack, ost, 2007, flac,

Various Artists - Saw V (Music From & Inspired By The Motion Picture) (2008)

Country: U.S.A.
Genre: Film Score, Electronic, Alternative Metal, Industrial
Label Number: SPV 306202 CD
 
© 2008 Synthetic Symphony
*No professional reviews are available for this release. 

tags: various artists, saw v, music from and inspired by the motion picture, ost, soundtrack, 2008, flac,

Various Artists - Saw VI (Music From & Inspired By Saw VI) (2009)

Country: U.S.A.
Genre: Metalcore, Gothic Metal, Deathcore, Hardcore, Groove Metal
Label Number: TK0128
 
© 2009 Trustkill Records
Like Saw 2, Saw 3, and Saw 4 (the soundtracks for Saw and Saw V were largely orchestral), Saw VI mines the increasingly dense modern rock/alternative/death metal scenes for its bloody goods. It's a fitting marriage, as hard rock and heavy metal are the sonic suitors to horror and torture porn films and video games. Hatebreed ("In Ashes They Shall Reap"), Converge ("Dark Horse"), My My Misfire ("The Sinatra"), and Kittie ("Cut Throat") provide the most ferocious moments this time around, while generic angst jams like Memphis May Fire's "Ghost in the Mirror" and by-the-numbers goth cuts like Lacuna Coil's "The Last Goodbye" would be better served trapped in one of Jigsaw's murderous contraptions. 
 
tags: various artists, saw vi, music from and inspired by saw vi, soundtrack, ost, 2009, flac,

June 19, 2025

Various Artists - Double Dragon (Music From The Motion Picture Soundtrack) (1994)

Country: U.S.A.
Genre: Hip-Hop, House, Film Score
Label Number: 7313835700-2
 
© 1994 Milan
*No professional reviews are available for this release. 
 
tags: various artists, double dragon, music from the motion picture soundtrack, 1994, ost, flac,

Grieves - Irreversible (2007)

Country: U.S.A.
Genre: Hip-Hop
Label Number: None
 
© 2007 [Not On Label]
*No professional reviews are available for this release. 
 
* Due to past abuse, comments for the Hip-Hop section have been disabled. 
 
 
tags: grieves, irreversible, 2007, flac,