January 04, 2022

Aerosmith - Get Your Wings (1974) ☠

*U.S. first pressing. 
Contains 7 tracks total.
Country: U.S.A.
Genre: Hard Rock
Label Number: CK 32847
 ☠: Selected by Buccaneer
© 1974-1986 Columbia Records
Often overshadowed by the subsequent twin highlights of Toys in the Attic and Rocks, Aerosmith's 1974 second album, Get Your Wings, is where Aerosmith became Aerosmith -- it's where they teamed up with producer Jack Douglas, it's where they shed much of their influences and developed their own trademark sound, it's where they turned into songwriters, it's where Steven Tyler unveiled his signature obsessions with sex and sleaze. Chief among these attributes may be Douglas, who either helped the band ease into the studio or captured their sound in a way their debut never did. This is a leaner, harder album, bathed in grease and layered in grit, but it's not just down to Douglas. The band itself sounds more distinctive. There are blues in Joe Perry and Joey Kramer's interplay, but this leapfrogs over blues-rock; it turns into slippery hard rock. To be sure, it's still easy to hear the Stones here, but they never really sound Stonesy; there's almost more of the Yardbirds to the way the group works the riffs, particularly evident on the cover of the early 'Birds classic "The Train Kept a Rollin'." But if the Yardbirds were tight and nervy, Aerosmith is blown out and loose, the sound of excess incarnate -- that is, in every way but the writing itself, which is confident and strong, fueled by Tyler's gonzo sex drive. He is the "Lord of the Thighs," playing that "Same Old Song and Dance," but he also slows down enough for the eerie "Seasons of Wither," a powerful slow-churning ballad whose mastery of atmosphere is a good indication of how far the band has grown. They never attempted anything quite so creepy on their debut, but it isn't just that Aerosmith is trying newer things on Get Your Wings, it's that they're doing their bloozy bluster better and bolder, which is what turns this sophomore effort into their first classic.

tags:

Aerosmith - Toys In The Attic (1975) ☠

*U.S. first pressing. 
This pressing was mastered by Doug Sax. 
Contains 9 tracks total.
Country: U.S.A.
Genre: Hard Rock, Blues Rock
Label Number: CK 33479
☠: Selected by Buccaneer
© 1975-1988 Columbia Records
After nearly getting off the ground with Get Your Wings, Aerosmith finally perfected their mix of Stonesy raunch and Zeppelin-esque riffing with their third album, Toys in the Attic. The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like "Walk This Way," "Toys in the Attic," and "Sweet Emotion," but Steven Tyler has fully embraced sleaziness as his artistic muse. Taking his cue from the old dirty blues "Big Ten Inch Record," Tyler writes with a gleeful impishness about sex throughout Toys in the Attic, whether it's the teenage heavy petting of "Walk This Way," the promiscuous "Sweet Emotion," or the double-entendres of "Uncle Salty" and "Adam's Apple." The rest of Aerosmith, led by Perry's dirty, exaggerated riffing, provide an appropriately greasy backing. Before Toys in the Attic, no other hard rock band sounded like this. Sure, Aerosmith cribbed heavily from the records of the Rolling Stones, New York Dolls, and Led Zeppelin, but they didn't have any of the menace of their influences, nor any of their mystique. Aerosmith was a gritty, street-wise hard rock band who played their blues as blooze and were in it for a good time; Toys in the Attic crystallizes that attitude.

tags: aerosmith, toys in the attic, 1975, flac,

Aerosmith - Rocks (1976) ☠

*European first pressing. 
Contains 9 tracks total.
Country: U.S.A.
Genre: Hard Rock, Blues Rock
Label Number: CDCBS 32360
☠: Selected by Buccaneer
© 1976-1988 CBS
Few albums have been so appropriately named as Aerosmith's 1976 classic Rocks. Despite hard drug use escalating among bandmembers, Aerosmith produced a superb follow-up to their masterwork Toys in the Attic, nearly topping it in the process. Many Aero fans will point to Toys as the band's quintessential album (it contained two radio/concert standards after all, "Walk This Way" and "Sweet Emotion"), but out of all their albums, Rocks did the best job of capturing Aerosmith at their most raw and rocking. Like its predecessor, a pair of songs have become their most renowned -- the menacing, hard rock, cowboy-stomper "Back in the Saddle," as well as the downright viscous funk groove of "Last Child." Again, even the lesser-known tracks prove essential to the makeup of the album, such as the stimulated "Rats in the Cellar" (a response of sorts to "Toys in the Attic"), the Stonesy "Combination," and the forgotten riff-rocker "Get the Lead Out." Also included is the apocalyptic "Nobody's Fault," the up-and-coming rock star tale of "Lick and a Promise," and the album-closing ballad "Home Tonight." With Rocks, Aerosmith appeared to be indestructible.
 
tags: aerosmith, rocks, 1976, flac,

January 03, 2022

Marky Mark & The Funky Bunch - You Gotta Believe (1992)

Country: U.S.A.
Genre: Hip-Hop
Style: Pop Rap
Label Number: 7 92203-2

© 1992 Interscope Records
Marky Mark tried to keep riding the wave he had enjoyed with Music for the People, but failed to score any pop or R&B hit, finding that it's much tougher to find another hit to scavenge or maintain a gimmick the second time around. He eventually enjoyed moderate success with "You Gotta Believe," but a combination of some ill-timed homophobic remarks in an interview and rather limp material like "I Run Rhymes" extinguished whatever fires Marky Mark had previously lit.

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tags: marky mark and the funky bunch, you gotta believe, 1992, flac,

Treble Charger - Detox (2002)

Country: Canada
Language: English
Genre: Punk Rock
Style: Pop Punk
Label Number: 74321-94674-2

© 2002 BMG Canada/Vik Recordings
Treble Charger plays an inoffensive brand of punk-pop that will cause no one any concern. There will be no stampedes to record stores, no rushes on web retailer sites, and no sold-out concerts with screaming fans. Vocalist/guitarist Greig Nori will have to leave that to his protégés, Sum 41, as Treble Charger is too run of the mill to ever reach those heights -- or even make an interesting record. Detox is one standard punk-pop song after another, with nary a hook sharp enough to snag a sweater, let alone hook the listener. When they slow down and don't worry about rocking hard, they are more memorable: "Ideal Waste of Time" has strong, dynamic shifts and a loping beat that is a nice respite from the sameness found elsewhere on the record, and "Don't Believe It All" has nice vocal harmonies and a soaring chorus. Unfortunately, they try to rock most all the time and are just far too generic to make much of it. They sound like a band who has been together for years and has come to look at music as a job. Rock & roll is not a job, it is art, to be played like it is meant at all times. If you can't handle that, you should get out. Treble Charger should quit their job and go find some real work.

tags: treble charger, detox, 2002, flac,

Forget Cassettes - Instruments of Action (2003)

Country: U.S.A.
Genre: Indie Rock
Label Number: ter 005

© 2003 Theory 8 Records
*No professional reviews are available for this release.

tags: forget cassettes, instruments of action, 2003, flac,

Longview - Mercury (2003) ☠

Country: United Kingdom
Genre: Alternative Rock
Label Number: 5050466-6886-2-0
☠: Selected by Lass
© 2003 14th Floor/4:45 Records
With Mercury, U.K. rock outfit Long-View serves up an impressive debut album that owes as much to Coldplay as it does to Catherine Wheel. Similarities to the latter undoubtedly explain Matt Pinfield's fascination, as the former WHTG radio host and MTV talent turned Columbia Records A&R guy inked the band to a Stateside deal. Launched with "Further," a swooning, melodic anthem that is as delightful as it is accessible, and boasting U2-like lyrics ("God's light will save us"), Mercury rarely poisons as it gives us beautiful, Bunnymen-styled ballads like "Can't Explain," gorgeous shoegazer breezes like "Electricity" and "I Would" and roaring, energetic rockers like the hook-injected "When You Sleep." While singer/brainchild Rob McVey most often recalls Rob Dickinson of the aforementioned Catherine Wheel -- which isn't a bad thing at all -- his resonant pipes go even further on "In a Dream," a slumbering, ethereal melody. And damn if the pop-touched spitfire "Nowhere" doesn't re-open the capsule shut by the demise of Kitchens of Distinction.

tags: longview, mercury, 2003, flac,

Sense Field - Living Outside (2003) ☠

Country: U.S.A.
Genre: Alternative Rock
Label Number: 0 6700 30323 2 2
☠: Selected by Lass
© 2003 Nettwerk America
The breakout success of "Save Yourself" in 2002 was due neither to fluke nor bandwagoneering. Even as far back as 1994's Killed for Less, Sense Field showed the ability to sprinkle its punk and hardcore influences with crocodile tears, so the issuing of a three-minute soundtrack to an emo kid make-out party wasn't very far-fetched. Living Outside is as conscious a follow-up record as there can be, but it's likely also the record Sense Field would've made anyway, even without the band's mainstream ascendancy. Outside was written principally by guitarist Chris Evenson and vocalist Jon Bunch, and they've looked to new wave and 1980s guitar pop to define the album's sound. Synths and processed loops turn up throughout, in part replacing the contributions of guitarist Rodney Sellars, who opted out of Sense Field to focus on family issues. The whirring, fuzzy electronics plop "No Medicine," "Take What You Want," and "Haunted" somewhere between Depeche Mode and Garbage. But a completely unpretentious Cure cover is a winking reminder that the guys in Sense Field are old enough to draw their '80s influences from their high-school music collections, instead of a bag of studio tricks. Meanwhile, the broad melodies and fervent vocals (from the always reliably ardent Bunch) of "On Your Own" and "Feel What You Feel" approach the grandeur of the band's breakthrough ballad without brazenly rewriting it. The production presence of Brad Wood on four of Outside's tracks refines the sound a bit too much, occasionally suggesting the populist supermarket alt.rock of Collective Soul. But though it's been sanded smooth over the years, Sense Field can still stump from the punk rock platform, as "Running Behind" and "Burn" attest. For the latter, Wood layered strings into the mix, and tries to rely on the space created from a skittering piano break to build tension. But it's in one-on-one lines like "No I don't want to meet you to talk/So stop coming by my work" where "Burn"'s urgency actually lies. Moments like this leave Living Outside's surface a bit rough, and help it exist as the next Sense Field album, and not simply the next Sense Field album since "Save Yourself."

tags: sense fields, living outside, 2003, flac,

Giant Panda - Fly School Reunion (2005)

Country: U.S.A.
Genre: Hip-Hop
Label Number: TRCD-002

© 2005 Tres Records
Los Angeles-via-Seattle trio Giant Panda takes the Way-Back Machine to a distinctly golden era of hip-hop. MC Maanumental even says as much on the track "'90s," an era of production and rhyming styles that he, along with fellow MC/producers Newman and Chikaramanga (who mostly rhymes in his native Japanese), are intimately familiar with. Not a track goes by on FLY SCHOOL REUNION, their debut album, that doesn't have the spirits of Prince Paul's sample-heavy quirkiness or Large Professor's jazzy smoothness holding the beats down. The trio keeps the mood breezy, even when the subject matter gets serious ("Racist," "3rd Party"), as they reminisce about the days when jazz samples --not pop songs--colored the beats. Those with a soft spot for the old school will be pleased.

* Due to past abuse, comments for the Hip-Hop section have been disabled. 


tags: giant panda, fly school reunion, 2005, flac,

Hiero Imperium Presents: The Corner (2005)

Country: U.S.A.
Genre: Hip-Hop
Label Number: 230120-2

© 2005 Hiero Imperium
*No professional reviews are available for this release.

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tags: hieroglyphics, hiero imperium presents the corner, 2005, flac, 

Mathematik - Ecology (1999) ⚓

*Canadian first pressing. 
Contains 21 tracks total.
Country: Canada
Language: English
Genre: Hip-Hop
Label Number: BF1434

© 1999 Beatfactory
Building on appearances on the Rap Essentials compilations, Mathematik delivers on his early promise with remarkable assurance. While his high-pitched voice may convey youth, Mathematik’s introspective and thought-provoking lyrics reveal an MC blessed with deep wisdom and insight with an urge to spread knowledge. While many like-minded MCs have focused on the message to the detriment of skills, Mathematik attains a seemingly effortless balance. His original delivery, nimble wordplay and earnest approach prevent him from suffering from a similar fate. Ecology is also fuelled by Mathematik’s own scratches and the ever-improving beats of Erf Productions, providing entries such as the jazzy “On My Mind,” the previously released “Following Goals” with Bahamadia and the acoustic foundation of “Plastic.” On this aforementioned track, Mathematik aka Math-U rails against artificiality in the world, but manages not to sound as if he’s preaching. In fact, Mathematik remains humble throughout revealing his immersion in hip-hop culture on “Step Lightly,” a dedication to B-boying and the throwback vibe of “Strive On.” This modesty is also apparent on the stripped-down standout “Rhyme Trainin’(remix)” where he vows “Throughout the span of my life/ I’m committed to rhyme trainin’.” Good news for those interested in hearing more from this astute voice. (Beat Factory)

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tags: mathematik, ecology, 1999, flac,

Mathematik - No Division (2005)

Country: Canada
Language: English
Genre: Hip-Hop
Label Number: 7-75020-65332-0

© 1993 Giant Records
*No professional reviews are available for this release.

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tags: mathematik, no divison, 2005, flac,

Platinum Pied Pipers - Triple P (2005)

Country: U.S.A.
Genre: R&B
Label Number: URCD 168

© 2005 Ubiquity
The funny thing about Platinum Pied Pipers is that they're neither platinum nor much like the self-proclaimed pied piper of R&B, R. Kelly. They're underground, no larger than life, yet wholly contemporary -- a pair of Detroit producers who introduced their way of doing things with interpretations of Burt Bacharach's pop staple "The Look of Love" (sounding more like a Cameo tape after being rescued from a puddle) and Faze-O's rare-groove classic "Riding High" (relatively straightforward, as easy as a summer afternoon spent in the back seat of a convertible). These and other cuts appeared on Ubiquity's Rewind! series of compilations. They built up a lot of promise, all of which is fulfilled on the duo's first album. Slum Village vet Waajeed and Barrett Strong protégé Saadiq conduct Triple P Quincy Jones-style, appearing on the cover while otherwise remaining in the background. With help from a handful of MCs and vocalists, the producers/musicians cook up a varied array of hybridized backdrops that update 30 years of soul, hip-hop, and crossover jazz. Three songs featuring the honey-voiced Tiombe Lockhart are among the top highlights; "I Got You" is the best of that lot, with Lockhart, horns, organ, electric piano, and guitar slinking and winding around one of Waajeed's crisply snapping beats. A collaboration with the Sa-Ra crew, "Deep Inside," is wonderfully freaky, a rugged stomp and a smooth glide at once. Out of the MC-led tracks, which tend to be outshined by the ones featuring vocalists, Invincible's "Detroit Winter" stands out most: "Detroit in the winter, the cold is a poison that lingers/A point for beginners: to hold on, avoiding the shivers/You either bundle up or burn rubber/But if you can't take the winter, you don't deserve summer." Many tails can be chased drawing easy parallels to the past, but the only obvious references on this album to the good old days of soul music are some crowd chatter -- likely a nod to Marvin Gaye's What's Going On and "Got to Give It Up" -- and a whole lot of spirit.

tags: platinum pied pipers, triple p, 2005, flac,

Three 6 Mafia - Chapter 2: World Domination (1997)

Country: U.S.A.
Genre: Hip-Hop
Style: Pop Rap, Horrorcore
Label Number: 88561-1644-2

© 1997 Relativity/Hypnotize Minds
For Chapter 2: World Domination, their first widely distributed album (via Relativity), Three 6 Mafia further refine the hardcore motifs of their underground efforts, toning down the outright horror and playing up their Southern gangsta-isms. Their equation works out to a wonderfully novel album for its time, one that would set the course of their career as well as their dizzying array of solo and spin-off endeavors. In fact, the album's Chapter 2 title is fitting because the group reprises several of its best tracks from the previously released Mystic Stylez and Da End albums, namely "Tear da Club Up," "Late Nite Tip," "Bodyparts," and "N 2 Deep." The rest of the album very well could have come from the group's back catalog also, as tracks like "Neighborhood Hoe" and "Weed Is Got Me High" certainly embody the same sort of ideology, attitude, and approach that had gotten Three 6 Mafia to this point in the game. And then there's "Hit a Muthafucka," which became the group's latest anthem, a rowdy club-banger to say the least.

* Due to past abuse, comments for the Hip-Hop section have been disabled. 


tags: three 6 mafia, chapter 2 world domination, 1997, flac,

Othello - Elevator Music (2005) ⚓

Country: U.S.A.
Genre: Hip-Hop
Label Number: 879254005136

© 2005 Syntax Records
Elevator Music, Othello's solo debut, is not as much a solitary studio soirée as an excuse for a party, and one with a sizable guest list. Invitations were sent to the rapper's old cohorts, of course, and they all showed up, with much of the cream of the Christian hip-hop scene also making appearances. With the party people sharing out the mike and the production duties, you'd expect this set to sound highly eclectic. And you'd be wrong, for everyone involved seems to be digging the same vibes, and regardless of the diversity of styles the album feels surprisingly coherent. The aura is decidedly chill and the preferred genres are jazz and R&B, with blues, '60s soul, and funk edging many of the numbers. The album title obviously plays on these relaxed and relaxing atmospheres within, on music that is easy on the ears, as well as many uplifting themes. Othello drives that point home both on the title track and "Floor One," with its message "to elevate" one's self. The rapper effectively proselytizes on "Organic," and delivers his personal manifesto on "Heart" in combination with Destro. Both numbers also involve Nickels, who provides scratches or production on a clutch of numbers. He's a member of Othello's old crew, Logique, as is Page One, who joins the rapper on the '40s jazz-flavored "Consider It." Ohmega Watts and Braille are Othello's Lightheaded crew-to-be, and guest on the sizzling "Hier Borne" and sizzling guitar-strewn "Oblivious Enlight," respectively. RedCloud joins in on the haunting, tongue-twisting "Goodwill Chopping," DJ Manwell urges "Relax Yourself," Sirens Echo offers "Seasons Greetings," and Malachi Perez and Deep 6 solicitously ask "How Ya Livin." Regardless of the laid-back feel of the set, the music never merges toward Muzak -- there's too much of interest going on for that (the slide "Relax" takes into dancehall, for instance). Nor do all the tracks delve into the spiritual realm, with a few tackling broader or smaller themes. The combinations all work a treat, as if everyone has been working together for ages (as they have in some cases). However, with Othello flying solo on only four numbers and handling production only on "Heart," he hasn't really left the nest yet. This is a fine, entertaining set, but gives little indication of what this still maturing artist is capable of on his own.

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tags: othello, elevator music, 2005, flac,

QNC - Duo Dynamic (2005)

Country: U.S.A.
Genre: Hip-Hop
Label Number: GCCD142

© 2005 Grand Central Records
*No professional reviews are available for this release.

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tags: qnc, duo dynamic, 2005, flac,

One Be Lo - The R.E.B.I.R.T.H. (2007) ☠

Country: U.S.A.
Genre: Hip-Hop
Label Number: None
☠: Selected by Lass
© 2007 Subterraneous Records
Michigan's One Be Lo has always prided himself on his work ethic, his ability to get his music out to his fans with or without the backing of a bigger label. For 2005's S.O.N.O.G.R.A.M., the rapper was signed to the venerable Fat Beats, but for the full-length follow-up, R.E.B.I.R.T.H., Lo turned back to his own Subterraneous Records. He also looked outside the Subterraneous crew for his production, culling beats from West Coasters like Vitamin D and Jake One, as well as the Molemen's Memo and Texture from the Labteks. Unfortunately, the beats on R.E.B.I.R.T.H. are sometimes lacking, the soul samples too short, the loops too derivative, which has the tendency to make the tracks blend into one another. The production, under the direction of One Be Lo, assuredly, also relies far too much on film dialogue samples to propel and guide it. More than half the songs on the album include this added dialogue, which, though it is appropriate contextually, goes on for much too long, filling in the spaces where the MC might have had a guest add a verse instead. In fact, that's one of the most noticeable things about R.E.B.I.R.T.H.: it's all about One Be Lo. Besides a couple of instrumentalists (who turn the otherwise powerful "Gray" into a smooth jazz number) and a vocalist (Marvin Scruggs on "Keep It Rollin'"), the record depends solely on one man to keep it going. While this sometimes means the verses can be short, it doesn't mean they're lacking in quality, or even that they're particularly repetitive. There are the usual boastful rhymes, but they're done well, and more importantly, balanced with other topics, including race ("War," "Gray," "Don't Sleep" -- which samples the famous line from Nas' "N.Y. State of Mind"), Michigan's failing economy ("Born & Raised"), problems of the urban poor ("The G Gap"), the current state of the world ("Headlines," with its kind of Encino-Man-meets-Marvin Gaye approach), and mortality ("Hip-Hop Heaven"). It is this last song that best shows off the rapper's intelligence and skills. One Be Lo subtly and cleverly uses allusions to life and death throughout the song, which tells of a typical, productive day in his home studio ("I'm feeling so alive," "I'm dead tired"). But the genius is in how he plays with the hook. "I finished another record, I'm in hip-hop heaven" he ends his first verse, contrasting that later with "Local rapper One Be Lo, age 30, found dead/I'm in hip-hop heaven," the last line of the track. With a less careful, purposeful MC, this could be corny, but Lo is smart and talented enough with his words to prevent his message from seeming forced or overly sentimental, and this trend is seen throughout the entirety of R.E.B.I.R.T.H., making it both an effective and affective album without sacrificing any of its grit.

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tags: one be lo, the rebirth, 2007, flac,