June 03, 2025

Various Artists - Napoleon Dynamite: Original Motion Picture Soundtrack (2004)

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Country: U.S.A.
Genre: Pop, Pop Rock, Alternative Rock
Label Number: LKS 33810
 
© 2004 Lakeshore Records
Napoleon Dynamite's soundtrack works on the same mix of awkward and sweet that typifies the film. It's sprinkled liberally with soundbites of Napoleon himself (Jon Heder) and those in his life, such as quotable comebacks like "Yeah right, who's the only one who knows the illegal ninja moves from the government?," or Kip's (Aaron Ruell) declaration of his plans to become a cagefighter. Napoleon Dynamite also takes a page from the Rushmore soundtrack by sequencing composer John Swihart's suitably quirky score amidst the handful of indie pop and 1980s faves that anchor the set. Rogue Wave fans will note a live version of the Out of the Shadow standout "Every Moment," and Figurine's "New Mate" is a gem from the trio's 1999 revivalist synth pop album Transportation + Communication = Love. Though the music here is united by a certain offbeat quality, relationships -- family, friends, love, self -- are the real focus. It gives listeners the range, from the swagger of Bow Wow Wow's "I Want Candy" to the crackling soul-jazz and bootstraps message of Money Mark's "Sometimes You Gotta Make It Alone." There's also a touchingly heartfelt cover of Cyndi Lauper's "Time After Time," and less often heard '80s standouts from Yaz ("Only You") and Alphaville ("Forever Young"). With its movie quotes, endearing score (including Swihart's version of "The A-Team Theme"), and well-chosen musical cues, Napoleon Dynamite is a comprehensive keepsake of a film likely destined for cult favorite status.
 
 tags: various artists, napolean dynamite, original motion picture soundtrack, ost, 2004, flac,
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Various Artists - Spider‐Man: Music From & Inspired By (2002)

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Country: U.S.A.
Genre: Alternative Rock, Post Grunge, Film Score
Label Number: CK 86402
 
© 2002 Columbia/Roadrunner/Island Def Jam/Sony Music Soundtrax
 From all accounts, Sam Raimi invested Spider-Man with some of his own personality -- lobbying for the great, geeky Tobey Maguire to play Peter Parker and giving the visuals a crackling energy equally reminiscent of his own work on Evil Dead and Darkman and the original Marvel comic books. That's very good, especially since studios are notoriously reluctant to let directors imprint their own signature on tent-pole pictures like this and, given the choice between having the picture or the soundtrack for Spider-Man have distinctive personality, the movie should have a personality since it is a movie, after all, and the ultimate concern. Still, it's a disappointment that the soundtrack to Spider-Man is so calculated, pitched directly at the nü-metal/rap-rock/post-grunge crowd with little regard for flair or personality. Almost none of the songs on the soundtrack are heard in the movie -- Macy Gray's "My Nutmeg Phantasy" is put to the forefront once, but most of these songs are heard either way in the background on the radio or over the closing credits. This isn't unusual for soundtracks of this nature, but sometimes the "inspired by" soundtracks have some spark, most notably with Prince's songs for Batman. Though many of the bands do try to tie into the theme of Spider-Man -- Alien Ant Farm has "Bug Bytes," Chad Kroeger of Nickelback offers the dour anthem of "Hero" -- it all winds up as something that sounds crafted for modern rock radio, not the movie, especially since it lacks both the colorful zest of the film's design or the geekiness of Peter Parker. Some songs distinguish themselves along the way -- the Hives display why they're rightly touted as an antidote to generic modern rock with "Hate to Say I Told You So," the Strokes toss in their B-side worthy "When It Started," and Pete Yorn gives listeners his gentle "Undercover" -- but on the whole, it's a pretty undistinguished affair, topped off by an awful version of the classic "Theme From Spider-Man" from Aerosmith, who treats it as serious heavy psych-rock. At least when that's finished, you can begin the disc again and hear the original theme, which sounds much livelier and is more fun -- and, after all these years, still feels appropriate for Spider-Man, even in Raimi's version (there's a reason why he put it over the end credits of the film, after all). 
 
 tags: various artists, spider man, music from and inspired by, soundtrack, ost, 2002, flac,
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