March 31, 2025

Dead Can Dance - Dead Can Dance (1984)

*U.K. first pressing. 
Contains 14 tracks total.
Country: Australia
Genre: Ethereal Wave
Label Number: CAD 404 CD
 
© 1984-1986 4AD
 Early punk backgrounds and the like behind them, Perry and Gerrard created a striking, dour landmark in early-'80s atmospherics on their first, self-titled effort. Bearing much more resemblance to the similarly gripping, dark early work of bands like the Cocteau Twins and the Cure than to the later fusions of music that would come to characterize the duo's sound, Dead Can Dance is as goth as it gets in many places. Perry and Gerrard's wonderful vocal work -- his rich, warm tones and her unearthly, multi-octave exaltations -- are already fairly well established, but serve different purposes here. Thick, shimmering guitar and rumbling bass/drum/drum machine patterns practically scream their sonic connections to the likes of Robin Guthrie and Robert Smith, but they still sound pretty darn good for all that. When they stretch that sound to try for a more distinct, unique result, the results are astonishing. Gerrard is the major beneficiary here -- "Frontier" explicitly experiments with tribal percussion, resulting in an excellent combination of her singing and the rushed music. Then there's the astonishing "Ocean," where guitar and chiming bells and other rhythmic sounds provide the bed for one of her trademark -- and quite, quite lovely -- vocal excursions into the realm of glossolalia. Perry in contrast tends to be matched with the more straightforward numbers of digital processing and thick, moody guitar surge. The album ends on a fantastic high note -- "Musica Eternal," featuring a slowly increasing-in-volume combination of hammered dulcimer, low bass tones, and Gerrard's soaring vocals. As an indicator of where the band was going, it's perfect.
 
 tags: dead can dance, dead can dance album, 1984, flac,

Clan of Xymox - Clan of Xymox (1986)

*U.K. first pressing. 
Contains 10 tracks total.
Country: Netherlands
Language: English
Genre: Dark Wave
Label Number: CAD 503 CD
 
© 1985-1986 4AD
Listening to Clan of Xymox's self-titled LP is like entering a club of black-clad vampires in the mid-'80s. That's not meant as an insult; the album captures a certain time and place. The record epitomizes Ben Folds Five's hilarious discovery in "Battle of Who Could Care Less": "See I've got your old ID/And you're all dressed up like the Cure." This moody, atmospheric record is as dated as a bumper sticker from a "rock of the '80s" radio station. What once seemed cutting-edge is now a nostalgia trip, and for aging goths, Clan of Xymox is home sweet home. Clan of Xymox were never original; they always seemed to be picking from the leftovers of their predecessors: the Cure, Joy Division, Modern English, Dead Can Dance, and New Order. In other words, there are icy, throbbing keyboards; bummed-out vocals; chilly, robotic percussion; gloomy, ethereal guitars; and unusual, cryptic song titles. However, even before their creative peak with 1989's stellar Twist of Shadows, the group knew how to craft some good hooks. Clan of Xymox aims for Joy Division's oppressive bleakness, but vocalist Ronny Moorings doesn't have the late Ian Curtis' intense pain or profound lyrics. The band is at their best when their pop instincts overrule their tendency to lose themselves in misery. "A Day" and "Muscoviet Mosquito" are both mysterious and catchy, propelled by infectious gothic grooves that don't slow down. "No Words" has funky riffs which reveal that Clan of Xymox listen to new romantic groups as well, and "Stumble and Fall" is beautifully lush. There's nothing brilliant or original here; however, the group's derivative sound summarizes the dance sector of post-punk accurately as they pillage from the most popular artists of the genre. An entertaining audio essay of early- to mid-'80s goth rock; from Joy Division to Dead Can Dance, Clan of Xymox never leave a page unturned.
 
tags: clan of xymox, clan of xymox album, 1986, flac,

Clan of Xymox - Medusa (1986)

*U.K. first pressing. 
Contains 10 tracks total.
Country: Netherlands
Language: English
Genre: Dark Wave
Label Number: CAD 613 CD
 
© 1986 4AD
Clan of Xymox's second full album (not counting the rudimentary debut EP) is a distinct improvement on the Dutch band's earlier work, and indeed is probably the group's career high point. However, the band's fatal flaws remain clear throughout the album: although these songs are superficially attractive in a goth-dance sort of way, there's little in the way of depth or substance here, and on closer listen, one realizes that the best parts of these songs sounded even better when they appeared on earlier albums by Depeche Mode, Xmal Deutschland, Propaganda, and Bauhaus. The album's high point by far is the proto-acid house "Michelle," which has the dreamy neo-psychedelic textures of Psychic TV's "Godstar" or mid-period Siouxsie and the Banshees.

tags: clan of xymox, medusa, 1986, flac,

March 27, 2025

The Escalatorz - Straight To Your Heart (1987)

*Photos of the record are included in the RAR file.
Country: Germany
Language: English
Genre: New Wave, Rock
Label Number: 04241
 
© 1987 Vielklang
*No professional reviews are available for this release. 
 
tags: the escalatorz, straight to your heart, 1987, flac,

March 25, 2025

The Sisters of Mercy - Some Girls Wander By Mistake (1992)

*A photo of the disc is included in the RAR file.
Country: United Kingdom
Genre: New Wave, Gothic Rock
Label Number: 9 61306-2
 
© 1992 Elektra
For over a decade, the early singles of Andrew Eldritch's goth crew, the Sisters of Mercy, existed only in a limited-edition vinyl format. They also went for fairly high prices, something that led to extensive bootlegging. Thankfully, in 1992 head honcho Eldritch decided to release all of the Sisters' pre-major-label material on a single compilation CD. He was rewarded with a U.K. number one album, and the opportunity to buy himself a new Porsche. The title comes from a Leonard Cohen song, "Teachers," which was the first song performed by the fledgling Sisters. All five early singles/EPs are here, from 1980's "The Damage Done" to 1983's "Temple of Love." The material is not presented chronologically, which is fine since the band's first two singles are the weakest on the album. "The Damage Done" might command a high price on vinyl but isn't a particularly good song, and the 30-second B-side "Home of the Hit-Men" is entirely pointless. Follow-up single "Body Electric" is better, featuring the classic punk workout "Adrenochrome," but it wasn't until 1982's "Alice" that the band hit its stride. The title track is an instant classic, while "Floorshow" became a live show staple. The Reptile House EP, featuring tracks five to ten on the CD, saw the Sisters take a turn into more overtly dark territory, featuring some of their bleakest and most anguished work. Their final indie release, "Temple of Love," continued this trend, with Eldritch turning in an impressive vocal performance. The cover of "Gimme Shelter" doesn't entirely work, but it's an interesting glimpse into the band's roots. Some Girls Wander By Mistake captures the Sisters of Mercy at their most ferocious and angry, in the years before the band became weighed down by over-produced synth-based efforts. As a look at the formative years of a still-popular band, it's great, but as a reminder of the punk roots of the goth movement, it's priceless.
 
tags: the sisters of mercy, some girls wander by mistake, 1992, flac,

March 18, 2025

Velveteen - After Hours (1983)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: New Wave
Label Number: 80119-1-Y

© 1983 Atlantic
Velveteen is a duo featuring Sal Maida -- who played bass for Roxy Music, Milk & Cookies, Golden/Carillo, and Cherrie Currie, among others -- and vocalist Lisa Burns, once produced by Craig Leon when he had Willie Alexander & the Boom Boom Band up at Suntreader Studios recording in Vermont. The Boom Boom Band backed up Lisa Burns on a 1978 self-titled MCA records release during those sessions, performing material by Moon Martin, Jackie DeShannon, and the Box Tops. Five years later she changes styles from rock to dance. The black-and-white cover of this six-song Velveteen release on Atlantic entitled Afterhours has Maida with the obligatory sunglasses and Burns looking like a new wave chanteuse. They look smart, they look the part, and had the record sounded like the Velvet Underground meets Roxy Music as the title and image suggest, it may have made more of a splash. "Nightline" is the best song here, strong hook and crystal clear production, it's just that the Linn drums make for monotonous rock & roll and their sound dominates a recording which half rocks. It's good dance music -- material Sal Maida was familiar with having recorded on Gary Private's "Lonely Hearts," but the project may have been better served had Milk & Cookies re-formed to back up Burns the way Willie "Loco" Alexander's band did in the '70s. "Nothing to Do" slinks around in a nice and evil way, but had the wild abandon of a rock group interrupted the precision, the record would beg repeated spins. "Preoccupied" is the closest thing to rock, the Seeds' eternal "Pushin' too Hard" riff convoluted in a world where it -- and these musicians -- didn't really belong: the dance world. "Wild Rain" and "Get Wild" are the alleged obsession with uncontrolled emotion, a promise unfulfilled. If only the 1978 Lisa Burns disc had the production values she and Maida give this release -- much more precise and on target than Craig Leon's sparse underproduction. Lisa Burns has an appealing voice and style, and what she needed was a long-term record deal. Too bad "Nightline" wasn't a Top 40 smash; it's so hard watching important artists climb the mountaintop only to be abandoned at the summit. Lisa Burns falls into that category.

 tags: velveteen, after hours, 1983, flac, vinyl, 

March 16, 2025

Trees - Sleep Convention (1982) ☠

*First pressing. 
Contains 10 tracks total. 
Photos of the record are included in the RAR file.

Country: U.S.A.
Genre: New Wave
Label Number: MCA-5348

☠: Selected by Lass
© 1982 MCA Records
*No professional reviews are available for this release. 

 tags: trees, sleep conventions, 1982, flac, vinyl,

Various Artists - A Matter of Degrees (Original Motion Picture Soundtrack) (1991) ☠

*A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: Indie Rock, Alternative Country, Alternative Rock, Hip-Hop
Label Number: 7 82245-2

☠: Selected by Lass
© 1991 Atlantic Records
The university-set flop A Matter of Degrees is most memorable for JFK, Jr.'s cameo and its soundtrack, which fields a pretty accurate encapsulation of the U.S. college rock scene in the early '90s. Yo La Tengo, fIREHOSE, Uncle Tupelo, Schooly D(!), Throwing Muses, and Nova Mob all make fine appearances, and Miracle Legion fittingly cover Mission of Burma's "Academy Fight Song." Overall, it's rather mediocre fare. The only thing preventing the disc from playing like a college radio program circa 1991 is a public service announcement from Henry Rollins.

 tags: various artists, a matter of degrees, original motion picture soundtrack, ost, 1991, flac,

March 14, 2025

Rawcotiks - Live Your Life/Magic Chef (12" Single) (1997)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: FIV 1001

© 1997 First Try Entertainment
*No professional reviews are available for this release.

 tags: rawcotiks, live your life, magic chef, 12 inch, single, vinyl, 1997, flac,

March 10, 2025

DJ Eli • Shan Boogs - Cloudkickers (1999)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: FE-CK1

© 1999 Fondle 'Em Records
*No professional reviews are available for this release.

 tags: dj eli, shan boogs, cloudkickers, cloud kickers, 1999, flac, vinyl,

March 08, 2025

DMX - Born Loser (12" Single) (1993)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: 42 74908

© 1993 Ruffhouse/Chaos Records
*No professional reviews are available for this release.

 tags: dmx, born loser, 12 inch, single, 1993, flac,

Rawcotiks - Nevertheless/Real Heads (12" Single) (1997)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: HP-2000

© 1997 Opposition Records
*No professional reviews are available for this release. 

tags: rawcotiks, nevertheless, real heads, 12 inch, single, 1997, flac,

March 04, 2025

Rawcotiks - Hardcore Hip-Hop (12" Single) (1996)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: 50088-12

© 1996 Freeze Records
*No professional reviews are available for this release.

tags: rawcotiks, hardcore hip hop, 12 inch, single, vinyl, 1996, flac,

March 02, 2025

Various Artists - Twilight: Original Motion Picture Soundtrack (2008)

*U.K. pressing. 
Contains 12 tracks total.
A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: Pop Rock, Alternative Rock, Downtempo, Acoustic
Label Number: 515923-2

© 2008 Summit Ent./Chop Shop/Atlantic
Since Stephenie Meyer's hugely popular series of vampire books, Twilight, included thank-yous to the bands that inspired her writing, it makes sense that the Twilight soundtrack includes some of her favorite acts. Chief among them is Muse, whose darkly funky "Supermassive Black Hole" kicks off this mix of alt-rock brooding (Linkin Park, Collective Soul) and more eclectic -- but still mostly melancholy -- tracks. Paramore contributes two tracks, the churning "Decode" and the soaring ballad "I Caught Myself," neither of which match the best moments from the band's albums, even though Hayley Williams' crystalline vocals make a fitting backdrop to Bella Swan's supernatural love triangle angst. Most of Twilight follows suit with slickly dark songs like Mutemath's "Spotlight (Twilight Mix)" and Blue Foundation's "Eyes on Fire," and while they're not bad, they are predictable. The Black Ghosts' spookily folktronic "Full Moon" and Perry Farrell's dance-tinged "Go All the Way (Into the Twilight)" offer some changes of pace, with the former working better than the latter. The album's last moments offer a few glimpses of originality, even if actor Robert Pattison (aka beautiful teen vampire Edward Cullen)'s "Never Think" is heavily influenced by Jeff Buckley. Iron & Wine's "Flightless Bird, American Mouth" and Carter Burwell's "Bella's Lullaby" close the album on a relatively high note, elevating some of the overly typical choices earlier on the soundtrack. Even if it's often too predictable, Twilight fits the mood of the books -- and the musical tastes of the books' fans -- well enough to make it a reasonable success.

 tags: various artists, twilight, original motion picture soundtrack, ost, 2008, flac,

Street Smartz - F-It-Less (12" Single) (1998)

*Photos of the record are included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop
Label Number: CRIM 008-1

© 1998 Tru Criminal Records
*No professional reviews are available for this release. 

tags: street smartz, smarts, f it less, single, 12 inch, vinyl, 1998, flac,

Various Artists - Threesome: Music From The Motion Picture (1994)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Pop Rock, Pop, Indie Rock
Label Number: EK 57881

© 1994 Epic Soundtrax
The soundtrack to the sex comedy Threesome functions more like a mid-'90s time capsule than a collection of film music, gathering shiny alternative rock-like Tears for Fears' "New Star," Brad's "Buttercup," and Jellyfish's "He's My Best Friend." The album also has its fair share of oddities, such as General Public's well-meaning but curiously flat cover of the Staple Singers' "I'll Take You There," Teenage Fanclub's similarly 'off' cover of "Like a Virgin," and U2's somewhat hard-to-find "Dancing Barefoot" -- a song that wasn't collected on a U2 album until their 1998 Best Of 1980-1990 B-Sides compilation was released. Likewise, Duran Duran's live version of "Make Me Smile (Come Up and See Me)" didn't appear on one of their own releases until 2003's Singles 81 -- 85 collection. Human Sexual Response's "What Does Sex Mean to Me?" Bryan Ferry's "Is Your Love Strong Enough?" and New Order's "Bizarre Love Triangle" are all apt enough for the film's themes, but aside from the formerly rare tracks it features, Threesome isn't an especially distinctive or entertaining soundtrack.

tags: various artists, threesome, music from the motion picture, ost, soundtrack, 1994, flac

March 01, 2025

Various Artists - Mad Love (The Original Motion Picture Soundtrack) (1996)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Alternative Rock, Indie Rock, Post Grunge
Label Number: 72445-11111-2

© 1995 Zoo Entertainment/BMG Music
*No professional reviews are available for this release. 

 tags: various artists, mad love, the original motion picture soundtrack, ost, soundtrack, 1996, flac,

Various Artists - The PJs (Music From & Inspired By The Hit Television Series) (1999)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop, R&B
Label Number: HR-62170-2

© 1999 Hollywood Records
Like the show itself, the soundtrack to The PJs is studded with talent. A cast of urban music's hottest players fill out this collection, which includes veterans like Snoop Dogg, Goodie Mob and George Clinton, who performs the show's theme song. The album also includes new music from Jermaine Dupri and Da Brat ("It's Nothing"), Timbaland ("Talkin' Trash") and Raekwon with American Cream Team ("Giant Size"). The PJs' soundtrack captures the energy and creativity of today's urban music.

 tags: various artists, the pjs, music from and inspired by the hit television series, soundtrack, ost, 1999, flac,

Asher D - Street Sibling (2003)

*A photo of the disc is included in the RAR file.
Country: United Kingdom
Genre: Hip-Hop
Label Number: ISOM31CD; 5087122000

© 2003 Independiente
*No professional reviews are available for this release. 

 * Due to past abuse, comments for the Hip-Hop section have been disabled. 


 tags: asher d, street sibling, 2003, flac,

The Jayhawks - Rainy Day Music (2003)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Alternative County
Label Number: B0000076-02

© 2003 American Recordings
The Jayhawks' seventh album backs away from their "super-pop" releases like Smile and the underrated Sound of Lies and looks back to their earlier, rootsier sound. The band has whittled itself down again following the departures of keyboardist Jen Gunderman and longtime guitarist Kraig Johnson, leaving behind core songwriter and vocalist Gary Louris, founding member Marc Perlman on bass, and longtime drummer Tim O'Reagan assisted by newcomer Stephen McCarthy on guitar. Produced by Ethan Johns (and overseen by Rick Rubin), Rainy Day Music goes back even further than the band's first albums, channeling the ghosts of the Byrds, Crosby, Stills & Nash, and Buffalo Springfield, and interpreting their '60s folk jangle and lazy, sunny harmonies through the Jayhawks' own sweetly awkward formula. "Madman," in particular, gives the listener a sense of Déjà Vu, sounding like a long lost CSNY demo, and the chiming Rickenbacker 12-string guitar of the leadoff track, "Stumbling Through the Dark," could've been lifted right from the master tapes of "Mr. Tambourine Man." The first six tracks are all vintage Louris gems -- trembling and honest, with warm melodies and hooks for days. Unfortunately, the album stumbles in the second half with the inclusion of two O' Reagan compositions (which try too hard to evoke John Lennon's world-weary mumble and Bob Dylan's nasal whine), and an unsuccessful stab at heartland gospel on "Come to the River." Although the summertime love song "Angelyne" and the waltzing "Will I See You in Heaven" provide bright spots near the end, the album never fully recovers. This is a real shame, since the whole affair starts so strong, and it seems as though if side B could've been trimmed by about four songs (and 15 minutes), Rainy Day Music would stand alongside their strongest albums. Still, fans who complained that their last two albums were "too poppy" or "not rootsy enough" should be pleased with this direction, and it's certainly an album that gets better with each listen, so it may yet prove to be worth its weight in acoustic gold.

 tags: the jayhawks, rainy day music, 2003, flac,