*A photo of the disc is included in the RAR file.
Country: U.S.A.Genre: Alternative Country
Label Number: 62050-2
© 1997 Elektra
AllMusic Review by Zac Johnson
Serving as the ideal apex between the Old 97's' Texas twang and smart pop fascinations, Too Far to Care is instantly catchy and endearing, channeling heartbreaking desert soul and punk-fueled swagger all at the same time. Chief songwriter Rhett Miller turns a phrase like a doorknob and opens doors to dusty barrooms and tattered bedrooms, both containing the same boozy characters in various states of emotional undress. The initial blast of "Timebomb" carries through the first three songs, relenting finally in the breathy croon of "Salome," accented warmly by bassist Murry Hammond's light harmonies and guitarist Ken Bethea's airy tremolo-heavy guitar. Other highlights include the high-speed chase of "Melt Show," the reckless surge of "House That Used to Be," and their confident re-recording of "Big Brown Eyes" (originally appearing on their 1995 album Wreck Your Life). Throughout the album, Miller's swooning howl aches with too many miles on the road and too many lonely nights -- familiar topics to be sure, but he still manages to tackle them like he invented heartache. The curse of Old 97's may be that country fans consider it too rock & roll, and rock fans can't get past the twang, but for those who dip both feet into these streams, it really doesn't get any better than this band and this album.
© 1997 Elektra
AllMusic Review by Zac Johnson
Serving as the ideal apex between the Old 97's' Texas twang and smart pop fascinations, Too Far to Care is instantly catchy and endearing, channeling heartbreaking desert soul and punk-fueled swagger all at the same time. Chief songwriter Rhett Miller turns a phrase like a doorknob and opens doors to dusty barrooms and tattered bedrooms, both containing the same boozy characters in various states of emotional undress. The initial blast of "Timebomb" carries through the first three songs, relenting finally in the breathy croon of "Salome," accented warmly by bassist Murry Hammond's light harmonies and guitarist Ken Bethea's airy tremolo-heavy guitar. Other highlights include the high-speed chase of "Melt Show," the reckless surge of "House That Used to Be," and their confident re-recording of "Big Brown Eyes" (originally appearing on their 1995 album Wreck Your Life). Throughout the album, Miller's swooning howl aches with too many miles on the road and too many lonely nights -- familiar topics to be sure, but he still manages to tackle them like he invented heartache. The curse of Old 97's may be that country fans consider it too rock & roll, and rock fans can't get past the twang, but for those who dip both feet into these streams, it really doesn't get any better than this band and this album.
tags: old 97s, old 97's, too far to care, 1997, flac,
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