Genre: New Wave, Synth Pop
Label Number: CCD1394
© 1982-1983 Chrysalis Records
AllMusic Review by Dave Thompson
© 1982-1983 Chrysalis Records
AllMusic Review by Dave Thompson
With the successes of Vienna and its follow-up, Rage in Eden, Ultravox's position in the music scene was unassailable, further fortified by frontman Midge Ure's foray into solo-dom with the summer 1982 hit cover of the Walker Brothers'
"No Regrets." The band's "Reap the Wild Wind" followed it up the U.K.
chart that fall, a taster for the band's sixth album. And what a
portentous taste it was. While "Wind" buffeted and whooshed once again
around nostalgia for a past never lived, "Hymn" (its melody lifted from
"Mourning Star" by Ure's last band, the Zones)
wrestled with faith in a faithless age and prayed its way up the chart
later that fall, while the dirge "Visions in Blue" saw the spring caught
in its icy grip. But it was the fourth song spun off the album, "We
Came to Dance," that best defined the overall themes of the set. Having
helped create a movement renowned for its fashion victims and
superficiality, Ultravox
recoiled from the Frankenstein they'd birthed. "The Song (We Go)" may
have been a cry of welcome, but both "Dance" and "Serenade" make clear
the music scene's terrifying capacity to unleash both Dionysian abandon
and militaristic conformity. "When the Scream Subsides" further fuels
the album's existential angst, which reaches its emotional nadir on the
suicidal "Cut and Run." With their toe-tapping rhythms, billowing
synths, and rousing melodies, one is often tempted to ignore the
darkness of Ultravox's themes, but with Quartet, the band deliberately made that nigh on impossible.
tags: ultravox, quartet, 1982, flac,
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