Genre: Punk Rock
Style: Pop Punk
Label Number: 509999 19613 2 7
© 2010 Capitol Records
AllMusic Review by Stephen Thomas Erlewine
© 2010 Capitol Records
AllMusic Review by Stephen Thomas Erlewine
Ten years on from their debut, Good Charlotte jumped
from Epic to Capitol, but more importantly, they decided to largely
abandon the dance-punk nonsense of 2007’s Good Morning Revival
for a time-honored back-to-basics move. They’ve returned to the bouncy
punk-pop of their earliest years; they’re trying hard not to be blinded
by the glittery lights of Hollywood; and they’re writing from the heart,
hence the name Cardiology.
Old habits do die hard, of course, and so do new ones: it doesn’t take
long before the brothers Madden are writing fantasies of how “you’re my
Bette Davis/I’m your Cary Grant”; by the end of the record, they’ve had
an electronic relapse, dabbling chillouts and electronic rhythms.
Ultimately, these are minor backslides in an album that revives the
hook-happy punky pogo of Good Charlotte’s first albums while adding the
new wrinkles, namely a willingness to indulge in pure power ballads and
AAA pop, the latter in the form of the rose-tinted “1979,” an ode to the
year of the Madden’s birth. “1979” may pander with its laundry list of
classic rock albums, but it has the boldest hook here and is the leanest
piece of pop, overshadowing the shellacked attempts to hold onto
whatever footing at modern rock radio Good Charlotte still has. Maturity
doesn’t necessarily suit the band -- there’s a natural, flat whine to Joel Madden’s voice that dooms him to eternal adolescence -- but every step Good Charlotte makes toward a comfortable middle age on Cardiology is a step that succeeds, producing music that resonates louder and longer than the flashy twaddle of Good Morning Revival.
tags: good charlotte, cardiology, 2010, flac,
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