April 14, 2021

Soul Scream - Future Is Now (2002)

*ディスクの写真はRARファイルに含まれています。
(A photo of the disc is included in the RAR file)

Country: Japan
Language: Japanese (日本語)
Genre: Hip-Hop
Style: Pop Rap
Label Number: PCCA-01669

© 2002 Pony Canyon
*No professional reviews are available for this release.

* Due to past abuse, comments for the Hip-Hop section have been disabled. 


tags: soul scream, future is now, 2002, flac,

Radiohead - In Rainbows (2007)

Country: United Kingdom
Genre: Art Rock, Experimental Rock
Label Number: XLCD 324

© 2007 XL Recordings
In Rainbows, as a title, implies a sense of comfort and delightfulness. Symbolically, rainbows are more likely to be associated with kittens and warm blankets than the grim and glum circumstances Radiohead is known for soundtracking. There's a slight, if expected, twist at play. The band is more than familiar with the unpleasant moods associated with colors like red, green, and blue -- all of which, of course, are colors within a rainbow -- all of which are present, and even mentioned, during the album. On a couple levels, then, In Rainbows is not any less fitting as a Radiohead album title than "Myxomatosis" is as a Radiohead song title. Despite references to "going off the rails," hitting "the bottom," getting "picked over by the worms," being "dead from the neck up," and feeling "trapped" (twice), along with Radiohead Wordplay Deluxe Home Edition pieces like "comatose" and "nightmare" -- in the same song! double score! -- the one aspect of the album that becomes increasingly perceptible with each listen is how romantic it feels, albeit in the way that one might find the bioport scenes in David Cronenberg's eXistenZ to be extremely hot and somewhat unsettling. Surprisingly, some of the album's lyrics are even more personal/universal and straightforward than anything on The Eraser, the album made by Thom Yorke and Radiohead producer Nigel Godrich. "I'm an animal trapped in your hot car," from "All I Need," has to be one of the saddest, most open-hearted metaphors used to express unrequited love. "House of Cards" begins with "I don't want to be your friend/I just want to be your lover/No matter how it ends/No matter how it starts," and the one with the worms includes "I'd be crazy not to follow/Follow where you lead/Your eyes/They turn me." This effective weaving of disparate elements -- lyrical expressions commonly associated with the band, mixed in with ones suited for everyday love ballads -- goes for the music as well. The album is very song-oriented, with each track constantly moving forward and developing, yet there are abstract electronic layers and studio-as-instrument elements to prevent it from sounding like a regression. In Rainbows will hopefully be remembered as Radiohead's most stimulating synthesis of accessible songs and abstract sounds, rather than their first pick-your-price download.

tags: radiohead, in rainbows 2007, flac,

Poor Righteous Teachers - Holy Intellect (1990)

*U.S. first pressing. 
Contains 12 tracks total.
Country: U.S.A.
Genre: Hip-Hop
Style: Conscious Rap, Ragga
Label Number: PCD-1289

© 1990 Profile Records
Holy Intellect was Poor Righteous Teachers' excellent debut, as well as the group's highest-charting release, peaking at number 142 on the Billboard 200. Rhymes reflecting the beliefs of the Five Percent Nation never translated to mass appeal, but the group's inability to become more popular is kind of surprising, given that this album can be enjoyed by any fan of Gang Starr, Main Source, the Jungle Brothers, or A Tribe Called Quest. At the very least, it contains some of the era's most undervalued MCing. Perhaps it was the group's name, neither as tough-sounding as Public Enemy nor as clever as Brand Nubian. Or maybe they just lacked that one big breakout single. Produced mostly by Tony "Tony D" Depula (YZ, Jazzy Jay, King Sun), Holy Intellect contains many examples of late-'80s/early-'90s rap positing brainy lyrics over energizing productions suited for a party. Having a good time and feeding your mind didn't have to be mutually exclusive events. Take "Butt Naked Booty Bless," which, instrumentally, could be used for any old crowd-goading chatter, rather than Wise Intelligent lines like "Lessons are the key to the style I drop/Hip-hop, not miscellaneous rhymes." It is worth noting that three tracks were released as singles that hit the Billboard rap chart: the hard-charging "Holy Intellect," the relaxed "Rock Dis Funky Joint," and the tender "Shakiyla," (which sampled Zapp's "Be Alright" before Big Daddy Kane's "Prince of Darkness" and 2Pac's "Keep Ya Head Up").

* Due to past abuse, comments for the Hip-Hop section have been disabled. 


tags: poor righteous teachers, holy intellect, 1990, flac,

Poor Righteous Teachers - Pure Poverty (1991)

Country: U.S.A.
Genre: Hip-Hop
Style: Conscious Rap, Ragga
Label Number: PCD-1415

© 1991 Profile Records
Rappers who take a strong moral stance were beginning to proliferate when the second Poor Righteous Teachers album came out, but this young trio had been "teaching the righteous way" since the beginning, combining hard, funky beats with culture-conscious didacticism. With stage names like Wise Intelligent, Culture Freedom and Father Shaheed, the three may have come across as a bit pretentious, but they really were quite serious; their stated goal was to "teach the blind, deaf and dumb who the real living God is." Okay, maybe a lot pretentious. And if it weren't for the spare, airtight beats and the dexterous samples, their lyrics of cultural awareness, self-sufficiency and religious discipline would probably have fallen flat. But those beats are there and so is the flow -- Wise Intelligent's lilting, reggae-influenced speed rap is especially fine, especially on the dancehall-inflected "Easy Star" and "I'm Comin' Again," an a cappella rap. There are occasional moments of self-contradiction, maybe even hypocrisy: though they solemnly preach respect for "the Black woman," they apparently see nothing wrong with using her orgasmic moans and groans to spice up a track or two. But the album's still a winner overall.

* Due to past abuse, comments for the Hip-Hop section have been disabled. 


tags: poor righteous teachers, pure poverty, 1991, flac,

Poor Righteous Teachers - Black Business (1993)

Country: U.S.A.
Genre: Hip-Hop
Style: Conscious Rap, Ragga
Label Number: PCD-1443

© 1993 Profile Records
The Poor Righteous Teachers offered more Islamic and Afrocentric raps on this album, sometimes becoming overly pedantic, but also keeping the raps and rhymes flowing and the beats moving. Their material's propagandistic tone was offset to some extent by the use of reggae and funk influences, but few groups are more open about their religious and political affiliations and beliefs.

* Due to past abuse, comments for the Hip-Hop section have been disabled. 


tags: poor righteous teachers, black business, 1993, flac,

Poor Righteous Teachers - The New World Order (1996) ☠

*A photo of the disc is included in the RAR file.

Country: U.S.A.
Genre: Hip-Hop
Style: Conscious Rap
Label Number: PRO-1471-2
☠: Selected by Sentinel
© 1996 Profile Records
Poor Righteous Teachers arrive on the scene to drop knowledge for those who just don't know. The album is contains plenty of guest appearances and is chock full of lyrics for the mind. The New World Order is out to give people ideas about what should be going on in their lives, and what they should be doing to make things right. Step right up, school's in session.

With help from The Fugees, "Allies", this track turns out lovely. If you're going to step to the Poor Righteous Teachers, you better come preapared, cause The Fugees got they back. They all in this shit together, making things work. Only the strong survive, like it goes, 'Now/Put it away and stay the fuck up outta my face/I smack you in your mouth homeboy/And you be missin' taste/What a waste/To everything existin' up to now/So many claimin' butta/But just don't be knowin' how'(track #4 1:41-1:52). To be blunt about it, The Fugees make this track superb. Otherwise, this track would be plain old regular. Check the chorus, you'll know what time it is.

How fitting it is, on a CD dealing with knowledge and power, to have the T-Cha himself, KRS-ONE. He lends his wisdom on "Conscious Style", dealing with the fact that many of us have given up on learning real shit and are learning the ills of life. The cut opens up with, 'Where all the teachers went/With all that poor Black shit/Where all the conscious niggas/That used to chat like this/See I remember yesterday/When y'all was gods on Earth/Egyptians and manifestors on the verge of givin' birth/To understanding/And plantin' seeds that grow/Now everybody's on that bullshit 'bout killin' an' so'(track #10 0:31-0:46). Listen to this cut, and figure out where you need to be at. Even if you know where you're at, still give it a listen.

Other cuts worth giving a listen to are "Miss Ghetto", maybe a bit played out, but still decent; "They Turned Gangsta", with a little touch of reggae; and "Fo Da Love Of Dis", proclaiming one's love for hiphop. More was expected of this album, but it's not a weak effort. For those into elevating one's mind and having thoughts and visions in your head, this is worth the pickup. Check the unlisted track at the end. Like a heavy workout, it does a body (and mind) good.

* Due to past abuse, comments for the Hip-Hop section have been disabled. 


tags: poor righteous teachers, the new world order, 1996, flac,

April 13, 2021

Coldplay - Mylo Xyloto (2011)

Country: United Kingdom
Genre: Pop Rock
Label Number: 509990 87553 2 2

© 2011 Capitol Records
Coldplay finally surrender to their essential good nature on Mylo Xyloto, their fifth album and first to ditch all pretense of brooding melancholia. Which isn’t to say the band doesn’t drift along on some pleasingly spacy atmospheres conjured by longtime producer Brian Eno: there’s still a veneer of classy disaffection that inevitably dissipates due to the relentless sunniness of Chris Martin and company. Eno's echoes and ambience -- the only things that still mark Coldplay as anything resembling progressive -- positively sparkle when they meet the band’s bright, chipper melodies, yet Coldplay's innate good manners restrain the album, keeping it just this side of a rush of candied pop. Such politeness can verge on the dull -- criminally so when they bring Rihanna in for “Princess of China,” a duet so toothless she may as well have stayed home -- but Mylo Xyloto has a leg up on other Coldplay records for this simple reason: they’re no longer attempting to mimic U2's portentous piety. They’ve embraced their schoolboy selves and are simply singing songs of love and good cheer, albeit on a grand scale that somehow seems smaller due to the group’s insuppressible niceness.

tags: coldplay, my xyloto, 2011, flac,

Coldplay - Ghost Stories (Deluxe Edition) (2014)

*Target retail store deluxe edition. 
Contains 3 bonus tracks. 
13 tracks total.
Country: U.S.A.
Genre: Electronica
Label Number: 542280-2

© 2014 Atlantic/Parlophone
Around the time Coldplay's sixth album, Ghost Stories, was scheduled for release, lead singer Chris Martin announced he was divorcing his wife, the actress Gwyneth Paltrow. In light of this news, it's hard not to see Ghost Stories as a breakup record, a romantic confessional written in the wake of a painful separation. Certainly, the album bristles with references to broken hearts and regrets, ruminations on how the past informs the present, its every song infused with an inescapable melancholy, but the album doesn't play like a deep wallow in sorrow. It is soft, even alluring, a soundtrack to a seduction, not a separation. Much of that feel comes from the record's smooth crawl forward, how it's never hurried and always accentuating its good side, but there's also a sense that Martin, or the band in general, is anxious to a hit a reset button, to slowly recede from the artiness of the Eno-encouraged excursions of the late 2000s and reconnect with the sweet, simple band responsible for Parachutes. Like any attempt to revive the past, it's hard to reconcile that those were indeed different times. As majestic as they sounded in 2000, there was no denying Coldplay were a basic rock band, anchored on six strings and rarely finding textures outside of the confines of an amplifier. Fourteen years later, keyboards are at the group's foundation, a significant shift accentuated by their succumbing to a hallmark of modern production: they have a producer for every track. Coldplay may not be forceful, but within their incessant politeness they do have a distinctive personality, one that shines through whatever tricks individual producers bring to the table. Stars that they are, they can afford to enlist EDM sensation Avicii and R&B stalwart Timbaland to color individual tracks (they're responsible for "A Sky Full of Stars" and "True Love," respectively), giving Ghost Stories a fleet electronic facility that undercuts Coldplay's reputation as a dogmatic rock band without ever suggesting the group is adventurous. It's a nifty trick, a record that skirts any accusation of stodginess yet still feels as comforting as a warm bath, which is why Ghost Stories never feels heartbroken. Often, it feels like the lament of the sensitive soul who just had his heart broken but won't let his pain detract him from picking up that pretty girl at the end of the bar. This may seem a contradiction but it also suits a band like Coldplay, who at this stage of their career quite clearly want to be everything to everybody. If your heart is shattered and you want to slide into self-pity, turn here. If you are feeling free and want to woo a new love, turn here. If you want to just enjoy every soft, supple turn a rock band could do, turn here. Coldplay are here for comfort, as Ghost Stories proves time and time again.

tags: coldplay, ghost stories, deluxe edition, 2014, flac,

Various Artists - Buffy The Vampire Slayer: Original Motion Picture Soundtrack (1992) ☠

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: House, Pop Rock, Reggae Pop, Hard Rock, Heavy Metal
Label Number: CK 52854
☠: Selected by Lass
© 1992 Columbia
This average collection of outtakes from a bunch of medium-level rockers assembled for an amusing but forgettable teen horror comedy is for completists who must have everything by Matthew Sweet, Susanna Hoffs, Toad the Wet Sprocket, the Divinyls (a reasonable cover of "I Ain't Gonna Eat Out My Heart Anymore"), Ozzy Osbourne, or the Cult. Post-Judas Priest singer Rob Halford has a solo selection, "Light Comes Out of Black."

tags: various artists, buffy the vampire slayer, original motion picture soundtrack, ost, 1992, flac,

April 12, 2021

Led Zeppelin - Led Zeppelin (1969) ☠

*US first pressing with CD mastering by Bill Diament. 
Contains 9 tracks total.
Country: U.S.A.
Genre: Hard Rock
Label Number: SD 19126-2
☠: Selected by Buccaneer
© 1969-1987 Atlantic Records
Led Zeppelin had a fully formed, distinctive sound from the outset, as their eponymous debut illustrates. Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme, Zeppelin created a majestic, powerful brand of guitar rock constructed around simple, memorable riffs and lumbering rhythms. But the key to the group's attack was subtlety: it wasn't just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos. As Led Zeppelin proves, the group was capable of such multi-layered music from the start. Although the extended psychedelic blues of "Dazed and Confused," "You Shook Me," and "I Can't Quit You Baby" often gather the most attention, the remainder of the album is a better indication of what would come later. "Babe I'm Gonna Leave You" shifts from folky verses to pummeling choruses; "Good Times Bad Times" and "How Many More Times" have groovy, bluesy shuffles; "Your Time Is Gonna Come" is an anthemic hard rocker; "Black Mountain Side" is pure English folk; and "Communication Breakdown" is a frenzied rocker with a nearly punkish attack. Although the album isn't as varied as some of their later efforts, it nevertheless marked a significant turning point in the evolution of hard rock and heavy metal. 

tags: led zeppelin, led zeppelin album, 1969, 1987, flac,

Led Zeppelin - Led Zeppelin II (1969) ☠

*U.S. first pressing with CD mastering by Bill Diament. 
Contains 9 tracks total.
Country: United Kingdom
Genre: Hard Rock
Label Number: 19127-2
☠: Selected by Buccaneer
© 1969-1987 Atlantic Records
Recorded quickly during Led Zeppelin's first American tours, Led Zeppelin II provided the blueprint for all the heavy metal bands that followed it. Since the group could only enter the studio for brief amounts of time, most of the songs that compose II are reworked blues and rock & roll standards that the band was performing on-stage at the time. Not only did the short amount of time result in a lack of original material, it made the sound more direct. Jimmy Page still provided layers of guitar overdubs, but the overall sound of the album is heavy and hard, brutal and direct. "Whole Lotta Love," "The Lemon Song," and "Bring It on Home" are all based on classic blues songs -- only, the riffs are simpler and louder and each song has an extended section for instrumental solos. Of the remaining six songs, two sport light acoustic touches ("Thank You," "Ramble On"), but the other four are straight-ahead heavy rock that follows the formula of the revamped blues songs. While Led Zeppelin II doesn't have the eclecticism of the group's debut, it's arguably more influential. After all, nearly every one of the hundreds of Zeppelin imitators used this record, with its lack of dynamics and its pummeling riffs, as a blueprint. 

tags: led zeppelin, led zeppelin 2, 1969, 1987, flac,

Led Zeppelin - Led Zeppelin III (1970)

*U.S. first pressing with CD mastering by Bill Diament. 
Contains 10 tracks total.
Country: United Kingdom
Genre: Hard Rock
Label Number: SD 19128-2

© 1970-1987 Atlantic Records
On their first two albums, Led Zeppelin unleashed a relentless barrage of heavy blues and rockabilly riffs, but Led Zeppelin III provided the band with the necessary room to grow musically. While there are still a handful of metallic rockers, III is built on a folky, acoustic foundation that gives the music extra depth. And even the rockers aren't as straightforward as before: the galloping "Immigrant Song" is powered by Robert Plant's banshee wail, "Celebration Day" turns blues-rock inside out with a warped slide guitar riff, and "Out on the Tiles" lumbers along with a tricky, multi-part riff. Nevertheless, the heart of the album lies on the second side, when the band delve deeply into English folk. "Gallows Pole" updates a traditional tune with a menacing flair, and "Bron-Y-Aur Stomp" is an infectious acoustic romp, while "That's the Way" and "Tangerine" are shimmering songs with graceful country flourishes. The band hasn't left the blues behind, but the twisted bottleneck blues of "Hats off to (Roy) Harper" actually outstrips the epic "Since I've Been Loving You," which is the only time Zeppelin sound a bit set in their ways. 

tags: led zeppelin, led zeppelin 3, 1970, 1987, flac,

Led Zeppelin - Untitled (1971) ☠

*U.S first pressing. 
This is an early Japanese made pressing 
for the U.S. market with CD mastering by Joe Sidore
Country: United Kingdom
Genre: Hard Rock
Label Number: 19129-2, 250 008
☠: Selected by Buccaneer
© 1971-1984 Atlantic Records
Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin's untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of '70s hard rock. Expanding on the breakthroughs of III, Zeppelin fuse their majestic hard rock with a mystical, rural English folk that gives the record an epic scope. Even at its most basic -- the muscular, traditionalist "Rock and Roll" -- the album has a grand sense of drama, which is only deepened by Robert Plant's burgeoning obsession with mythology, religion, and the occult. Plant's mysticism comes to a head on the eerie folk ballad "The Battle of Evermore," a mandolin-driven song with haunting vocals from Sandy Denny, and on the epic "Stairway to Heaven." Of all of Zeppelin's songs, "Stairway to Heaven" is the most famous, and not unjustly. Building from a simple fingerpicked acoustic guitar to a storming torrent of guitar riffs and solos, it encapsulates the entire album in one song. Which, of course, isn't discounting the rest of the album. "Going to California" is the group's best folk song, and the rockers are endlessly inventive, whether it's the complex, multi-layered "Black Dog," the pounding hippie satire "Misty Mountain Hop," or the funky riffs of "Four Sticks." But the closer, "When the Levee Breaks," is the one song truly equal to "Stairway," helping give IV the feeling of an epic. An apocalyptic slice of urban blues, "When the Levee Breaks" is as forceful and frightening as Zeppelin ever got, and its seismic rhythms and layered dynamics illustrate why none of their imitators could ever equal them. 

tags: led zeppelin, untitled, led zeppelin iv, 1971, 1984, flac,

Led Zeppelin - Houses of The Holy (1973) ☠

*U.S. first pressing. 
Contains 8 tracks total.
Country: United Kingdom
Genre: Hard Rock
Label Number: 19130-2, 50014
☠: Selected by Buccaneer
© 1973-1987 Atlantic Records
Houses of the Holy follows the same basic pattern as Led Zeppelin IV, but the approach is looser and more relaxed. Jimmy Page's riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere. While the pseudo-reggae of "D'Yer Mak'er" and the affectionate James Brown send-up "The Crunge" suggest that the band was searching for material, they actually contribute to the musical diversity of the album. "The Rain Song" is one of Zep's finest moments, featuring a soaring string arrangement and a gentle, aching melody. "The Ocean" is just as good, starting with a heavy, funky guitar groove before slamming into an a cappella section and ending with a swinging, doo wop-flavored rave-up. With the exception of the rampaging opening number, "The Song Remains the Same," the rest of Houses of the Holy is fairly straightforward, ranging from the foreboding "No Quarter" and the strutting hard rock of "Dancing Days" to the epic folk/metal fusion "Over the Hills and Far Away." Throughout the record, the band's playing is excellent, making the eclecticism of Page and Robert Plant's songwriting sound coherent and natural. 

tags: led zeppelin, houses of the holy, 1973, 1987, flac,

Led Zeppelin - Physical Graffiti (1975) ☠

*U.S. first pressing. 
This pressing was CD mastered by Bill Diament.
Country: United Kingdom
Genre: Hard Rock
Label Number: SS 200-2
☠: Selected by Buccaneer
© 1975-1987 Swan Song
Led Zeppelin returned from a nearly two-year hiatus in 1975 with the double-album Physical Graffiti, their most sprawling and ambitious work. Where Led Zeppelin IV and Houses of the Holy integrated influences on each song, the majority of the tracks on Physical Graffiti are individual stylistic workouts. The highlights are when Zeppelin incorporate influences and stretch out into new stylistic territory, most notably on the tense, Eastern-influenced "Kashmir." "Trampled Underfoot," with John Paul Jones' galloping keyboard, is their best funk-metal workout, while "Houses of the Holy" is their best attempt at pop, and "Down by the Seaside" is the closest they've come to country. Even the heavier blues -- the 11-minute "In My Time of Dying," the tightly wound "Custard Pie," and the monstrous epic "The Rover" -- are louder and more extended and textured than their previous work. Also, all of the heavy songs are on the first record, leaving the rest of the album to explore more adventurous territory, whether it's acoustic tracks or grandiose but quiet epics like the affecting "Ten Years Gone." The second half of Physical Graffiti feels like the group is cleaning the vaults out, issuing every little scrap of music they set to tape in the past few years. That means that the album is filled with songs that aren't quite filler, but don't quite match the peaks of the album, either. Still, even these songs have their merits -- "Sick Again" is the meanest, most decadent rocker they ever recorded, and the folky acoustic rock & roll of "Boogie with Stu" and "Black Country Woman" may be tossed off, but they have a relaxed, off-hand charm that Zeppelin never matched. It takes a while to sort out all of the music on the album, but Physical Graffiti captures the whole experience of Led Zeppelin at the top of their game better than any of their other albums. 

tags: led zeppelin, physical graffiti, 1975, 1987, flac,

Led Zeppelin - Presence (1976)

*U.S. first pressing that was CD mastered by Bill Diament. 
Contains 7 tracks total.
Country: United Kingdom
Genre: Hard Rock
Label Number: SS 8416-2
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© 1976-1989 Swan Song
AllMusic Review by Stephen Thomas Erlewine
Created at a time of intense turmoil for Led Zeppelin -- they scrapped a planned international tour in the wake of Robert Plant's car accident in Greece in August 1975 -- Presence is a strange, misshapen beast of a record that pulls upon its own tension. With Plant somewhat on the sidelines -- he recorded many of the vocals while in a wheelchair -- Jimmy Page reasserted himself as the primary creative force in the band, helping steer Presence toward a guitar-heavy complexity, perched halfway between a return to roots and unfettered prog. This dichotomy means it feels like Presence sprawls as wildly as Physical Graffiti even though it's half its length: the four epics tend to overshadow the trio of lean rockers that really do hark back to the Chess boogie and rockabilly that informed Zeppelin's earliest work. Each of these three -- "Royal Orleans," "Candy Store Rock," "Hots on for Nowhere" -- plays as snappily as the throwaways on the second half of Physical Graffiti, containing a sexy insouciance; the band almost seems to shrug off how catchy Page's riffs and how thick the grooves of John Bonham and John Paul Jones actually are. No matter how much fun this triptych is, they're lost underneath the shadow of "Achilles Last Stand," a ten-minute exercise in self-styled moody majesty and the turgid blues crawl of closer "Tea for One." In between, there are two unalloyed masterpieces that channel all of the pain of the period into cinematic drama: a molten blues called "Nobody's Fault But Mine" and "For Your Life," as sharp, cinematic, and pained as Zeppelin ever were. Added together, Presence winds up as something less than the sum of its parts but its imbalance also means that it's a record worth revisiting; it seems different upon each revisit and is always compelling.

tags: led zeppelin, presence, 1976, 1987, flac,

Led Zeppelin - Coda (1982)

*U.S. first pressing. 
Contains 8 tracks total.
Country: United Kingdom
Genre: Hard Rock
Label Number: 7 90051-2
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© 1982-1987 Atlantic Records
AllMusic Review by Stephen Thomas Erlewine
Released two years after the 1980 death of John Bonham, Coda tied up most of the loose ends Led Zeppelin left hanging: it officially issued a bunch of tracks circulating on bootleg and it fulfilled their obligation to Atlantic Records. Coda doesn't contain every non-LP track Zeppelin released -- notably, the B-side "Hey Hey What Can I Do" and anything from the BBC sessions were left untouched (they'd be added to Coda on a 1993 CD revision of the compilation, and also appear on the major three-disc overhaul Jimmy Page masterminded in 2015) -- but it does gather much of what was floating around in the wake of their demise, including three blistering rockers that were rejected for In Through the Out Door. If "Ozone Baby," "Darlene," or "Wearing and Tearing" -- rockers that alternately cut loose, groove, and menace -- had made the cut for In Through the Out Door, that album wouldn't have had its vague progressive edge and when they're included alongside a revival of the band's early raver "We're Gonna Groove," the big-boned funk of the Houses of the Holy outtake "Walter's Walk," and the folk stomp "Poor Tom" (naturally taken from the sessions for Led Zeppelin III), they wind up underscoring the band's often underappreciated lighter side. For heaviness, there's a live version of "I Can't Quit You Baby" and "Bonzo's Montreux," a solo showcase for the departed drummer, and when this pair is added to the six doses of hard-charging rock & roll, it amounts to a good snapshot of much of what made Led Zeppelin a great band: when they were cooking, they really did groove.

tags: led zeppelin, coda, 1982, 1987, flac,

Various Artists - Boyz N The Hood: Music From The Motion Picture (1991)

*"Club Edition" release. 
Contains 14 tracks total. 
A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop, R&B
Style: Gangsta Rap
Label Number: 9-26643-2

© 1991 Warner Bros./Qwest Records
John Singleton's debut as a director, Boyz N the Hood, was naturally compared to other urban dramas that came out during the early '90s -- such as New Jack City, Straight out of Brooklyn, Menace II Society, Fresh, Juice, and South Central. While the soundtrack for South Central was heavy on late-'70s and early-'80s funk, the soundtracks released for all the other films were filled out with up-to-date hardcore rap and youthful R&B, so they too were stacked up against one another. Boyz N the Hood's soundtrack is uneven as the others, though it does contain a handful of tracks that no fan of early-'90s rap should be without. (Granted, most of them had already appeared on studio albums by the respective artists.) While none of the R&B cuts are poor, not a single one would be remembered if they weren't bound to scenes in the film. Bits of the evocative score, from Stanley Clarke and Quincy Jones, are also included. 

tags: various artists, boyz n da hood, music from the motion picture, ost, the soundtrack, 1991, flac,

Various Artists - New York Undercover (1996)

Country: U.S.A.
Genre: Hip-Hop, R&B
Label Number: UTPD-11342
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© 1996 MCA Records
AllMusic Review by John Bush
This collection of watered-down '90s R&B, soul, and rap tracks from the FOX-TV drama New York Undercover is saved by songs from Mavis Staples, Gladys Knight, the Lost Boyz and a strong cover of "(You Make Me Feel Like) A Natural Woman" by Mary J. Blige.

tags: various artists, new york undercover, 1996, flac,

Various Artists - Barbershop: Music From The Motion Picture (2002)

*A photo of the disc is included in the RAR file.
Country: U.S.A.
Genre: Hip-Hop, R&B
Style: Pop Rap
Label Number: EK 86575

© 2002 Epic/Sony Music Soundtrax
At the time of its release, the various artists collection containing music from the motion picture Barber Shop boasted two tracks, Fabolous and P. Diddy featuring Jagged Edge's "Trade It All Part 2," and Ginuwine's "Stingy," that were rising on the R&B Top 40 charts, which seemed to bode well for this collection of rhythmic urban music. Typically, not a note of Terence Blanchard's score to the film was included, but there were three tracks on the album, Best Man's "I See You," Jordan Brown's "Better to Leave," and Collin's "Baby, Baby, Baby," not actually featured in the film, and P. Diddy and the Family's "And We" was presented in a different version from the one contained in the film. That last track was one of several marred by awkward and not very deceptive "clean" edits that managed to mangle the songs' rhythms without actually obscuring the vulgar intent of the lyrics. Much of the album, however, consisted of romantic ballads, and the package concluded with two old-school favorites: Marvin Gaye's "Got to Give It Up (Part 1)" and the Staple Singers' "I'll Take You There." The album opened and closed with dialogue excerpts from the film that suggested it was a comedy keyed to the questionable macho wisdom that might be overheard in an establishment largely frequented by men.                 

tags: various artists, barbershop, music from the motion picture, ost, soundtrack, 2002, flac,

April 11, 2021

Linkin Park - Hybrid Theory (2000) ☠

Country: U.S.A.
Genre: Nü-Metal, Alternative Metal
Label Number: 9 47755-2
☠: Selected by Lass
© 2000 Warner Bros. Records
At the turn of the 21st century, as nu-metal neared its peak in mainstream popularity, the next generation of bands began to emerge, influenced by that scene's unhinged anger, pummeling metallic riffs, and hip-hop flourish. Of those groups, Californian crew Linkin Park rose to the top of the pack with their boundary-busting approach to the genre, which they debuted on their first effort, Hybrid Theory. Released in late 2000, the album took the basics of rap-metal fusion, discarded the lug-headed posturing and cartoonish profanity, and expanded its scope to include atmospheric electronics, a pop-savvy attention to hooks, and confessional lyrics that balanced angst with vulnerability. Anchored by the effortless interplay between throat-shredding vocalist Chester Bennington and emcee Mike Shinoda, the sextet also featured the talents of guitarist Brad Delson, bassist Dave "Phoenix" Farrell, drummer Rob Bourdon, and programmer/DJ Joe Hahn, the behind-the-scenes wizard on the turntables (who has his own moment to shine on "Cure for the Itch"). Together, they crafted a taut set of deviously catchy and relatable anthems that quickly connected them to a legion of fans who craved more emotional depth in their heavy music. On breakthrough single "One Step Closer," a seething Bennington showcased his wide range -- which whips from a pained whisper to a feral roar -- as Hahn wildly scratched and scrubbed on the turntables, mimicking the turmoil and angst in Bennington's lyrics. "By Myself" and "A Place for My Head" operate on a similar level, unleashing Bennington's bloody shrieks upon Shinoda's aggressive rhymes and a band united as a fine-tuned melodic unit. Later, on "Points of Authority," atop Hahn's explosive effects, Bennington's rage hits another peak, confronting the one who sexually abused him as a child. Such heavy lyrical content forms the core of Hybrid Theory, creating a cathartic outlet for those who can relate to struggling with addiction (the Grammy-winning "Crawling"), paranoia ("Papercut"), failed relationships ("Pushing Me Away," "In the End"), and much more. The combination of emotional bloodletting and gifted songwriting resonated with the public, and Hybrid Theory was soon an international, diamond-certified smash, catapulting Linkin Park to worldwide fame. However, before becoming one of the most beloved bands of the 2000s and 2010s, they were a group of hungry unknowns who sought to try something new with their hybrid approach to genre and human emotion. 

tags: linkin park, hybrid theory, 2000, flac,