May 11, 2020

Silicon Teens - Music For Parties (1980)

*U.K. first pressing on C.D. 
Contains 16 tracks total.
Country: United Kingdom
Genre: Synth Pop
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© 1980-1993 Mute
AllMusic Review by Andy Kellman
Who would have thought that the same gent responsible for the Normal's "Warm Leatherette" -- the classic, whip-cracking electronic ode to J.G. Ballard's auto-erotic novel Crash -- would follow it up several months later with a small clutch of singles covering '50s and '60s rock classics? And who would have thought that it would lead to a full LP? Inspection of the artwork fools you into thinking that the Silicon Teens are a quartet of Darryl, Jacki, Paul, and Diane. Though it sounds like a group of enthusiastic youngsters bent on giving straight-faced, faithful synthpop renditions of tunes like "Memphis, Tennessee" and "You've Really Got Me," the concept of the group is illusory. There's actually one Silicon Teen -- Mute honcho Daniel Miller. Music for Parties is an undeniably fun record in its complete lack of irony and shameless giddiness. The covers aren't jokes; it sounds like a group of kids having a blast with classic rock & roll. It's well produced, well played, and well intentioned -- no winkie winkie here, à la Moog Cookbook. There's a handful of originals as well; "T.V. Playtime" is sinister, sounding like a commercial for a board game; "Sun Flight" is hallucinatory with Darryl sounding like a cross between Gizmo and Darth Vader. The sound is dated after all, but with the mid- to late-'90s resurgence of the '80s synth sound, one could definitely think it to be a product of modern times. Acts like the Rentals and the Pulsars (who even devoted a song to the Silicon Teens) certainly took a cue from this. There's more life in this record than plenty of guitar-based efforts of the era. Four months after the release of Music for Parties, Miller/Darryl signed a group of waif-ish youths by the name of Depeche Mode.

tags: silicon teens, music for parties, 1980, flac,

Celtic Frost - Into The Pandemonium (1987)

*U.S. first pressing. 
Contains 12 tracks total.
Country: Switzerland
Language: English
Genre: Thrash Metal, Avant-garde Metal
Label Number: 88561-8175-2

© 1987 Combat, Noise
AllMusic Review by Ned Raggett
Having created what would remain an archetypal metal record in To Mega Therion, it seemed like Thomas Gabriel Warrior and his compatriots were after an exact repeat on first blush with Pandemonium. Armed with harrowing Bosch cover art and song titles like "Babylon Fell" and "Sorrows of the Moon," what else could be the result? With the first track, though, all bets were off, showing Warrior to be one of the least predictable folks around. The song? A nuclear-strength rip through Wall of Voodoo's West Coast new wave classic "Mexican Radio," with everything intact down to the nerdishly sung line about eating barbecued iguana. Hearing Warrior gasp and snarl his way through Stan Ridgway's shaggy dog tale is one of those not-to-be-believed-until-heard experiences. The next big change surfaces on "Mesmerized" -- rather than again invoking Beelzebub in a harsh rasp, Warrior actually sings a weepy love lyric in a sad moan. Admittedly the beloved appears to be some ancient Roman priestess, but still, this is surprising (and effective) stuff, a singing approach he reuses throughout the album. "Rex Irae (Requiem)" is especially fine, a blending of operatic backing vocals, orchestrations, and just enough crunch when needed. Then there's "One in Their Pride," which exists on the album in two different forms -- both of them drum machine-laden dub/industrial mixes. Running rampant throughout Pandemonium is the massive metal crunch and lyrics about death and destruction with which Celtic Frost made its name, so fans of earlier stuff won't feel too taken by surprise. "Inner Sanctum," detailing a wish to "forget in the sleep of death," is especially fine. But whether it's the strings and orgasmic female French lead singer -- and nothing else -- on "Tristesses de la Lune" or the brassy R&B backing vocals on "I Won't Dance," Pandemonium is a record taking happy delight in trashing expectations to follow a stranger muse.

tags: celtic frost, into the pandemonium, 1987, flac,

May 10, 2020

Piledriver - Metal Inquisition (1984)

*First pressing on CD. 
Contains 7 tracks total.
Country: Canada
Language: English
Genre: Thrash Metal
Label Number: 3275-11082-2

© 1984-1991 Kraze
Reviewed by Jeff for Metal Reviews.com
It was probably way back in 1988 when I was attending college at Oswego State University in upstate New York that the band “Piledriver” was first introduced to me. A buddy of mine and I were getting ready to go on a road trip to the infamous, “House of Guitars” in Rochester, NY. (It’s a haven for all kinds of great, hard to find records, tapes and cd’s as well as instruments). Since the trip upstate would take about an hour and a half, we grabbed some music for the long haul. He kept nudging me to listen to this band, “Piledriver”. One look at the cover (a guy dressed in bondage gear “piledriving” his victim with a flying V guitar), the names of the songs, (Sex With Satan, Alien Rape, Sodomize The Dead), made me think twice before playing it. But, being the open minded, objective person that I am, I decided to give it a try. I’m glad I did. To this day this album ranks among one of my favorites.
Piledriver hailed from “The Great White North”, or Canada if you prefer. It was a project put together to make a quick buck around the time Kiss decided to unmask themselves. A guy at the record label wanted a band of mystique and anonymity that could try and fill the void that Kiss left. Piledriver was a heavy metal/thrash “band” who used aliases instead of their real names. A majority of the music and lyrics were written by Leslie Howe. Gord Kirchin was brought in to lay down the vocal tracks. The lyrics were comical in nature. PILEDRIVER’s brand of sick and twisted humor was all about sex, violence, alcohol, drugs and anything else vile and repulsive. Think of GWAR but not as outrageous or technically talented. Even touches of classic VENOM seem to be there both lyrically and musically. What started out as a joke and recording only project turned into somewhat of a success. They sold 250,000 copies in 1985 alone! (There is a very complicated but interesting back-story to this album, so go to this link to read all about it).
The title track, “Metal Inquisition”, is a classic anthem about a modern day heavy metal lynch mob in search of prosecuting those who didn’t listen to heavy metal. Lyrics like “so if you’re in a disco, or in a country bar, you better get the hell out, we know who you are” and “if you’re not a metalhead you might as well be dead”. The sampled sound of a guillotine speeding down to decapitate its victim is what you’ll hear numerous times after the lyrics, “we’re the Metal Inquisition, we sentence you to DEATH ------------by guillotine!”
The second track, “Sex With Satan” is funny. It’s a bit thrashier with lyrics like “sex with Satan, excommunication” and “degradation, humiliation, thrusting, shoving, animals humping”.
”Sodomize The Dead” starts off with sounds of screaming, puking and a fart to boot. It’s basically some crazy soloing around chainsaw like guitar riffing with the lyrics “Sodomize The Dead” repeated over and over.
The best track on the album is “Witch Hunt”. ”We're roasting her on the stake, she’s gotta burn, she’s gotta bake”. The sounds of fire, wood crackling and the Piledriver, High Priest of the Metal Inquisition, sentencing a witch to death. There’s lots of guitar soloing played with much feeling on this track. I really like the use of the EMU “Drummulator” drum machine, combined with some simple but steady bass guitar thumps.
“Who Am I? You ask yourself. I'm a dirty rotten son of a bitch! I just want to rule your mind... but first everybody get pissed!” These are the lyrics to “Piledriver”, the theme song for the character. I could really see this being played before the Piledriver’s entrance at a WWF match; that’s if he was a wrestler!
Another classic track is “Human Sacrifice” with lyrics like “I smell like a dead animal's rotten guts, think that I've been to hell and back, kicked in the nuts”.
“Alien Rape” starts off with a spoken introduction by an alien recapping the events that led to their conquest of Earth. The effect used for the voice of the alien is just some simple speed and pitch control adjustments to the tape. This gives the voice a slow, deep almost baritone sound. Space like sound effects, screaming and detonations add to the atmospheric “War of the Worlds” like setting.
The first CD pressing of this album was released on Kraze Records, now out of print. This version of the CD seemed to be mastered from a cassette tape. The quality is quite good. However, another release by Full Moon Productions would be a 2 for 1 deal, with Piledriver’s second album “Stay Ugly” included. The thing I must warn people about is that this version is more of a bootleg. This version of “Metal Inquisition” was mastered from a record. My taped version from my original LP sounds better than Full Moons. As for “Stay Ugly” (Dave DeFeis and Eddie Pursino of Virgin Steele helped with the writing), it seems it was mastered from a cassette tape, so it doesn’t sound as bad.
Kerrang Magazine at the time voted this “Best Album of 1985” calling it “genius”. If you like GWAR and VENOM, then you’ll love PILEDRIVER!

tags: piledriver, metal inquisition, 1984, flac,

Celtic Frost - To Mega Therion (1985) ☠

*U.S. first pressing on CD. 
Contains 10 tracks total.
Country: Switzerland
Language: English
Genre: Thrash Metal
Label Number: 88561-8091-2
☠: Selected by Buccaneer
© 1985-1987 Combat, Noise
AllMusic Review by Ned Raggett
The bombastic "Innocence and Wrath" starts To Mega Therion off on just the appropriate note -- Wagnerian horn lines, booming drums, and a slow crunch toward apocalypse. Nobody can say Tom Warrior and his merry men don't know how to make the end of the world sound appropriately dramatic. With that setting the tone, it's into the maddeningly wild and woolly Celtic Frost universe full bore, Warrior roaring out his vocals with glee and a wicked smile while never resorting to self-parodic castrato wails. "The Usurper" alone is worth the price of admission, an awesome display of Warrior's knack around brute power and unexpectedly memorable riffs. It isn't so much headbanging as body-slamming that Celtic Frost are after here. While there's not a lot of variety throughout Therion -- everything is mostly as already indicated, big, loud, and invoking death and storm clouds conjured up by pagan gods -- what does crop up outside the formula makes a good experience even better. Mostly that's got to do with the subtle touches the band buries in the mix -- wailing noises, chanting choirs, and more than once an actual sense of space and echo, like the group is really thundering down from the Alps. The contrast of a brief operatic aria and groaning demon voice behind Warrior on "Circle of the Tyrants," right before leading into a mind-blowingly powerful full-on band assault, is one such prime moment. Other prime cuts in general include the perfectly titled "Dawn of Megiddo" -- can't get any better than that, really! -- the shadowy instrumental mood-out "Tears in a Prophet's Dream," and "Eternal Summer," which makes such a prospect seem like the last thing on earth one would want. Ending on another prime note, the hyperdramatic "Necromantical Screams," To Mega Therion is and remains death metal at its finest.

tags: celtic frost, to mega therion, 1985, flac,

S.O.D - Speak English or Die (1985) ☠

*U.S. first pressing. 
Contains 22 tracks total.
Country: U.S.A.
Genre: Crossover Thrash
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☠: Selected by Buccaneer
© 1985-1987 Megaforce Records
AllMusic Review by Steve Huey
S.O.D.'s Speak English or Die was an important record in the fusion of hardcore punk with thrash and speed metal, making even more explicit the connections that Anthrax's music implied. The tone of the music is crushingly loud, fast, and aggressive, but not at all serious -- the record is filled with goofy, macho humor, some of which holds up well (i.e., the three-second "Anti-Procrastination Song," an ode to "Milk") and some of which is quite racist and sexist. However, the music blasts by at such a frenetic pace (22 tracks in under half an hour) that the more offensive lyrics are often incomprehensible, so some may find them easier to ignore. Still, it's the loud-fast-rules music that made an impact, and mosh fans will quickly understand why.

tags: sod, storm troopers of death, speak english or die, 1985, flac,

Razor - Evil Invaders (1985) ☠

*First pressing on CD. 
Contains 10 tracks total.
Country: Canada
Language: English
Genre: Speed Metal, Thrash Metal
Label Number: RO 9732 2
☠: Selected by Buccaneer
© 1985-1989 Viper/Roadracer Records
Reviewed by Larry Griffin for Metal Crypt.com
There's something very gratifying about such simplistic, bashing music. Razor are a Canadian Thrashing machine from waaaay back in the 80s, and this was their sophomore effort, and it fucking rules. There's nothing modernistic or trendy about Evil Invaders, as it is more or less the antithesis of what is widely considered "good music" - it's raw, dirty, grimy stuff with a razor-sharp, crunchy guitar tone and a yammering, punkish style of vocals that fit the music like a glove. The solos are fast, sloppy and shredding, and the song structures are basic and bare-boned. But the clincher here is...it all works! This is one of the most completely and utterly METAL albums I've heard in a long time! It's music that the average Joe would be completely repulsed by, yet I fucking love it.
Why, you ask?
It's simple - Razor just know how to thrash, and they get right to the point. No bullshit interludes, no ballads, no intros or outros, no flirting with other genres, nothing. They simply went into the studio and punched out a short, sweet, and to the point album of ballsy, gritty, thrashing insanity, without even looking back to make sure they were doing everything perfectly. If you're a fan of metal, as I am, then you should be able to easily understand this sort of concept. It's all so concise and straightforward that it's really hard to criticize it, and if you try, you'd likely only be criticizing it for the things that are GOOD about it - its simplicity and its vicious, throat-ripping mentality.
Standout tracks? The whole album is great, as it more or less all sounds the same, being thoroughly consistent all the way through. The title track is probably the best, followed by the longest song here in the pulverizing "Tortured Skull," and the instrumental opener is a fantastic way to start off the album - it will get you headbanging straight away, exactly like any opener for this sort of music should do.
Razor's music will never be well liked by the non-metal community, but that just makes it all the better; a treasure that is all ours, and one that we'll never have to give up to the mainstream masses. This is the essence of metal, and I can't see why someone who likes Thrash Metal, or Heavy Metal in general, in the slightest would object to Razor or Evil Invaders. Essential.

tags: razor, evil invaders, 1985, flac,

Slughog - Grit! (1995)

Country: U.S.A.
Genre: Noise Rock
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© 1995 Wonderdrug Records
*No professional reviews are available for this release.

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Slughog - Ungodly Amounts of Meat (1998)

Country: U.S.A.
Genre: Noise Rock
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© 1998 Wonderbug Records
*No professional reviews are available for this release.

tags: slughog, ungodly amounts of meat, 1998, flac,

May 09, 2020

Retaliation - The Execution (1999)

Country: Sweden
Language: English
Genre: Grindcore
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© 1999 Headfucker
*No professional reviews are available for this release.

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Retaliation - Violence Spreads Its Drape (2002)

Country: Sweden
Language: English
Genre: Grindcore
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© 2002 No Tolerance Records
*No professional reviews are available for this release.

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Evil Stig - Evil Stig (1995)

Country: U.S.A.
Genre: Punk Rock
Style: Riot grrrl
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© 1995 Warner Bros./Blackheart Records
AllMusic Review by Erik Crawford
The rape and murder of the Gits' lead singer, Mia Zapata, was the catalyst for this benefit recording with Joan Jett stepping in on vocals. This record is not a quiet, melancholic tribute, but rather a full-on assault of angst and pain. "Sign of the Crab" opens the album with a galloping guitar riff that is matched by Jett's quickened vocals. This formula comes back again with gale-like potency on "Spear & Magic Helmet," which lyrically expresses the rage that the band feels about the tragedy. Jett eerily sings with the late Zapata's recorded voice on the track "Whirlwind," bringing to light the impact of the loss. Powerful tracks filled with gravity and poignant lyrics make this a unique album that is appropriate given the genesis of the project.

tags: evil stig, evil stig album, 1995, flac,

The Butterfly Effect - The Butterfly Effect: E.P. (2001)

*Contains 6 tracks total.
Country: Australia
Genre: Post Grunge
Label Number: 300716-2
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© 2001-2002 Modern Music
*No professional reviews are available for this release.

tags: the butterfly effect, the butterfly effect ep, 2001, flac,

The Butterfly Effect - Begins Here (2003)

Country: Australia
Genre: Post Grunge
Label Number: 300817-2
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© 2003 Modern Music
*No professional reviews are available for this release.

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The Butterfly Effect - Final Conversation of Kings (2008)

Country: Australia
Genre: Post Grunge
Label Number: 301492-2
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© 2008 Modern Music
*No professional reviews are available for this release.

tags: the butterfly effect, final conversations of kings, 2008, flac,

Shack - H.M.S. Fable (1999) ☠

Country: United Kingdom
Genre: Alternative Rock
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☠: Selected by Lass
© 1999 London/Laurel
AllMusic Review by Jack Rabid
Shack is led by Michael Head, who fronted the Pale Fountains in the mid-'80s after his mind was blown by Liverpool's incredible Echo & the Bunnymen and Teardrop Explodes. Head and his brother John know their way around highly-developed '60s-to-'80s pop. Get past what used to be called side one; it's often wonderful, but it's lesser. For instance, the one clunker, "Pull Together," is like uncharacteristically-bad Oasis. "Lend's Some Dough" is fun Mersey bounce pop like the La's, and the two U.K. singles, "Natalie's Party" and the much better Bunnymen-like "Comedy," are both guilty of trying too hard. But, starting with "Streets of Kenny," the LP shifts into a more natural pace, marked by chattering, delicately-picked bright acoustics, ringing electrics, busy background strings, and the Heads' onrushing, splendid harmonies. The level of compositions, arrangements, and singing on side two sets Shack apart from all the merely-OK, press-fed bands cluttering up British festivals. In fact, Head's pop knack has never been greater, as if he finished a long apprenticeship. He's rather sly about it, too: From the affectionate "You Only Live Twice" coda of the standout, "Since I Met You," to the staccato Burt Bacharach trumpet blurts of "Re-instated" to the Revolver Beatles outros of "Natalie's Party" and "I Want You" to the Arthur Lee/Love-worship of "Daniella," the milestones of yesteryear are referenced but built upon as well. What a contrast to the shambles of Shack's 1988 debut. The drums crackle, the guitars zing, the strings wash overhead. Perhaps the Heads sounded better in the past with more organic production, starting with 1996's Water Pistol. The bigger, bolder production is just a new wrinkle. Say no more.

tags: shack, hms fable, 1999, flac,

May 08, 2020

Bananafishbones - Viva Conputa (1998)

Country: Germany
Language: English
Genre: Alternative Rock, Noise Rock
Label Number: 559 988-2
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© 1999 Bonanza/Polydor
*No professional reviews are available for this release

tags: bananafishbones, banana fish bones, viva conputa, 1998, flac,

Liquid Gang - Sunshine (2000)

Country: U.S.A.
Genre: Post Grunge
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© 2000 Lava/Atlantic
AllMusic Review by Steven McDonald
They're good, they're loud, they're good and loud, sort of the dread-locked alterna-punk revenge on all the boy bands listeners learned to tolerate as the 20th century caved in to the 21st. If there's anything wrong with this album overall (aside from it not standing out in a crowd of crunchy guitar-driven records), it's that there seems to be no concern for pacing, so that one cut begins to blend into another by the time you get to anything resembling a more low-key number (and even that sounds like Led Zeppelin smashing into the Red Hot Chili Peppers). There are some intriguing tonal ideas scattered throughout, but nothing is ever followed up on -- merely steam rolled with the wall of guitars, bass, and drums.

tags: liquid gang, sunshine, 2000, flac,

May 07, 2020

Strangelove - Love & Other Demons (1996) ☠

Country: United Kingdom
Genre: Alternative Rock
Style: Britpop
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☠: Selected by Lass
© 1996 Food
AllMusic Review by Dean Carlson
Once again listeners find themselves listening to someone who thinks his problems are more important than theirs. Held aloft by a band full of smashed, beer-soaked leaping foulness and chord changes a few erratic pints away from Echo & the Bunnymen, but still someone who's more than happy to be unhappy just as long as it might sound interesting. What else to make of lines like, "In the city of grey and its meaningless day/I crave, crave, crave"? Or how Brett Anderson and Richard Oakes sound anachronistically evil flitting about in the attic of a couple of these dour-by-numbers selections? The band's guitarist may have joined Suede five years later, implying a nugget of kinship, but this is the equivalent of a dormitory's ubiquitous sourpuss reading Proust only when other people are watching.

tags: strangelove, strange love, love and demons, 1996, flac,

Cast - All Change (1995) ☠

Country: United Kingdom
Genre: Alternative Rock
Style: Britpop
Label Number: 529 312-2
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☠: Selected by Lass
© 1995 Polydor
AllMusic Review by Roch Parisien
Cast's All Change serves as the perfect antidote to the inner rage fueling much American alternative rock -- it would be hard to imagine a more gloriously upbeat backbeat of a guitar pop record, one that appeals to the eternal adolescent in each of us. The group's pedigree derives from good stock, founder John Power having served time with another fine Mersey combo the La's. But Cast transcends the hackneyed expectations of its environment, structure, and genetics through sheer, relentless quality of songcraft and performance. No sooner has one wide-eyed, hook-infested injection stormed the synapses demanding total capitulation than another of equal potency lines up to take its place. Cast vocals recall Small Faces-era Steve Marriott fused, in places, to Suede's Brett Anderson. There's a soft-psych feel to several tracks (try "Sandstorm") that calls to mind "Pictures of Matchstick Men"-era Status Quo; Cast has clearly assimilated several volumes of Bam Caruso's Rubble and A.I.P.'s Electric Sugarcube Flashbacks series, without sacrificing its power-Mod backbone. Production is brittle and uncluttered. On the lyrics front, all is positively cheery, anthemic stuff about truth, honor, living well, having fun and getting the girl, delivered exuberantly enough to strip away several coats of accumulated cynicism and almost make you believe it's possible. Two favorites are the shifting falsetto angst anthem "Tell It Like Is" and the ballad "Walk Away" -- a clue to how Mott the Hoople's "Roll Away the Stone" would have come out recorded in 1967.

tags: cast, all change, 1995, flac,

Mansun - Attack of The Grey Lantern (1997)

Country: United Kingdom
Genre: Alternative Rock
Style: Britpop
Label Number: EK 67935
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© 1997 Parlophone
AllMusic Review by Stephen Thomas Erlewine
Opening with the swirling, cinematic strings of "The Chad Who Loved Me," Mansun's debut album, Attack of the Grey Lantern, is anything but a conventional Brit-pop record. Few debut records are this assured, especially when a group is developing such an idiosyncratic, individual style. Mansun recalls many artists -- Suede, Manic Street Preachers, Tears for Fears, David Bowie, ABC, Blur, Prince -- without sounding exactly like any of them. Attack of the Grey Lantern is a grandiose, darkly seductive blend of new wave and '90s indie rock, filled with phased guitars, drum machines, and subversive, off-kilter song structures, many of which wind past five minutes. No song is ever quite what it seems -- "Mansun's Only Love Song" balances between soul and fractured pop, "Stripper Vicar" has new wave backing vocals and hard-rock chords, while "Taxloss" marries Suede's dark glam rock with uneasy psychedelia. It's an ambitious, even pretentious, record, but Mansun has enough confidence and skill to make it an astonishingly original debut. [The American edition of Attack of the Grey Lantern, however, is a bit of a different story. For some reason, the sequencing has been completely scrambled and "Stripper Vicar" has been replaced by the inferior early single "Take It Easy, Chicken." Since almost all of the songs were segued together and the album worked as a series of shifting sonic textures and moods, the re-sequenced album is simply a disaster, ludicrously robbing a fine concept album of its concept.]

tags: mansun, attack of the grey lantern, 1997, flac,

Rialto - Night On Earth (2000)

Country: United Kingdom
Genre: Alternative Rock
Style: Post Britpop
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© 2000 Eagle Records
AllMusic Review by Dean Carlson
 By dint of their immaculate fashion sense and vacant stares, Rialto has been at the forefront of lapsing Brit-pop emulators vying for the shrinking party-like-it's-1995 indie market. This second full-length, preemptively released in Korea, returns to their debut's stylish bombast and unflagging air of ambition but suffers for it. Even after being perennially dropped by record companies, Louis Eliot can still sound like he could take over the world with one sighing blast of a chorus and, truthfully, few bands would mix breakbeats with cyclonic orchestration -- sometimes clicking remarkably well, sometimes coming off as put-upon as Oi!-chanting American punk bands and Japanese Elvis impersonators -- discovering a niche no-hopers like My Life Story could never, ever find. Ultimately, though, you wouldn't want to be friends with anyone who didn't feel the delicate rush that burns through these songs ("Failing in Love," "Anything Could Happen," and "Underneath a Distant Moon") or couldn't get the sense that there is a certain nobility in standing on these particular chamber pop parapets. It's just that this is territory long past familiar. A flick of a wrist instead of a massive, arrogant strut in the face of adversity.

tags: rialto, night on earth, 2000, flac,

May 06, 2020

Wild Strawberries - Bet You Think I'm Lonely (1994)

Country: Canada
Language: English
Genre: Pop Rock
Label Number: 70055-5009-2

© 1994 Strawberry/A&M Records
*No processional reviews are available for this release.

tags: wild strawberries, bet you think im lonely, 1994, flac,