*U.S. first pressing.
Contains 9 tracks total.
Country: United KingdomGenre: Progressive Rock, Pop Rock
Label Number: 19313-2
© 1981-1987 Atlantic Records
AllMusic Review by Stephen Thomas Erlewine
© 1981-1987 Atlantic Records
AllMusic Review by Stephen Thomas Erlewine
Duke showcased a new Genesis -- a sleek, hard, stylish trio that truly sounded like a different band from its first incarnation -- but Abacab was where this new incarnation of the band came into its own. Working with producer Hugh Padgham, the group escalated the innovations of Duke,
increasing the pop hooks, working them seamlessly into the artiest rock
here. And even if the brash, glorious pop of "No Reply at All" --
powered by the percolating horns of Earth, Wind & Fire, yet polished into a precise piece of nearly new wave pop by Padgham
-- suggests otherwise, this is still art rock at its core, or at least
album-oriented rock, as the band works serious syncopations and
instrumental forays into a sound that's as bright, bold, and jagged as
the modernist artwork on the cover. They dabble in other genres, lacing
"Me and Sarah Jane" with a reggae beat, for instance, which often adds
dimension to their sound, as when "Dodo" rides a hard funk beat and
greasy organ synths yet doesn't become obvious; it turns inward,
requiring active listening. Truly, only "No Reply at All," the rampaging
title track (possibly their hardest-rocking song to date), and the
sleek and spooky "Man on the Corner" (which hides a real melancholy
heart underneath its glistening surface) are immediate and accessible --
although the Mockney jokes of "Who Dunnit?" could count, it's too much
of a geeky novelty to be pop. The rest of Abacab is truly modern art rock, their last album that could bear that tag comfortably.
tags: genesis, abacab, 1981, flac,
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