Genre: Pop
Label Number: BK 69917
© 1999 Epic Records
AllMusic Review by William Ruhlmann
© 1999 Epic Records
AllMusic Review by William Ruhlmann
Fifteen-year-old Mandy Moore's debut album sounded like it was inspired almost entirely by listening to recent hit albums by 'N Sync, the Backstreet Boys, and Britney Spears. Tracks like "So Real" and "Let Me Be the One" clearly echoed "Backstreet's Back," and Moore's
 occasional growls were straight out of "...Baby One More Time." But the
 singer seemed to have aimed at a slightly younger demographic: Her 
initial single, "Candy," pointedly described love in terms of sugar 
treats, as if she weren't sure whether she wanted to be at lovers' lane 
or a snack bar. Naturally, all of the songs adhered to the second-person
 form of address, in which the singer was continually exhorting "you" 
and "boy" to do something of a romantic nature ("Walk Me Home," "Lock Me
 in Your Heart," "Quit Breaking My Heart," "Let Me Be the One"). But 
things always remained chaste, whether she was declaring, "My innocence 
won't be denied" in "So Real" or suggesting the "uncharted territory 
we'll discover" before quickly adding, "You'll always be my dream 
lover," in "Lock Me in Your Heart." Meanwhile, of course, the downbeats,
 as high in the mix as those of any disco track, slavishly propelled the
 songs to mid-tempo rhythms. Moore
 can carry a tune, but with no particular distinction, and since the 
songs were generic expressions of the type, the real questions seemed to
 be, could she dance, would her videos be good, and how would she be 
marketed? As So Real
 was being released, "Candy" was moving up the charts purely on sales 
points, since radio had become resistant to adding more teen queens, 
while MTV had yet to bite. All of that had more to do with whether Mandy Moore would succeed than did the music, which was mediocre, but typical.
tags: mandy moore, so real, 1999, flac, 






 
 



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