Genre: Punk Rock
Style: Pop Punk
Label Number:
AllMusic Review by Stephen Thomas Erlewine
☠: Selected by Lass
© 1997 Reprise RecordsAllMusic Review by Stephen Thomas Erlewine
Following the cool reception to Insomniac, Green Day
retreated from the spotlight for a year to rest and spend time with
their families. During that extended break, they decided to not worry
about their supposedly lost street credibility and make an album
according to their instincts, which meant more experimentation and less
of their trademark punk-pop. Of course, speedy, catchy punk is at the
core of the group's sound, so there are plenty of familiar moments on
the resultant album, Nimrod,
but there are also new details that make the record an invigorating, if
occasionally frustrating, listen. Although punk-pop is Green Day's forte, they sound the most alive on Nimrod
when they're breaking away from their formula, whether it's the
shuffling "Hitchin' a Ride," the bitchy, tongue-in-cheek humor of "The
Grouch," the surging surf instrumental "Last Ride In," the punchy,
horn-driven drag-queen saga "King for a Day," or the acoustic,
string-laced ballad "Good Riddance." It's only when the trio confines
itself to three chords that it sounds tired, but Billie Joe has such a gift for hooky, instantly memorable melodies that even these moments are enjoyable, if unremarkable. Still, Nimrod
suffers from being simply too much -- although it clocks in at under 50
minutes, the 18 tracks whip by at such a breakneck speed that it leaves
you somewhat dazed. With a little editing, Green Day's growth would have been put in sharper relief, and Nimrod
would have been the triumphant leap forward it set out to be. As it
stands, it's a muddled but intermittently exciting record that is full
of promise.
tags: green day, nimrod, 1997, flac,
thanks dude!
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