Genre: Punk Rock
Style: Pop Punk
Label Number: 9 46046-2
☠: Selected by Lass
© 1995 Reprise RecordsAllMusic Review by Stephen Thomas Erlewine
Dookie gave Green Day
success, but it was never really clear whether they wanted it in the
first place. However, given the incessantly catchy songwriting of Billie Joe, the success made sense. Green Day
were traditionalists without realizing it, learning all of their tricks
through secondhand records and second-generation California punk bands.
They didn't change their sound in the slightest after signing to a
major label, which meant that they couldn't revert back to a harsher,
earlier sound as a way to shed their audience for Dookie's follow-up, Insomniac. Instead, they kept their blueprint and made it a shade darker. Throughout Insomniac,
there are vague references to the band's startling multi-platinum
breakthrough, but the album is hardly a stark confessional on the level
of Nirvana's In Utero. It's a collection of speedy, catchy songs in the spirit of the Buzzcocks, the Jam, the Clash, and the Undertones,
but played with more minor chords and less melody and recorded with a
bigger, hard rock-oriented production. While nothing on the album is as
immediate as "Basket Case" or "Longview," the band has gained a powerful
sonic punch, which goes straight for the gut but sacrifices the raw
edge they so desperately want to keep and makes the record slightly
tame. Billie Joe
hasn't lost much of his talent for simple, tuneful hooks, but after a
series of songs that all sound pretty much the same, it becomes clear
that he needs to push himself a little bit more if Green Day ever want to be something more than a good punk-pop band. As it is, they remain a good punk-pop band, and Insomniac is a good punk-pop record, but nothing more.
tags: green day, insomniac, 1995, flac,
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